Author: Charles Fenyvesi
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 179
Book Description
In this family memoir, Charles Fenyvesi brings back to life his ancestors who loved and improved the poor soil they tilled in northeastern Hungary, kept the countless rules of their Jewish faith, and trusted Providence. Unlike their co-religionists who wandered about, always on the lookout for better opportunities elsewhere, they stayed in the same small village far from cities and main highways — and bound for the family cemetery whose hoary age remains a secret known only to family members. They lived at peace with their neighbors — Greek Catholic, Roman Catholic, and Calvinist — and joined their passionate struggle for independence from the Austrian Empire, then a great power on the European continent. Fenyvesi collected their stories, part verified history and part misty legend, about their travels searching for beautiful brides and running into wise rabbis who dispensed blessings. Nothing is accidental in their world of secret symmetries and unexpected re-enactments. “… in his exceptional family memoir, [Fenyvesi] produce[d] a family and social history that is both enchanting and devastating… Each chapter of the book has its own special charm, but those dealing with his grandparents are especially lovely and loving… As Mr. Fenyvesi writes, 'We can still recapture bits and pieces from a world that was once whole, in which lives were aligned in secret symmetries, one good deed invoked another, and a gift from heaven passed from one generation to the next. Telling stories about such a world helps restore it.' He is so right, and he has done his job so well.” — Jeff Kisseloff, New York Times “Drawing on the records and recollections of his relatives, Charles Fenyvesi chronicles his Hungarian family's rise under the Hapsburgs, its fall in World War I and its near extinction under the Nazis. He has written 'a family and social history that is both enchanting and devastating,' Jeff Kisseloff said here last year.” — New York Times “A historical, anecdotal, sentimental, and rather charming romp through the author's ancestral Hungarian homeland… After an exercise in family history, lore, and genealogy, Fenyvesi often transcends the particulars to present a nostalgic picture of the neatly fenced fields of a once 'whole' world.” — Kirkus Reviews “… I was prepared to enjoy When the World Was Whole from the moment that I glanced at the author's photograph on the dust jacket. His sly smile, the gleam in his eyes, and even the lines on his careworn face hold out the promise of worldly-wise good humor and tales well told. And when I read Charles Fenyvesi's marvelous stories of Jewish life in Hungary in bygone times, I discovered that my intuition was wholly correct… in Fenyvesi's hands, the memories turn out to be a rich legacy… Fenyvesi's book … is an unabashed (and unashamedly sentimental) celebration of a world of grace and beauty, a world of order and balance. Each vivid character in Fenyvesi's stories somehow ennobles and enriches the lives of others… Fenyvesi's rich prose is redolent of worked earth” — Los Angeles Times “[Fenyvesi] presents a synchronic vision of a profoundly joyous metaphysic, of interest and value to any reader, Jewish, Christian, Muslim or atheist. The myths and stories Fenyvesi preserves with such powerful yet humble language — the language, indeed, of prayer and myth — are profoundly Jewish. And yet, despite the destruction and horror of this century, these lives speak of a triumphant Judaism, a listening, forgiving and optimistic Judaism, which will find a way to its future through its past: a Judaism from which we all have much to learn.” — Claire Messud, Literary Review
When The World Was Whole: Three Centuries of Memories
Author: Charles Fenyvesi
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 179
Book Description
In this family memoir, Charles Fenyvesi brings back to life his ancestors who loved and improved the poor soil they tilled in northeastern Hungary, kept the countless rules of their Jewish faith, and trusted Providence. Unlike their co-religionists who wandered about, always on the lookout for better opportunities elsewhere, they stayed in the same small village far from cities and main highways — and bound for the family cemetery whose hoary age remains a secret known only to family members. They lived at peace with their neighbors — Greek Catholic, Roman Catholic, and Calvinist — and joined their passionate struggle for independence from the Austrian Empire, then a great power on the European continent. Fenyvesi collected their stories, part verified history and part misty legend, about their travels searching for beautiful brides and running into wise rabbis who dispensed blessings. Nothing is accidental in their world of secret symmetries and unexpected re-enactments. “… in his exceptional family memoir, [Fenyvesi] produce[d] a family and social history that is both enchanting and devastating… Each chapter of the book has its own special charm, but those dealing with his grandparents are especially lovely and loving… As Mr. Fenyvesi writes, 'We can still recapture bits and pieces from a world that was once whole, in which lives were aligned in secret symmetries, one good deed invoked another, and a gift from heaven passed from one generation to the next. Telling stories about such a world helps restore it.' He is so right, and he has done his job so well.” — Jeff Kisseloff, New York Times “Drawing on the records and recollections of his relatives, Charles Fenyvesi chronicles his Hungarian family's rise under the Hapsburgs, its fall in World War I and its near extinction under the Nazis. He has written 'a family and social history that is both enchanting and devastating,' Jeff Kisseloff said here last year.” — New York Times “A historical, anecdotal, sentimental, and rather charming romp through the author's ancestral Hungarian homeland… After an exercise in family history, lore, and genealogy, Fenyvesi often transcends the particulars to present a nostalgic picture of the neatly fenced fields of a once 'whole' world.” — Kirkus Reviews “… I was prepared to enjoy When the World Was Whole from the moment that I glanced at the author's photograph on the dust jacket. His sly smile, the gleam in his eyes, and even the lines on his careworn face hold out the promise of worldly-wise good humor and tales well told. And when I read Charles Fenyvesi's marvelous stories of Jewish life in Hungary in bygone times, I discovered that my intuition was wholly correct… in Fenyvesi's hands, the memories turn out to be a rich legacy… Fenyvesi's book … is an unabashed (and unashamedly sentimental) celebration of a world of grace and beauty, a world of order and balance. Each vivid character in Fenyvesi's stories somehow ennobles and enriches the lives of others… Fenyvesi's rich prose is redolent of worked earth” — Los Angeles Times “[Fenyvesi] presents a synchronic vision of a profoundly joyous metaphysic, of interest and value to any reader, Jewish, Christian, Muslim or atheist. The myths and stories Fenyvesi preserves with such powerful yet humble language — the language, indeed, of prayer and myth — are profoundly Jewish. And yet, despite the destruction and horror of this century, these lives speak of a triumphant Judaism, a listening, forgiving and optimistic Judaism, which will find a way to its future through its past: a Judaism from which we all have much to learn.” — Claire Messud, Literary Review
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 179
Book Description
In this family memoir, Charles Fenyvesi brings back to life his ancestors who loved and improved the poor soil they tilled in northeastern Hungary, kept the countless rules of their Jewish faith, and trusted Providence. Unlike their co-religionists who wandered about, always on the lookout for better opportunities elsewhere, they stayed in the same small village far from cities and main highways — and bound for the family cemetery whose hoary age remains a secret known only to family members. They lived at peace with their neighbors — Greek Catholic, Roman Catholic, and Calvinist — and joined their passionate struggle for independence from the Austrian Empire, then a great power on the European continent. Fenyvesi collected their stories, part verified history and part misty legend, about their travels searching for beautiful brides and running into wise rabbis who dispensed blessings. Nothing is accidental in their world of secret symmetries and unexpected re-enactments. “… in his exceptional family memoir, [Fenyvesi] produce[d] a family and social history that is both enchanting and devastating… Each chapter of the book has its own special charm, but those dealing with his grandparents are especially lovely and loving… As Mr. Fenyvesi writes, 'We can still recapture bits and pieces from a world that was once whole, in which lives were aligned in secret symmetries, one good deed invoked another, and a gift from heaven passed from one generation to the next. Telling stories about such a world helps restore it.' He is so right, and he has done his job so well.” — Jeff Kisseloff, New York Times “Drawing on the records and recollections of his relatives, Charles Fenyvesi chronicles his Hungarian family's rise under the Hapsburgs, its fall in World War I and its near extinction under the Nazis. He has written 'a family and social history that is both enchanting and devastating,' Jeff Kisseloff said here last year.” — New York Times “A historical, anecdotal, sentimental, and rather charming romp through the author's ancestral Hungarian homeland… After an exercise in family history, lore, and genealogy, Fenyvesi often transcends the particulars to present a nostalgic picture of the neatly fenced fields of a once 'whole' world.” — Kirkus Reviews “… I was prepared to enjoy When the World Was Whole from the moment that I glanced at the author's photograph on the dust jacket. His sly smile, the gleam in his eyes, and even the lines on his careworn face hold out the promise of worldly-wise good humor and tales well told. And when I read Charles Fenyvesi's marvelous stories of Jewish life in Hungary in bygone times, I discovered that my intuition was wholly correct… in Fenyvesi's hands, the memories turn out to be a rich legacy… Fenyvesi's book … is an unabashed (and unashamedly sentimental) celebration of a world of grace and beauty, a world of order and balance. Each vivid character in Fenyvesi's stories somehow ennobles and enriches the lives of others… Fenyvesi's rich prose is redolent of worked earth” — Los Angeles Times “[Fenyvesi] presents a synchronic vision of a profoundly joyous metaphysic, of interest and value to any reader, Jewish, Christian, Muslim or atheist. The myths and stories Fenyvesi preserves with such powerful yet humble language — the language, indeed, of prayer and myth — are profoundly Jewish. And yet, despite the destruction and horror of this century, these lives speak of a triumphant Judaism, a listening, forgiving and optimistic Judaism, which will find a way to its future through its past: a Judaism from which we all have much to learn.” — Claire Messud, Literary Review
Paper Memory
Author: Matthew Lundin
Publisher: Harvard University Press
ISBN: 0674067657
Category : History
Languages : en
Pages : 346
Book Description
Paper Memory tells of one man’s mission to preserve for posterity the memory of everyday life in sixteenth-century Germany. Lundin takes us inside the mind of an undistinguished German burgher, Hermann Weinsberg, whose early-modern writings sought to make sense of changes that were unsettling the foundations of his world.
Publisher: Harvard University Press
ISBN: 0674067657
Category : History
Languages : en
Pages : 346
Book Description
Paper Memory tells of one man’s mission to preserve for posterity the memory of everyday life in sixteenth-century Germany. Lundin takes us inside the mind of an undistinguished German burgher, Hermann Weinsberg, whose early-modern writings sought to make sense of changes that were unsettling the foundations of his world.
Bahamian Memories
Author: Olga Culmer Jenkins
Publisher:
ISBN: 9780813032726
Category : Bahamas
Languages : en
Pages : 0
Book Description
Allowing each person's story to stand with its own color, texture, and pattern, Olga Jenkins has created a people's history of The Bahamas. Those interviewed were born between 1900 and 1942, and their voices are as varied as the populations of the eight islands the author visited, including black, white, mixed, and working- and middle-class individuals.
Publisher:
ISBN: 9780813032726
Category : Bahamas
Languages : en
Pages : 0
Book Description
Allowing each person's story to stand with its own color, texture, and pattern, Olga Jenkins has created a people's history of The Bahamas. Those interviewed were born between 1900 and 1942, and their voices are as varied as the populations of the eight islands the author visited, including black, white, mixed, and working- and middle-class individuals.
Looking Back: Memoir of a Psychoanalyst
Author: Paul Ornstein
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 109
Book Description
Looking Back is the unusual memoir of a senior figure in the international psychoanalytic community. Dr. Paul Ornstein was one of the small and distinguished group of Holocaust survivors/physicians who came to the U.S. after the second world war and became prominent in American psychoanalysis. His memoir traces his route from a small town in Hungary, to Budapest’s Neolog Rabbinical Seminary, to a Hungarian forced labor battalion, through medical school in post-war Heidelberg to the Chicago Institute for Psychoanalysis, to Cincinnati, Ohio, where he became a prominent professor of psychiatry and a leader of the psychoanalytic Self Psychology movement. “How does one begin to identify and evaluate a well-lived life? I thought again of this question as I read Paul Ornstein’s lovely and surprisingly profound memoir titled simply Looking Back: Memoir of a Psychoanalyst. If you want to know what a life well lived looks like, read this book... Ornstein, all of his personal and professional accomplishments and contributions notwithstanding, possesses an endearing humility. Its tone colors the memoir... For entrée into a life history that spans the great events of the last century, that charts the growth and development of psychoanalysis into a humanistic and humane endeavor, and that depicts a life very well lived, I commendLooking Back: Memoir of a Psychoanalyst.” — Joye Weisel-Barth, International Journal of Psychoanalytic Self Psychology “Paul Ornstein's remarkable life has taken him from a cheder in a Hungarian town, to the Budapest Rabbinical Seminary through the Holocaust, to the summit of his psychoanalytic profession. This memoir tells this story in vivid and often moving fashion, including his dazed, postwar search for surviving family members, the tenderness of his romance and reunion with his beloved wife and collaborator Anna, their improbable postwar study of medicine among former Nazis at Heidelberg, his use of hypnosis to cure a paralyzed aide to a legendary congressman, to his development, along with Anna, into a towering figure in self-psychology. Paul, who has been fortunate to have Helen Epstein as his co-author, enriches the book by using his penetrating insight to analyze his own motivations and foibles, and those of colleagues and teachers. The reader comes away astonished by how Paul was able to transcend trauma and retain a spirited delight in living and a lifelong sense of optimism.” —Joseph Berger, veteran reporter, The New York Times and author, Displaced Persons: Growing Up American After the Holocaust. “In this memoir, Paul Ornstein describes his remarkable and moving personal, historical and professional life journey, losing many family members, his community, and his country in the Shoah, yet being blessed from the beginning with a resilient optimism and clear-eyed certainty about what he can accomplish and who and what matters to him: family first and foremost, friends, community and identity, and being a psychoanalyst. Looking Back, including photos and accounts of Ornstein’s close relationship with his long-lived survivor father, with Michael Balint, and with Hans Kohut, could be called ‘My Father’s Culture’. It serves as companion volume to his beloved Anna’s My Mother’s Eyes.” — Dr. Nancy J. Chodorow, Author, The Power of Feelings, Individualizing Gender and Sexuality and other works; Professor of Sociology Emerita, University of California, Berkeley; Lecturer on Psychiatry, Harvard Medical School; Training and Supervising Analyst, Boston Psychoanalytic Society and Institute. “Paul Ornstein was one of the psychoanalysts who came to the U.S. from Europe after the second world war and became a central figure in American psychoanalysis. He and his wife Anna have made an essential contribution to establishing Heinz Kohut’s self psychology as an important part of our pluralistic psychoanalytic world. The book is a portrait of a fine psychoanalyst and a fine human being.” — Dr. Arnold Richards, Editor InternationalPsychoanalysis.net, Publisher ipbooks.net, Former editor JAPA. “It is rare for a psychoanalyst of Paul Ornstein’s generation and stature to share his personal and professional history. Dr. Ornstein’s story is unique and, fluently written with journalist Helen Epstein, provides a way for mental health professionals and lay people alike to learn how one can overcome apocalyptic trauma. Students of psychoanalytic history will get a window onto the Hungarian tradition that stretches from Ferenczi to Balint to Ornstein as well as the politics of the American psychoanalytic community, chiefly in Cincinnati and Chicago. Dr. Ornstein’s story demonstrates how determination, perseverance and love can conquer all.” — Dr. Eva Fogelman, author of Conscience and Courage: Rescuers of Jews during the Holocaustand co-producer of Breaking the Silence: The Generation After the Holocaust. “Looking Back is, like its author, direct, without frills, but leaves the reader thinking about some of the Big Questions. And like the story of Passover, Paul Ornstein's story is one that demands telling and retelling.” — Lester Lenoff, MSW, LCSW, Consulting Editor, Psychoanalytic Inquiry; Editorial Board, The International Journal of Psychoanalytic Psychotherapy. “As a survivor, Paul Ornstein is a model of resilience, turning his Shoah experience into a lesson in living. As a psychoanalyst, he was able to distance himself from ‘ego psychology’ and to acknowledge, under the influence of Kohut, the clinical importance of empathy, an evolution that had numerous equivalents in other countries, and especially in France. The result is an important book, both moving and intellectually challenging.” — Dr. Rachel Rosenblum, Paris Psychoanalytic Society, Recipient of the 2013 Hayman Award. “This memoir conveys one man's experience of the Holocaust and how he was able to reconstruct a life after the war. Uniquely, it also gives us a feel for what was a seismic event in analytic circles in the 20th century, the birth and growth of Self Psychology. From horror to empathy, not a bad journey to read about in a short, succinct book.” —Dr. Michael Rosenbluth, FRCPC Chief, Department of Psychiatry, Toronto East General Hospital, Associate Professor, University of Toronto. “This memoir is a gem, rich and deeply personal as well as a chronicle of a remarkable life lived during a remarkable time. And those photos! They are stunning.” — Dr. James Fisch, Editorial Board, International Journal of Psychoanalytic Self Psychology.
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 109
Book Description
Looking Back is the unusual memoir of a senior figure in the international psychoanalytic community. Dr. Paul Ornstein was one of the small and distinguished group of Holocaust survivors/physicians who came to the U.S. after the second world war and became prominent in American psychoanalysis. His memoir traces his route from a small town in Hungary, to Budapest’s Neolog Rabbinical Seminary, to a Hungarian forced labor battalion, through medical school in post-war Heidelberg to the Chicago Institute for Psychoanalysis, to Cincinnati, Ohio, where he became a prominent professor of psychiatry and a leader of the psychoanalytic Self Psychology movement. “How does one begin to identify and evaluate a well-lived life? I thought again of this question as I read Paul Ornstein’s lovely and surprisingly profound memoir titled simply Looking Back: Memoir of a Psychoanalyst. If you want to know what a life well lived looks like, read this book... Ornstein, all of his personal and professional accomplishments and contributions notwithstanding, possesses an endearing humility. Its tone colors the memoir... For entrée into a life history that spans the great events of the last century, that charts the growth and development of psychoanalysis into a humanistic and humane endeavor, and that depicts a life very well lived, I commendLooking Back: Memoir of a Psychoanalyst.” — Joye Weisel-Barth, International Journal of Psychoanalytic Self Psychology “Paul Ornstein's remarkable life has taken him from a cheder in a Hungarian town, to the Budapest Rabbinical Seminary through the Holocaust, to the summit of his psychoanalytic profession. This memoir tells this story in vivid and often moving fashion, including his dazed, postwar search for surviving family members, the tenderness of his romance and reunion with his beloved wife and collaborator Anna, their improbable postwar study of medicine among former Nazis at Heidelberg, his use of hypnosis to cure a paralyzed aide to a legendary congressman, to his development, along with Anna, into a towering figure in self-psychology. Paul, who has been fortunate to have Helen Epstein as his co-author, enriches the book by using his penetrating insight to analyze his own motivations and foibles, and those of colleagues and teachers. The reader comes away astonished by how Paul was able to transcend trauma and retain a spirited delight in living and a lifelong sense of optimism.” —Joseph Berger, veteran reporter, The New York Times and author, Displaced Persons: Growing Up American After the Holocaust. “In this memoir, Paul Ornstein describes his remarkable and moving personal, historical and professional life journey, losing many family members, his community, and his country in the Shoah, yet being blessed from the beginning with a resilient optimism and clear-eyed certainty about what he can accomplish and who and what matters to him: family first and foremost, friends, community and identity, and being a psychoanalyst. Looking Back, including photos and accounts of Ornstein’s close relationship with his long-lived survivor father, with Michael Balint, and with Hans Kohut, could be called ‘My Father’s Culture’. It serves as companion volume to his beloved Anna’s My Mother’s Eyes.” — Dr. Nancy J. Chodorow, Author, The Power of Feelings, Individualizing Gender and Sexuality and other works; Professor of Sociology Emerita, University of California, Berkeley; Lecturer on Psychiatry, Harvard Medical School; Training and Supervising Analyst, Boston Psychoanalytic Society and Institute. “Paul Ornstein was one of the psychoanalysts who came to the U.S. from Europe after the second world war and became a central figure in American psychoanalysis. He and his wife Anna have made an essential contribution to establishing Heinz Kohut’s self psychology as an important part of our pluralistic psychoanalytic world. The book is a portrait of a fine psychoanalyst and a fine human being.” — Dr. Arnold Richards, Editor InternationalPsychoanalysis.net, Publisher ipbooks.net, Former editor JAPA. “It is rare for a psychoanalyst of Paul Ornstein’s generation and stature to share his personal and professional history. Dr. Ornstein’s story is unique and, fluently written with journalist Helen Epstein, provides a way for mental health professionals and lay people alike to learn how one can overcome apocalyptic trauma. Students of psychoanalytic history will get a window onto the Hungarian tradition that stretches from Ferenczi to Balint to Ornstein as well as the politics of the American psychoanalytic community, chiefly in Cincinnati and Chicago. Dr. Ornstein’s story demonstrates how determination, perseverance and love can conquer all.” — Dr. Eva Fogelman, author of Conscience and Courage: Rescuers of Jews during the Holocaustand co-producer of Breaking the Silence: The Generation After the Holocaust. “Looking Back is, like its author, direct, without frills, but leaves the reader thinking about some of the Big Questions. And like the story of Passover, Paul Ornstein's story is one that demands telling and retelling.” — Lester Lenoff, MSW, LCSW, Consulting Editor, Psychoanalytic Inquiry; Editorial Board, The International Journal of Psychoanalytic Psychotherapy. “As a survivor, Paul Ornstein is a model of resilience, turning his Shoah experience into a lesson in living. As a psychoanalyst, he was able to distance himself from ‘ego psychology’ and to acknowledge, under the influence of Kohut, the clinical importance of empathy, an evolution that had numerous equivalents in other countries, and especially in France. The result is an important book, both moving and intellectually challenging.” — Dr. Rachel Rosenblum, Paris Psychoanalytic Society, Recipient of the 2013 Hayman Award. “This memoir conveys one man's experience of the Holocaust and how he was able to reconstruct a life after the war. Uniquely, it also gives us a feel for what was a seismic event in analytic circles in the 20th century, the birth and growth of Self Psychology. From horror to empathy, not a bad journey to read about in a short, succinct book.” —Dr. Michael Rosenbluth, FRCPC Chief, Department of Psychiatry, Toronto East General Hospital, Associate Professor, University of Toronto. “This memoir is a gem, rich and deeply personal as well as a chronicle of a remarkable life lived during a remarkable time. And those photos! They are stunning.” — Dr. James Fisch, Editorial Board, International Journal of Psychoanalytic Self Psychology.
The Turning Point: Thirty-Five Years in this Century, the Autobiography of Klaus Mann
Author: Klaus Heinrich Thomas Mann
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 263
Book Description
In this second installment of his autobiography (following Kind dieser Zeit), Klaus Mann describes his childhood in the family of Thomas Mann and his circle, his adolescence in the Weimar Republic, and his experiences as a young homosexual and early opponent of Nazism. He also describes how, after the Reichstag elections of September 1930, friends and family began to discuss the looming prospect of emigration and exile. When Stefan Zweig published an article claiming that democracy was ineffective, Klaus replied: “I want to have nothing, nothing at all to do with this perverse kind of ‘radicalism.’” After hearing one of his working-class lovers in a storm trooper’s uniform say, “They are going to be the bosses and that’s all there is to it,” Klaus fled to Paris in March of 1933. He became one of one hundred thousand German refugees in France, losing his publisher, friends and associates, and readers in the process. He describes finding a German Jewish publisher in Amsterdam and the difficulties of starting a journal of émigré writing. In 1934, his German passport expired and he was forced to renew temporary travel documents every six months. The President of Czechoslovakia offered citizenship to the entire Mann family in 1936 but then Hitler invaded that country and Klaus emigrated to the United States. Despite statelessness, bouts of syphilis and drug abuse, neither his pace of travel nor publication slowed. His novel Der Vulkan is among the most famous books about German exiles during World War II but it sold only 300 copies. Klaus stopped reading and writing German in the U.S. “The writer must not cling with stubborn nostalgia to his mother tongue,” he writes in The Turning Point. He must “find a new vocabulary, a new set of rhythms and devices, a new medium to articulate his sorrow and emotions, his protests and his prayers.” This extraordinary memoir, an eyewitness account of the rise of Nazism by an out gay man, was Klaus Mann’s first book written in English. “A highly civilized child of the twentieth century is trying to make peace with his times, trying to find a place to belong... The decay of France, the paranoia of Germany, the coming disasters, the shining myth of Europe... are now compelling concerns... A sensitive, cultivated European looks at his world, his life, and describes them in apt and telling phrase. Toward both his attitude is not so strong as despair, but rather one of alienation. His book is a commentary upon evil times...” — Lorinne Pruette, The New York Times “Klaus Mann... has written an intensely engaging autobiography... This is Klaus Mann’s own story; it is also the story of many young intellectuals in a darkening Europe; and it is the story of a son of a famous man... an eloquent book... a lavish document.” — Winfield Townley Scott, The American Mercury “[Klaus Mann’s] autobiography [is] certainly one of the great autobiographies of the century and probably the definitive one of the life of a German exile… Not only very good reading but also essential in the literature of twentieth-century exile.” — Carl Zuckmayer, Bloomsbury Review “A delightful, modern-romantic group portrait of the Manns en famille.” — The New Yorker “The portrait of the Mann family is excellent. Klaus Mann is at his best describing his childhood and the family life... The value and the interest of this book lies in the intimate impressions and memories of many celebrities who crossed the path of Klaus Mann during his wanderings through the whole world.” — The Saturday Review of Literature “The book moves with passion and conviction in a stirring tempo worthy of the son of Thomas Mann. The years in exile are superbly written.” — The New York Post “This autobiography by the son of Thomas Mann has a double value: first as a distinguished autobiography, a sensitive portrait of a young man growing up in between-wars Germany, second as a loving intimate portrait of his father. A vivid picture of what the first war meant to a child, with its violent patriotism, its deprivations; then the moral disorder of Berlin youth in the 20s and his attempts to express himself against the rising tide of fascism, one of the reasons for the family exile.” — Kirkus Reviews
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 263
Book Description
In this second installment of his autobiography (following Kind dieser Zeit), Klaus Mann describes his childhood in the family of Thomas Mann and his circle, his adolescence in the Weimar Republic, and his experiences as a young homosexual and early opponent of Nazism. He also describes how, after the Reichstag elections of September 1930, friends and family began to discuss the looming prospect of emigration and exile. When Stefan Zweig published an article claiming that democracy was ineffective, Klaus replied: “I want to have nothing, nothing at all to do with this perverse kind of ‘radicalism.’” After hearing one of his working-class lovers in a storm trooper’s uniform say, “They are going to be the bosses and that’s all there is to it,” Klaus fled to Paris in March of 1933. He became one of one hundred thousand German refugees in France, losing his publisher, friends and associates, and readers in the process. He describes finding a German Jewish publisher in Amsterdam and the difficulties of starting a journal of émigré writing. In 1934, his German passport expired and he was forced to renew temporary travel documents every six months. The President of Czechoslovakia offered citizenship to the entire Mann family in 1936 but then Hitler invaded that country and Klaus emigrated to the United States. Despite statelessness, bouts of syphilis and drug abuse, neither his pace of travel nor publication slowed. His novel Der Vulkan is among the most famous books about German exiles during World War II but it sold only 300 copies. Klaus stopped reading and writing German in the U.S. “The writer must not cling with stubborn nostalgia to his mother tongue,” he writes in The Turning Point. He must “find a new vocabulary, a new set of rhythms and devices, a new medium to articulate his sorrow and emotions, his protests and his prayers.” This extraordinary memoir, an eyewitness account of the rise of Nazism by an out gay man, was Klaus Mann’s first book written in English. “A highly civilized child of the twentieth century is trying to make peace with his times, trying to find a place to belong... The decay of France, the paranoia of Germany, the coming disasters, the shining myth of Europe... are now compelling concerns... A sensitive, cultivated European looks at his world, his life, and describes them in apt and telling phrase. Toward both his attitude is not so strong as despair, but rather one of alienation. His book is a commentary upon evil times...” — Lorinne Pruette, The New York Times “Klaus Mann... has written an intensely engaging autobiography... This is Klaus Mann’s own story; it is also the story of many young intellectuals in a darkening Europe; and it is the story of a son of a famous man... an eloquent book... a lavish document.” — Winfield Townley Scott, The American Mercury “[Klaus Mann’s] autobiography [is] certainly one of the great autobiographies of the century and probably the definitive one of the life of a German exile… Not only very good reading but also essential in the literature of twentieth-century exile.” — Carl Zuckmayer, Bloomsbury Review “A delightful, modern-romantic group portrait of the Manns en famille.” — The New Yorker “The portrait of the Mann family is excellent. Klaus Mann is at his best describing his childhood and the family life... The value and the interest of this book lies in the intimate impressions and memories of many celebrities who crossed the path of Klaus Mann during his wanderings through the whole world.” — The Saturday Review of Literature “The book moves with passion and conviction in a stirring tempo worthy of the son of Thomas Mann. The years in exile are superbly written.” — The New York Post “This autobiography by the son of Thomas Mann has a double value: first as a distinguished autobiography, a sensitive portrait of a young man growing up in between-wars Germany, second as a loving intimate portrait of his father. A vivid picture of what the first war meant to a child, with its violent patriotism, its deprivations; then the moral disorder of Berlin youth in the 20s and his attempts to express himself against the rising tide of fascism, one of the reasons for the family exile.” — Kirkus Reviews
Ishi in Three Centuries
Author: Karl Kroeber
Publisher: U of Nebraska Press
ISBN: 9780803227576
Category : History
Languages : en
Pages : 446
Book Description
Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.
Publisher: U of Nebraska Press
ISBN: 9780803227576
Category : History
Languages : en
Pages : 446
Book Description
Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.
Hotel Bolivia: The Culture of Memory in a Refuge from Nazism
Author: Leo Spitzer
Publisher: Plunkett Lake Press
ISBN:
Category : History
Languages : en
Pages : 239
Book Description
Desperate to escape the increasingly vehement persecution in their homelands, thousands of refugees from Nazi-dominated Central Europe, the majority of them Jews, found refuge in Latin America in the 1930s. Bolivia became a principal recipient of this influx — one of the few remaining places in the entire world to accept Jewish refugees after the German Anschluss of Austria in 1938. Some 20,000 refugees arrived in Bolivia, more than in Canada, Australia, New Zealand, South Africa — the leading British Commonwealth countries — combined. In Bolivia, the refugees began to reconstruct a version of the world that they had been forced to abandon. Their own origins and social situations had been diverse in Central Europe, ranging across generational, class, educational, and political differences, and incorporating various professional, craft, and artistic backgrounds. But it was Austro/German Jewish bourgeois society that provided them with a model for emulation and a common locus for identification in their place of refuge. Indeed, at the very time when that dynamic social and cultural amalgam was being ruthlessly and systematically destroyed by the Nazis, the Jewish refugees in Bolivia attempted to recall and revive a version of it in a land thousands of miles from their home: in a country that offered them a haven, but in which many of them felt themselves as mere sojourners. Hotel Bolivia explores an important, but generally neglected, aspect of the experience of group displacement — the relationship between memory and cultural survival during an era of persecution and genocide. Employing oral histories, family photographs, artistic and documentary portrayals, it considers the Third Reich background for the emigration, the refugees’ perceptions of past and future, and the role of images and stereotypes in shaping refugee and Bolivian cross-cultural communication and acceptance. It examines how the immigrants remembered, recalled and reshaped the European world they had been forced to abandon in the institutions, culture, and community they created in Bolivia. In documenting life stories and reclaiming the memories and discourses of ordinary persons who might otherwise remain hidden from history, Hotel Bolivia contributes to a major objective of contemporary historical studies. But it is also directly concerned with theoretical issues, increasingly evident in historical writing, focusing on the contextualization of memory and the interdependence – and tension – between memory and history. In reflecting on remembered experience, over time and between people, the ultimate objective of this book is to contribute to the historical study of memory itself. “A curiously inspiring corner of Holocaust history: the story is of how culture and memory survive, and change, in the shock of new surroundings.” — Adam Hochschild, author of King Leopold’s Ghost “A form of doing history that offers fresh intellectual insights while touching the heart.” — Ruth Behar, University of Michigan, author of The Vulnerable Observer andTranslated Women “It is rare that a scholarly book reads like a novel. Leo Spitzer’s compelling Hotel Bolivia not only is beautifully written but changes the way we think about history... This groundbreaking book will become required reading in numerous fields, including Latin American studies, Jewish studies, diaspora studies, immigration studies, and ethnic studies.” — Jeffrey Lesser, Brown University, author of Welcoming the Undesirables: Brazil and the Jewish Question “Evocative, thoughtful, and otherwise impressive... Vividly introduces readers to a little-known aspect of refugee history during the Holocaust.” — Kirkus “A searing account of the Jewish refugees’ checkered experience... Part memoir, part oral history, Spitzer’s eye-opening study uses interviews with surviving refugees (now widely dispersed around the world), plus letters, photographs, family albums and archival documents to explore the trauma of displacement.” — Publishers Weekly
Publisher: Plunkett Lake Press
ISBN:
Category : History
Languages : en
Pages : 239
Book Description
Desperate to escape the increasingly vehement persecution in their homelands, thousands of refugees from Nazi-dominated Central Europe, the majority of them Jews, found refuge in Latin America in the 1930s. Bolivia became a principal recipient of this influx — one of the few remaining places in the entire world to accept Jewish refugees after the German Anschluss of Austria in 1938. Some 20,000 refugees arrived in Bolivia, more than in Canada, Australia, New Zealand, South Africa — the leading British Commonwealth countries — combined. In Bolivia, the refugees began to reconstruct a version of the world that they had been forced to abandon. Their own origins and social situations had been diverse in Central Europe, ranging across generational, class, educational, and political differences, and incorporating various professional, craft, and artistic backgrounds. But it was Austro/German Jewish bourgeois society that provided them with a model for emulation and a common locus for identification in their place of refuge. Indeed, at the very time when that dynamic social and cultural amalgam was being ruthlessly and systematically destroyed by the Nazis, the Jewish refugees in Bolivia attempted to recall and revive a version of it in a land thousands of miles from their home: in a country that offered them a haven, but in which many of them felt themselves as mere sojourners. Hotel Bolivia explores an important, but generally neglected, aspect of the experience of group displacement — the relationship between memory and cultural survival during an era of persecution and genocide. Employing oral histories, family photographs, artistic and documentary portrayals, it considers the Third Reich background for the emigration, the refugees’ perceptions of past and future, and the role of images and stereotypes in shaping refugee and Bolivian cross-cultural communication and acceptance. It examines how the immigrants remembered, recalled and reshaped the European world they had been forced to abandon in the institutions, culture, and community they created in Bolivia. In documenting life stories and reclaiming the memories and discourses of ordinary persons who might otherwise remain hidden from history, Hotel Bolivia contributes to a major objective of contemporary historical studies. But it is also directly concerned with theoretical issues, increasingly evident in historical writing, focusing on the contextualization of memory and the interdependence – and tension – between memory and history. In reflecting on remembered experience, over time and between people, the ultimate objective of this book is to contribute to the historical study of memory itself. “A curiously inspiring corner of Holocaust history: the story is of how culture and memory survive, and change, in the shock of new surroundings.” — Adam Hochschild, author of King Leopold’s Ghost “A form of doing history that offers fresh intellectual insights while touching the heart.” — Ruth Behar, University of Michigan, author of The Vulnerable Observer andTranslated Women “It is rare that a scholarly book reads like a novel. Leo Spitzer’s compelling Hotel Bolivia not only is beautifully written but changes the way we think about history... This groundbreaking book will become required reading in numerous fields, including Latin American studies, Jewish studies, diaspora studies, immigration studies, and ethnic studies.” — Jeffrey Lesser, Brown University, author of Welcoming the Undesirables: Brazil and the Jewish Question “Evocative, thoughtful, and otherwise impressive... Vividly introduces readers to a little-known aspect of refugee history during the Holocaust.” — Kirkus “A searing account of the Jewish refugees’ checkered experience... Part memoir, part oral history, Spitzer’s eye-opening study uses interviews with surviving refugees (now widely dispersed around the world), plus letters, photographs, family albums and archival documents to explore the trauma of displacement.” — Publishers Weekly
From Memory to History
Author: Jim Cullen
Publisher: Rutgers University Press
ISBN: 197881383X
Category : Performing Arts
Languages : en
Pages : 178
Book Description
Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That ‘70s Show, for example. From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan’s Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.
Publisher: Rutgers University Press
ISBN: 197881383X
Category : Performing Arts
Languages : en
Pages : 178
Book Description
Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That ‘70s Show, for example. From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan’s Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.
The Second World War in the Twenty-First-Century Museum
Author: Stephan Jaeger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110664410
Category : History
Languages : de
Pages : 368
Book Description
The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110664410
Category : History
Languages : de
Pages : 368
Book Description
The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America – including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans – in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
Trees: For Shelter and Shade, For Memory and Magic
Author: Charles Fenyvesi
Publisher: Plunkett Lake Press
ISBN:
Category : Nature
Languages : en
Pages : 115
Book Description
Linking practical neighborly advice to the many cults of tree worship across the globe, Charles Fenyvesi offers an inspiring overview of planting, pruning, and enjoying trees. He pays homage to the immortalized oak and birch as well the controversial qualities of the paulownia (also known as Princess Tree), named after Czar Paul’s daughter, and the catalpa, planted by Frederick the Great in his Potsdam estate and favored by President Thomas Jefferson. For property owners who cry out for the drama of a solitary, singularly expressive specimen or have room for but one tree, this book lists categories such as elegance or informality, longevity or low maintenance, shape or color, character or foliage. “This book entertains, while teaching each of us how we can better connect with trees, using mind, hands and hearts.” — R. Neil Sampson, Executive Vice President,American Forestry Association “Will make all of us take a new look at the stories and pleasures of trees in our lives and landscapes... presented in a series of vignettes that compel you to read, use and plant trees.” — H. Marc Cathey, National Chair, Florist and Nursery Crops Review, US Department of Agriculture “Columnist Charles Fenyvesi... makes trees seem as familiar as the families who live on the block... He gives very good advice, and along the way he makes the trees memorable as he discusses them with evident pleasure and knowledge.” — Virginia Greiner, garden columnist, Washington Times
Publisher: Plunkett Lake Press
ISBN:
Category : Nature
Languages : en
Pages : 115
Book Description
Linking practical neighborly advice to the many cults of tree worship across the globe, Charles Fenyvesi offers an inspiring overview of planting, pruning, and enjoying trees. He pays homage to the immortalized oak and birch as well the controversial qualities of the paulownia (also known as Princess Tree), named after Czar Paul’s daughter, and the catalpa, planted by Frederick the Great in his Potsdam estate and favored by President Thomas Jefferson. For property owners who cry out for the drama of a solitary, singularly expressive specimen or have room for but one tree, this book lists categories such as elegance or informality, longevity or low maintenance, shape or color, character or foliage. “This book entertains, while teaching each of us how we can better connect with trees, using mind, hands and hearts.” — R. Neil Sampson, Executive Vice President,American Forestry Association “Will make all of us take a new look at the stories and pleasures of trees in our lives and landscapes... presented in a series of vignettes that compel you to read, use and plant trees.” — H. Marc Cathey, National Chair, Florist and Nursery Crops Review, US Department of Agriculture “Columnist Charles Fenyvesi... makes trees seem as familiar as the families who live on the block... He gives very good advice, and along the way he makes the trees memorable as he discusses them with evident pleasure and knowledge.” — Virginia Greiner, garden columnist, Washington Times