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Author: Leonard Rosmarin
Publisher: BRILL
ISBN: 900464766X
Category : Social Science
Languages : en
Pages : 164
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Book Description
Perhaps no other art form in the Western world has polarized opinion to the same extent as opera. While its devotees can be almost fanatical in their enthusiasm, its detractors will dismiss lyric theatre as an impossible hybrid. Literature and music undermine one another when brought together, they maintain. Their contempt for the genre is more often than not motivated by the supposedly mediocre quality of the librettos or scripts to which the works are set as well as the implausibility of characters singing instead of speaking their emotions. But what if these much maligned scripts provided composers with the raw material necessary to convert stereotypes into exemplary figures and place them in powerfully dramatic situations? What if the unreality of opera opened up gripping vistas onto the reality of human emotions? When Literature Becomes Opera strives to answer these questions by analyzing the artistic process through which literary texts are simplified then transformed into lyric dramas. Using as examples eight outstanding operas inspired by works of French writers (Rigoletto, La traviata, Carmen, Thaïs, La Bohème, Tosca, Pelléas et Mélisande and Dialogues des Carmélites), this study demonstrates that a libretto, like a film script, enters into a partnership with the art it serves: music. When the quality of the partnership is high, all of opera's liabilities that purists take pleasure in deriding become stunning assets.
Author: Leonard Rosmarin
Publisher: BRILL
ISBN: 900464766X
Category : Social Science
Languages : en
Pages : 164
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Book Description
Perhaps no other art form in the Western world has polarized opinion to the same extent as opera. While its devotees can be almost fanatical in their enthusiasm, its detractors will dismiss lyric theatre as an impossible hybrid. Literature and music undermine one another when brought together, they maintain. Their contempt for the genre is more often than not motivated by the supposedly mediocre quality of the librettos or scripts to which the works are set as well as the implausibility of characters singing instead of speaking their emotions. But what if these much maligned scripts provided composers with the raw material necessary to convert stereotypes into exemplary figures and place them in powerfully dramatic situations? What if the unreality of opera opened up gripping vistas onto the reality of human emotions? When Literature Becomes Opera strives to answer these questions by analyzing the artistic process through which literary texts are simplified then transformed into lyric dramas. Using as examples eight outstanding operas inspired by works of French writers (Rigoletto, La traviata, Carmen, Thaïs, La Bohème, Tosca, Pelléas et Mélisande and Dialogues des Carmélites), this study demonstrates that a libretto, like a film script, enters into a partnership with the art it serves: music. When the quality of the partnership is high, all of opera's liabilities that purists take pleasure in deriding become stunning assets.
Author: Léonard A. Rosmarin
Publisher: Rodopi
ISBN: 9789042006942
Category : Libretto
Languages : en
Pages : 168
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Book Description
While the devotees of opera can be fanatical in their enthusiasm, its detractors will dismiss lyric theatre as an impossible hybrid. Literature and music undermine one another, they maintain. Their concept for the genre is more often than not motivated by the supposedly mediocre quality of the librettos or scripts to which the works are set.
Author: Garth Greenwell
Publisher: Farrar, Straus and Giroux
ISBN: 0374713189
Category : Fiction
Languages : en
Pages : 209
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Book Description
Longlisted for the National Book Award in Fiction • A Finalist for the PEN/Faulkner Award for Fiction • A Finalist for the Los Angeles Times Book Prize for Fiction • A Finalist for the James Taite Black Prize for Fiction • A Finalist the Center for Fiction First Novel Prize • A Finalist for the Green Carnation Prize • A New York Times Book Review Editors’ Choice • A Los Angeles Times Bestseller Named One of the Best Books of the Year by More Than Fifty Publications, Including: The New Yorker, The Paris Review, The New York Times (selected by Dwight Garner), GQ, The Washington Post, Esquire, NPR, Slate, Vulture, the San Francisco Chronicle, The Guardian (London), The Telegraph (London), The Evening Standard (London), The Philadelphia Inquirer, The Miami Herald, The Millions, BuzzFeed, The New Republic (Best Debuts of the Year), Kirkus Reviews, and Publishers Weekly (One of the Ten Best Books of the Year) "Garth Greenwell's What Belongs to You appeared in early 2016, and is a short first novel by a young writer; still, it was not easily surpassed by anything that appeared later in the year....It is not just first novelists who will be envious of Greenwell's achievement."—James Wood, The New Yorker On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and want. What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love. A conversation between Garth Greenwell and Hanya Yanagihara is included inside the e-book edition.
Author: Richard Begam
Publisher: JHU Press
ISBN: 1421420627
Category : Literary Criticism
Languages : en
Pages : 391
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Book Description
A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Author: D. Foy
Publisher:
ISBN: 9780997062908
Category :
Languages : en
Pages : 398
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Book Description
D. Foy's second novel is a tornado of brutal Americana. PATRICIDE is a heavy metal Huck Finn that whips up the haunted melancholy of Kerouac's Doctor Sax, a novel of introspection and youth in its corruption that seethes with the deadly obsession of Moby-Dick, and the darkness of Joy Williams' State of Grace. Beyond the story of a boy growing up in a family derailed by a hapless father, PATRICIDE is a search for meaning and identity within the strange secrecy of the family. This is an existential novel of wild power, of memories, and of mourning-in-life, softened, always, by the tenderness at its core. With it, Foy's place among the outstanding voices in American literature is guaranteed.
Author: Robert Donington
Publisher: Yale University Press
ISBN: 9780300056617
Category : Music
Languages : en
Pages : 260
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Book Description
Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
Author: Gabriela Cruz
Publisher:
ISBN: 0190915056
Category : Music
Languages : en
Pages : 313
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Book Description
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
Author: Michael Halliwell
Publisher: BRILL
ISBN: 9004485228
Category : History
Languages : en
Pages : 522
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Book Description
Opera and the Novel: The Case of Henry James offers the first full-length study of the theory and practice of the adaptation of fiction into opera: the transference of a work from one medium to another – metaphrasis – is its point of departure. Starting with a survey of the current thinking regarding the nexus between words and music with specific reference to operatic adaptation of existing literary works, it traces the four-hundred-year history of opera, demonstrating that the novel has become increasingly attractive to librettists and composers as an operatic source. As the resources of modern music theatre have increased in sophistication, so too have the possibilities for an expanded engagement with complex fictional works. The intricate relationship between fictional and musical narrative is examined: the proposition that the orchestra assumes much of the function of the narrator in fiction is explored. The second section is a detailed examination of eight operatic works based on Henry James’s fiction. It is opera’s unique capability to present the intense emotional and psychological situations central to James’s fiction as well as the ability to engage with his synthesis of melodrama and psychological ambiguity which makes James’s work peculiarly amenable to operatic adaptation. Composers who have used James as a source include Douglas Moore, Benjamin Britten, Thomas Pasatieri, Donald Hollier, Thea Musgrave, Philip Hagemann and Dominick Argento. The operas discussed represent a contemporary critical and often self-conscious engagement with the art form itself as well as illustrating current adaptive strategies, and suggest ways in which new operatic paths may be forged. This volume is of relevance to students and scholars of English literature and opera as well as readers who take an interest in intermedial research and the question of adaptation in general.
Author: David Malouf
Publisher: Random House
ISBN: 1409029867
Category : Fiction
Languages : en
Pages : 162
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Book Description
For three very different people brought together by their love for birds, life on the Queensland coast in 1914 is the timeless and idyllic world of sandpipers, ibises and kingfishers. In another hemisphere civilization rushes headlong into a brutal conflict. Life there is lived from moment to moment. Inevitably, the two young men - sanctuary owner and employee - are drawn to the war, and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledge for all three of them that the past cannot be held.
Author: Nathanael West
Publisher: New Directions Publishing
ISBN: 9780811202152
Category : Fiction
Languages : en
Pages : 196
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Book Description
Two classic short stories, one about a male reporter who writes an advice column, and the other, about people who have migrated to California in expectation of health and ease.
