Author: Dennis Kratz
Publisher: Routledge
ISBN: 0429594674
Category : History
Languages : en
Pages : 254
Book Description
Published in 1984: The Waltharius and Ruodlieb are considered by many scholars to be among the finest works of medieval Latin literature. Both the Waltharius, composed by an anonymous eleventh-century poet from Southern Germany, are heroic narratives that provide examples of the creative transformation of the Latin epic tradition into a vehicle for expression of Christian values.
Waltharius and Ruodlieb
Author: Dennis Kratz
Publisher: Routledge
ISBN: 0429594674
Category : History
Languages : en
Pages : 254
Book Description
Published in 1984: The Waltharius and Ruodlieb are considered by many scholars to be among the finest works of medieval Latin literature. Both the Waltharius, composed by an anonymous eleventh-century poet from Southern Germany, are heroic narratives that provide examples of the creative transformation of the Latin epic tradition into a vehicle for expression of Christian values.
Publisher: Routledge
ISBN: 0429594674
Category : History
Languages : en
Pages : 254
Book Description
Published in 1984: The Waltharius and Ruodlieb are considered by many scholars to be among the finest works of medieval Latin literature. Both the Waltharius, composed by an anonymous eleventh-century poet from Southern Germany, are heroic narratives that provide examples of the creative transformation of the Latin epic tradition into a vehicle for expression of Christian values.
Histories of Emotion
Author: Rüdiger Schnell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110692570
Category : Literary Criticism
Languages : en
Pages : 365
Book Description
This study addresses two desiderata of historical emotion research: reflecting on the interdependence of textual functions and the representation of emotions, and acknowledging the interdependence of studies on the premodern and modern periods in the history of emotion. Contemporary research on the history of emotion is characterised by a proliferation of studies on very different eras, authors, themes, texts, and aspects. The enthusiasm and confidence with which situations, actions, and interactions involving emotions in history are discovered, however, has led to overly direct attempts to access the represented objects (emotions/feelings/affects); as a result, too little attention has been paid to the conditions and functions of their representations. That is why this study engages with the emotion research of historians from an unashamedly philological perspective. Such an approach provides, among other things, insights into the varied, often contradictory, observations that can be made about the history of emotion in modernity and premodernity.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110692570
Category : Literary Criticism
Languages : en
Pages : 365
Book Description
This study addresses two desiderata of historical emotion research: reflecting on the interdependence of textual functions and the representation of emotions, and acknowledging the interdependence of studies on the premodern and modern periods in the history of emotion. Contemporary research on the history of emotion is characterised by a proliferation of studies on very different eras, authors, themes, texts, and aspects. The enthusiasm and confidence with which situations, actions, and interactions involving emotions in history are discovered, however, has led to overly direct attempts to access the represented objects (emotions/feelings/affects); as a result, too little attention has been paid to the conditions and functions of their representations. That is why this study engages with the emotion research of historians from an unashamedly philological perspective. Such an approach provides, among other things, insights into the varied, often contradictory, observations that can be made about the history of emotion in modernity and premodernity.
German Literature of the Early Middle Ages
Author: Brian Murdoch
Publisher: Camden House
ISBN: 9781571132406
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A detailed, contextualized picture of the very beginnings of writing in German from around 750 to 1100. This second volume of the set not only presents a detailed picture of the beginnings of writing in German from its first emergence as a literary language from around 750 to 1100, but also places those earliest writings into a context. The first stages of German literature existed within a manuscript culture, so careful consideration is given to what constitutes the actual texts, but German literature also arose within a society that had recently been Christianized -- through the medium of Latin. Therefore what we understand by literature in Germany at this early period must include a great amount of writing in Latin. Thus the volume looks in detail at Latin works in prose and verse, but with an eye upon the interaction between Latin and German writings. Some of the material in the newly written German language is not literary in the modern sense of the word, but makes clear the difficulties and indeed the triumphs of the establishing of a written literary language. Individual chapters look first at the earliest translations and functional literature in German (including charms and prayers); next, the examination of heroic material juxtaposes the Hildebrandlied with the Christian Ludwigslied and with Latin writings like Waltharius and the panegyrics; Otfrid's work -- the Gospel-poem in German -- is given its due prominence; the smaller German texts and the later prose works are fully treated; as is chronicle-writing in German and Latin. Old High German literature was a trickle compared to the flood of the Latin that surrounded (and influenced) it, but its importance is undeniable: that trickle became a river. Contributors: Linda Archibald, Graeme Dunphy, Stephen Penn, Christopher Wells, Jonathan West, Brian Murdoch. Brian Murdoch is Professor of German at the University of Stirling, Scotland.
Publisher: Camden House
ISBN: 9781571132406
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A detailed, contextualized picture of the very beginnings of writing in German from around 750 to 1100. This second volume of the set not only presents a detailed picture of the beginnings of writing in German from its first emergence as a literary language from around 750 to 1100, but also places those earliest writings into a context. The first stages of German literature existed within a manuscript culture, so careful consideration is given to what constitutes the actual texts, but German literature also arose within a society that had recently been Christianized -- through the medium of Latin. Therefore what we understand by literature in Germany at this early period must include a great amount of writing in Latin. Thus the volume looks in detail at Latin works in prose and verse, but with an eye upon the interaction between Latin and German writings. Some of the material in the newly written German language is not literary in the modern sense of the word, but makes clear the difficulties and indeed the triumphs of the establishing of a written literary language. Individual chapters look first at the earliest translations and functional literature in German (including charms and prayers); next, the examination of heroic material juxtaposes the Hildebrandlied with the Christian Ludwigslied and with Latin writings like Waltharius and the panegyrics; Otfrid's work -- the Gospel-poem in German -- is given its due prominence; the smaller German texts and the later prose works are fully treated; as is chronicle-writing in German and Latin. Old High German literature was a trickle compared to the flood of the Latin that surrounded (and influenced) it, but its importance is undeniable: that trickle became a river. Contributors: Linda Archibald, Graeme Dunphy, Stephen Penn, Christopher Wells, Jonathan West, Brian Murdoch. Brian Murdoch is Professor of German at the University of Stirling, Scotland.
Women and Aristocratic Culture in the Carolingian World
Author: Valerie Garver
Publisher: Cornell University Press
ISBN: 0801464951
Category : History
Languages : en
Pages : 346
Book Description
Despite the wealth of scholarship in recent decades on medieval women, we still know much less about the experiences of women in the early Middle Ages than we do about those in later centuries. In Women and Aristocratic Culture in the Carolingian World, Valerie L. Garver offers a fresh appraisal of the cultural and social history of eighth- and ninth-century women. Examining changes in women's lives and in the ways others perceived women during the early Middle Ages, she shows that lay and religious women, despite their legal and social constrictions, played integral roles in Carolingian society. Garver's innovative book employs an especially wide range of sources, both textual and material, which she uses to construct a more complex and nuanced impression of aristocratic women than we've seen before. She looks at the importance of female beauty and adornment; the family and the construction of identities and collective memory; education and moral exemplarity; wealth, hospitality and domestic management; textile work, and the lifecycle of elite Carolingian women. Her interdisciplinary approach makes deft use of canons of church councils, chronicles, charters, polyptychs, capitularies, letters, poetry, exegesis, liturgy, inventories, hagiography, memorial books, artworks, archaeological remains, and textiles. Ultimately, Women and Aristocratic Culture in the Carolingian World underlines the centrality of the Carolingian era to the reshaping of antique ideas and the development of lasting social norms.
Publisher: Cornell University Press
ISBN: 0801464951
Category : History
Languages : en
Pages : 346
Book Description
Despite the wealth of scholarship in recent decades on medieval women, we still know much less about the experiences of women in the early Middle Ages than we do about those in later centuries. In Women and Aristocratic Culture in the Carolingian World, Valerie L. Garver offers a fresh appraisal of the cultural and social history of eighth- and ninth-century women. Examining changes in women's lives and in the ways others perceived women during the early Middle Ages, she shows that lay and religious women, despite their legal and social constrictions, played integral roles in Carolingian society. Garver's innovative book employs an especially wide range of sources, both textual and material, which she uses to construct a more complex and nuanced impression of aristocratic women than we've seen before. She looks at the importance of female beauty and adornment; the family and the construction of identities and collective memory; education and moral exemplarity; wealth, hospitality and domestic management; textile work, and the lifecycle of elite Carolingian women. Her interdisciplinary approach makes deft use of canons of church councils, chronicles, charters, polyptychs, capitularies, letters, poetry, exegesis, liturgy, inventories, hagiography, memorial books, artworks, archaeological remains, and textiles. Ultimately, Women and Aristocratic Culture in the Carolingian World underlines the centrality of the Carolingian era to the reshaping of antique ideas and the development of lasting social norms.
A Critical Companion to Beowulf
Author: Andy Orchard
Publisher: Boydell & Brewer Ltd
ISBN: 9781843840299
Category : Literary Collections
Languages : en
Pages : 424
Book Description
This is a complete guide to the text and context of the most famous Old English poem. In this book, the specific roles of selcted individual characters, both major and minor, are assessed.
Publisher: Boydell & Brewer Ltd
ISBN: 9781843840299
Category : Literary Collections
Languages : en
Pages : 424
Book Description
This is a complete guide to the text and context of the most famous Old English poem. In this book, the specific roles of selcted individual characters, both major and minor, are assessed.
The Cambridge History of German Literature
Author: Helen Watanabe-O'Kelly
Publisher: Cambridge University Press
ISBN: 9780521785730
Category : Literary Criticism
Languages : en
Pages : 632
Book Description
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
Publisher: Cambridge University Press
ISBN: 9780521785730
Category : Literary Criticism
Languages : en
Pages : 632
Book Description
This is the first book to describe German literary history up to the unification of Germany in 1990. It takes a fresh look at the main authors and movements, and also asks what Germans in a given period were actually reading and writing, what they would have seen at the local theatre or found in the local lending library; it includes, for example, discussions of literature in Latin as well as in German, eighteenth-century letters and popular novels, Nazi literature and radio plays, and modern Swiss and Austrian literature. A new prominence is given to writing by women. Contributors, all leading scholars in their field, have re-examined standard judgements in writing a history for our own times. The book is designed for the general reader as well as the advanced student: titles and quotations are translated, and there is a comprehensive bibliography.
Folktales of the Jews, Volume 1
Author: Dov Noy
Publisher: Jewish Publication Society
ISBN: 0827608292
Category : Fiction
Languages : en
Pages : 769
Book Description
Tales from the Sephardic Dispersion begins the most important collection of Jewish folktales ever published. It is the first volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The 71 tales here and the others in this series have been selected from the Israel Folktale Archives, Named in Honor of Dov Noy, The University of Haifa (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Sephardic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition.
Publisher: Jewish Publication Society
ISBN: 0827608292
Category : Fiction
Languages : en
Pages : 769
Book Description
Tales from the Sephardic Dispersion begins the most important collection of Jewish folktales ever published. It is the first volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The 71 tales here and the others in this series have been selected from the Israel Folktale Archives, Named in Honor of Dov Noy, The University of Haifa (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Sephardic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition.
The Nibelungenlied
Author:
Publisher: Oxford University Press, USA
ISBN: 0199238545
Category : Fiction
Languages : en
Pages : 282
Book Description
The Nibelungenlied is the greatest medieval German heroic poem, a revenge saga on an epic scale, which tells how dragon-slayer Sivrit acquires the priceless hoard of the dwarvish Nibelungs, and of the tragic conflict between Kriemhilt and Hagen. This is the first prose translation for over forty years, with full introductory materials.
Publisher: Oxford University Press, USA
ISBN: 0199238545
Category : Fiction
Languages : en
Pages : 282
Book Description
The Nibelungenlied is the greatest medieval German heroic poem, a revenge saga on an epic scale, which tells how dragon-slayer Sivrit acquires the priceless hoard of the dwarvish Nibelungs, and of the tragic conflict between Kriemhilt and Hagen. This is the first prose translation for over forty years, with full introductory materials.
The Old English Epic of Waldere
Author: Jonathan Himes
Publisher: Cambridge Scholars Publishing
ISBN: 1443809500
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
The epic fragments of Waldere yield some of the earliest lore concerning migration-period heroes such as Attila the Hun, Theodoric the Ostrogoth, Walter son of Ælfhere, and Gunther and Hagen of the Nibelungs, while at the same time expressing political concerns that the Viking-age poet shared with his audience. Imagery and themes such as armaments and the worthiness of warriors to bear them point to the climax of Walter’s victory over Guðhere in single combat, a duel presenting an ethical dilemma for Hagen as indicated in both of the extant leaves. This critical edition resolves some long-standing textual cruces while also providing background on Old English heroism, weapons, and versification.
Publisher: Cambridge Scholars Publishing
ISBN: 1443809500
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
The epic fragments of Waldere yield some of the earliest lore concerning migration-period heroes such as Attila the Hun, Theodoric the Ostrogoth, Walter son of Ælfhere, and Gunther and Hagen of the Nibelungs, while at the same time expressing political concerns that the Viking-age poet shared with his audience. Imagery and themes such as armaments and the worthiness of warriors to bear them point to the climax of Walter’s victory over Guðhere in single combat, a duel presenting an ethical dilemma for Hagen as indicated in both of the extant leaves. This critical edition resolves some long-standing textual cruces while also providing background on Old English heroism, weapons, and versification.
The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe
Author: Kirk Ambrose
Publisher: Boydell Press
ISBN: 1843838311
Category : Art
Languages : en
Pages : 204
Book Description
Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.
Publisher: Boydell Press
ISBN: 1843838311
Category : Art
Languages : en
Pages : 204
Book Description
Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.