Photographs for the Farm Security Administration, 1935-1938 PDF Download
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Author: Walker Evans
Publisher:
ISBN:
Category : Evans, Walker
Languages : en
Pages : 400
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Book Description
Author: Walker Evans
Publisher:
ISBN:
Category : Evans, Walker
Languages : en
Pages : 400
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Book Description
Author: United States
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Library of Congress. Prints and Photographs Division
Publisher: Da Capo Press
ISBN:
Category : Photography
Languages : en
Pages : 274
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Book Description
The photography of Walker Evans (1903-75) is introduced in a new, redesigned and expanded edition of Aperture's classic book from its Masters of Photography series. Evans helped define documentary photography and is considered one of the most influential artists of the 20th century. He captured the American experience from the late 1920s to the early 1970s with graceful articulation. Photography historian David Campany contributes a new introduction and image commentary to this volume, which includes some of Evans' best known and loved photographs.
Author: Richard a Jensen
Publisher: Createspace Independent Publishing Platform
ISBN: 9781492169758
Category :
Languages : en
Pages : 94
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Book Description
A refreshing look at Walker Evans' photography during his years at the Resettlement Administration/Farm Security Administration (1935-1938). Over one hundred photographs from the Library of Congress archives, including famous and little known shots, show Evans' skill as well as his workflow and shot selection process. Background information is provided for several photographs, including locations, detailed descriptions of subjects and social context. Organized into chapters based on location, this 92 page book features photographs from Southern Virginia and Winston-Salem North Carolina, New York City, and Evans' famous series from Hale County, Alabama.This is the first volume in a series highlighting the work of government photographers in the 30s and 40s. Photographers profiled include Dorothea Lange, Marion Post Wollcott, Edwin Locke, Theodor Jung, Ben Shahn, Sheldon Dick, Russell Lee, Marjory Collins, Gordon Parks, Jack Delano, John Vachon and others.
Author: Richard a Jensen
Publisher: Createspace Independent Publishing Platform
ISBN: 9781481853934
Category :
Languages : en
Pages : 94
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Book Description
A refreshing look at Walker Evans' photography during his years at the Resettlement Administration/Farm Security Administration (1935-1938). Over one hundred photographs from the Library of Congress archives, including famous and little known shots, show Evans' skill as well as his workflow and shot selection process. Background information is provided for several photographs, including locations, detailed descriptions of subjects and social context. Organized into chapters based on subject matter, this 92 page book features sections on places, signs and people.This is the first volume in a series highlighting the work of government photographers in the 30s and 40s. Photographers profiled include Dorothea Lange, Marion Post Wollcott, Edwin Locke, Theodor Jung, Ben Shahn, Sheldon Dick, Russell Lee, Marjory Collins, Gordon Parks, Jack Delano, John Vachon and others.
Author: Patsy Watkins
Publisher: University of Arkansas Press
ISBN: 1682260631
Category : History
Languages : en
Pages : 255
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Book Description
In 1935 a fledging government agency embarked on a project to photograph Americans hit hardest by the Great Depression. Over the next eight years, the photographers of the Farm Security Administration captured nearly a quarter-million images of tenant farmers and sharecroppers in the South, migrant workers in California, and laborers in northern industries and urban slums. Of the roughly one thousand FSA photographs taken in Arkansas, approximately two hundred have been selected for inclusion in this volume. Portraying workers picking cotton for five cents an hour, families evicted from homes for their connection with the Southern Tenant Farmers Union, and the effects of flood and drought that cruelly exacerbated the impact of economic disaster, these remarkable black-and-white images from Ben Shahn, Arthur Rothstein, Dorothea Lange, Walker Evans, Russell Lee, and other acclaimed photographers illustrate the extreme hardships that so many Arkansans endured throughout this era. These powerful photographs continue to resonate, providing a glimpse of life in Arkansas that will captivate readers as they connect to a shared past.
Author: Stuart Cohen
Publisher: David R. Godine Publisher
ISBN: 1567923402
Category : History
Languages : en
Pages : 218
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Book Description
Housed at the Library of Congress, the archives of the Farm Security Administration constitute an essential visual record of American life from the late 1920s through the onset of the Second World War. Guided by the adroit hands and watchful eyes of the master photo editor Roy Stryker, the FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. Stryker's approach to his photographers' assignments was a bracing mix of structure and improvisation. He sent his artists across the country to shoot for a few weeks, mostly in small towns and rural areas. They worked from what Stryker called shooting scripts - laundry lists of possible subjects and situations - but were always free to explore their own perspectives on a locale, its inhabitants, and their activities. When negatives and prints arrived, Stryker would guide his artists with suggestions, advice, and sharp-eyed criticism, all designed to elicit their best work. This book collects work from nine of these trips - Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others - uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. What emerges, beyond the images themselves, is a complex and vital overview of the FSA at work, not just the work, but how the work evolved and matured under Stryker's guidance. The book concludes with photographs of New Orleans, the only city photographed in depth by the FSA artists. Reproduced in duotone, the 175 photographs in The Likes of Us, all printed from the original negatives at the Library of Congress, offer a rare opportunity not only to see a choice selection of famous and little-known images but also to understand the working of one of the government's most original and creative pre-war initiatives.
Author: Walker Evans
Publisher:
ISBN: 9780870702686
Category : Photography
Languages : en
Pages : 208
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Book Description
The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions presented here, two large divisions have been made. The photographs are arranged to be seen in their given sequence. In the first part, which might be labeled "People by Photography," we have an aspect of America for which it would be difficult to claim too much. The physiognomy of a nation is laid on your table. In the second part are pictures which refer to the continuous fact of an indigenous American expression, whatever its source, whatever form it has taken, whether in sculpture, paint, or architecture: that native accent we find again in Kentucky mountain and cowboy ballads and in contemporary swing-music. --from the jacket of the 1938 edition~More than any other artist, Walker Evans invented the image of essential America that we have long since accepted as fact. His work, presented in stark and prototypical form in American Photographs, has made its impact not only on photography but also on modern literature, film, and the traditional visual arts. First published in 1938 by The Museum of Modern Art, American Photographs has often been out of print. This edition uses duotone plates made for the 1988 edition from original prints, and makes Evans' landmark book available again. The design and typography have been recreated as precisely as possible.
Author: Lawrence W. Levine
Publisher: Univ of California Press
ISBN: 9780520062214
Category : History
Languages : en
Pages : 382
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Book Description
Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
Author: John T. Hill
Publisher: National Geographic Books
ISBN: 3791382233
Category : Photography
Languages : en
Pages : 0
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Book Description
This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’s work, the book also clarifies the photographer’s "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.
