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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 195
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Thomas Nau
Publisher: Macmillan
ISBN: 9781596432253
Category : Juvenile Nonfiction
Languages : en
Pages : 76
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Book Description
Walker Evans was one of America's greatest photographers.
Author: Walker Evans
Publisher:
ISBN:
Category : Depressions
Languages : en
Pages : 195
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Book Description
Author: Michael Brix
Publisher:
ISBN: 9783888144028
Category : Depressions
Languages : en
Pages : 123
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Book Description
Author: David Amram
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Walker Evans
Publisher: Schirmer/Mosel
ISBN:
Category : Depressions
Languages : en
Pages : 204
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Book Description
Author: Walker Evans
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 272
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Book Description
Walker Evans, America's preeminent "documentary artist", has profoundly changed the way Americans look at themselves and their country. The authors document Evans' monumental career and present scores of his never-before-published pictures, drawn from the largest private collection of his work in the world. 160 duotones.
Author: Walker Evans
Publisher:
ISBN: 9780810960305
Category : Photographers
Languages : en
Pages : 205
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Book Description
An album of eighty-seven of Evans' pictures of houses, factories, people, and city streets offers an unadorned look at American society between 1929 and 1937
Author: Olivier Richon
Publisher: MIT Press
ISBN: 1846382009
Category : Art
Languages : en
Pages : 90
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Book Description
An examination of one of Walker Evans's iconic photographs of the Great Depression. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed. Given today's growing economic inequality, the photograph feels pointedly relevant. The FSA, established in 1935, commissioned photographers to document the impact of the Great Depression in America and used the photographs to advertise aid relief. For four weeks in the summer of 1936, Evans collaborated with Agee on an article about cotton farmers in the American South. The result of that project was the landmark publication Let Us Now Praise Famous Men, documenting three sharecropper families and their environment. These photographs were intimate, respectful portraits of the farmers, and of their homes, furniture, clothing, and rented land. Kitchen Corner powerfully evokes Agee's observations of the significance of “bareness and space” in these homes: “general odds and ends are set very plainly and squarely discrete from one another... [giving] each object a full strength it would not otherwise have.”
Author: Clément Chéroux
Publisher: Prestel
ISBN: 9783791357065
Category : Black-and-white photography
Languages : en
Pages : 0
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Book Description
Some of Walker Evans' most iconic images of 20th-century American culture are showcased in this book celebrating his 50-year career. Walker Evans was one of the most important American photographers of the 20th century. His focus on everyday life in America, in both urban and rural settings, makes him also one of the most relatable. This retrospective volume traces Evans' career through more than 300 images--from his first photographs of the late 1920s to his Polaroids of the 1970s. Organized thematically, the book examines topics such as Evans' relationship with the impresario Lincoln Kirstein, his work in postcards and magazines, and his lifelong exploration of the American vernacular. In addition, this volume features items from the photographer's own collection, including personal writings, signage, postcards, and other ephemera. Through these ancillary objects and a thorough overview of Evans' career, readers will come away with a better understanding of a photographer whose iconic photographs remain timeless.
