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Author: Talmy Givón
Publisher: John Benjamins Publishing
ISBN: 902722918X
Category : Language Arts & Disciplines
Languages : en
Pages : 411
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Book Description
This collection aims first to establish a structure-independent, language-independent definition of pragmatic voice, and more specifically then a universal functional definition of inverse. The grammar and pragmatic function of the four major voice constructions direct-active, inverse, passive, antipassive are surveyed using narrative texts from 14 languages: Koyukon (Athabascan), Plains Cree (Algonquian), Chepang (Tibeto-Burman), Squamish and Bella Coola (Salish), Sahaptin (Sahaptian), Kutenai (isolate), Surinam Carib (Carib), Spanish and Greek (Indo-European), Korean, Maasai (Nilotic), Cebuano and Karao (Philippine). The comparative quantified study of pragmatic voice functions tests the validity of a universal functional definition of voice and in particular of inverse. The cross-language comparison of grammatical structures that code the various voice functions then lays down the foundation for a non-trivial cross-language typology of inverse.
Author: Talmy Givón
Publisher: John Benjamins Publishing
ISBN: 902722918X
Category : Language Arts & Disciplines
Languages : en
Pages : 411
Get Book Here
Book Description
This collection aims first to establish a structure-independent, language-independent definition of pragmatic voice, and more specifically then a universal functional definition of inverse. The grammar and pragmatic function of the four major voice constructions direct-active, inverse, passive, antipassive are surveyed using narrative texts from 14 languages: Koyukon (Athabascan), Plains Cree (Algonquian), Chepang (Tibeto-Burman), Squamish and Bella Coola (Salish), Sahaptin (Sahaptian), Kutenai (isolate), Surinam Carib (Carib), Spanish and Greek (Indo-European), Korean, Maasai (Nilotic), Cebuano and Karao (Philippine). The comparative quantified study of pragmatic voice functions tests the validity of a universal functional definition of voice and in particular of inverse. The cross-language comparison of grammatical structures that code the various voice functions then lays down the foundation for a non-trivial cross-language typology of inverse.
Author: Talmy Givón
Publisher: John Benjamins Publishing
ISBN: 9027229171
Category : Language Arts & Disciplines
Languages : en
Pages : 411
Get Book Here
Book Description
This collection aims first to establish a structure-independent, language-independent definition of pragmatic voice, and more specifically then a universal functional definition of inverse. The grammar and pragmatic function of the four major voice constructions direct-active, inverse, passive, antipassive are surveyed using narrative texts from 14 languages: Koyukon (Athabascan), Plains Cree (Algonquian), Chepang (Tibeto-Burman), Squamish and Bella Coola (Salish), Sahaptin (Sahaptian), Kutenai (isolate), Surinam Carib (Carib), Spanish and Greek (Indo-European), Korean, Maasai (Nilotic), Cebuano and Karao (Philippine). The comparative quantified study of pragmatic voice functions tests the validity of a universal functional definition of voice and in particular of inverse. The cross-language comparison of grammatical structures that code the various voice functions then lays down the foundation for a non-trivial cross-language typology of inverse.
Author: Richard M. Swiderski
Publisher: Popular Press
ISBN: 9780879723651
Category : Social Science
Languages : en
Pages : 164
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Book Description
This is a study of the St. Peter's Fiesta celebrated annually by the Italian, or better, Sicilian-American community of Gloucester, Massachusetts, USA. The study deals specifically with the fiesta that took place 25-28 June 1970.
Author: Will Oxford
Publisher: Oxford University Press
ISBN: 0192871803
Category : Language Arts & Disciplines
Languages : en
Pages : 353
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Book Description
This book serves as a definitive reference for inverse morphology across all documented Algonquian languages. It considers not only the morphology of the inverse construction but also its syntax and pragmatics, giving equal weight to diachronic, typological, functional, and formal perspectives.
Author: Ian Bent
Publisher: Cambridge University Press
ISBN: 9780521259699
Category : Music
Languages : en
Pages : 404
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Book Description
This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.
Author: Dmitri Tymoczko
Publisher: Oxford University Press
ISBN: 0199887500
Category : Music
Languages : en
Pages : 469
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Book Description
How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good? A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces. Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between. A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory.
Author: Andrew Simpson
Publisher: Helmut Buske Verlag
ISBN: 3875489543
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Peter K. Austin / Andrew Simpson: Introduction; Nicholas Evans: Warramurrungunji undone: Australian languages in the 51st Millenium; Knut J. Olawsky: Obvious OVS in Urarina syntax; Larry M. Hyman / Imelda Udoh: Length harmony in Leggbó: a counter-universal?; Nora England: The influence of Mayan-speaking linguists on the state of Mayan linguistics; Pamela Munro: Oblique subjects in Garifuna; Marina Chumakina / Anna Kibort / Greville G. Corbett: Determining a language's feature inventory: person in Archi; Friederike Lüpke: Vanishing voice – the morphologically zero-coded passive of Jalonke; Anju Saxena: The ergative in Kinnauri narratives; John Hajek: Sound systems of the Asia-Pacific: some basic typological observations; Martina Faller: The Cusco Quechua Reportative evidential and rhetorical relations; Emmon Bach: Deixis in Northern Wakashan: recovering lost forms; Roberto Zavala: Inversion and obviation in Mesoamerica
Author: Brandon Derfler
Publisher: Cambridge Scholars Publishing
ISBN: 1443818941
Category : Music
Languages : en
Pages : 215
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Book Description
This study demonstrates how smooth voice leading in music can be effectively modeled using concepts from abstract algebra. Minute voice-leading displacements are explained as iterations of the basic operation, the single-semitone transformation (SST). The SST is a type of transformation in which only a single voice in a chord is transposed by a semitone. Unlike previous music theoretic studies, the SST model does not rely on twelve-tone operations on sets to determine voice-leading paths. SST-succession classes can then be defined; they allow SSTs to be generalized as parsimonious voice-leading relations between pair-ordered set classes. Voice leading between chords of different “sizes” can be obtained through split and fuse operations. Once a mathematical basis for smooth voice-leading is formalized, 3D graphical representations in the form of lattices of parsimoniously related chord types can be developed. The study compares the single-voice transformational model to transformational theories of atonal voice leading and to recent work in the emergent field of neo-Riemannian theory. The final chapter examines music from tonal, atonal, and “post-atonal” stylistic periods by Chopin, Scriabin, Webern, Paul Lansky, and John Adams, showing the new voice-leading model’s versatility as an analytical tool.
Author:
Publisher:
ISBN:
Category : Electronics
Languages : en
Pages : 1272
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Book Description
Some issues, 1943-July 1948, include separately paged and numbered section called Radio-electronic engineering edition (called Radionics edition in 1943).
Author: Anthony Frisell
Publisher: Branden Books
ISBN: 0828321833
Category : Music
Languages : en
Pages : 124
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Book Description
This is a manual for the serious tenor voice student specializing for operatic soprano roles.
