Vivaldi's Music for Flute and Recorder PDF Download
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Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
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Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
Get Book Here
Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Author: Federico Maria Sardelli
Publisher: Routledge
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 404
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Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist as well as that of a scholar, in order to shed light on the often bewildering various sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws on primary documents to analyse the capable and progressive instrument technique in Vivaldi's music. This new English edition includes a discussion of the much-disputed chronology of Vivaldi's works, and will therefore appeal to Vivaldi scholars in general as well as to those with a particular interest in recorders and flutes.
Author: David Lasocki
Publisher: Yale University Press
ISBN: 030027064X
Category : Music
Languages : en
Pages : 367
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Book Description
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder’s fascinating history—which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
Author: Richard W. Griscom
Publisher: Routledge
ISBN: 1135839328
Category : Art
Languages : en
Pages : 745
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Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Author: Steven David Zohn
Publisher: Oxford University Press
ISBN: 0190247851
Category : Music
Languages : en
Pages : 721
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Book Description
This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.
Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 1457463482
Category : Music
Languages : en
Pages : 22
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Book Description
This piano reduction by Antonio Vivaldi was designed for use with the transcription for band by Alfred Reed.
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253028035
Category : Music
Languages : en
Pages : 384
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Book Description
Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Author: Antonio Vivaldi
Publisher: Delphi Classics
ISBN: 1788779991
Category : Music
Languages : en
Pages : 1307
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Book Description
The Italian composer and violinist Antonio Vivaldi left a decisive mark on the form of the concerto, influencing the emerging style of late Baroque music. In spite of his widespread popularity today, Vivaldi was largely forgotten after death and his reputation was only re-established in the 1920’s. Vivaldi’s greatest contribution to the history of classical music was his development of the ritornello form, where recurrent restatements of a refrain alternate with further episodic passages by a solo instrument, allowing for greater depth of virtuosic display. The passion and lyricism of Vivaldi’s music would have a lasting impact on Baroque and Classical-era composers. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Vivaldi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and streaming links. (Version 1) * Concise and informative overview of Vivaldi’s masterworks * Learn about the classical pieces that made Vivaldi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Vivaldi’s complete extant works and links to popular streaming services * Links to rare works recently rediscovered Please note: due to the relative recent obscurity of Vivaldi’s reputation, which was only restored in the mid-twentieth century, we are sadly unable to provide our usual range of bonus texts of biographies, critical essays or letters. CONTENTS: The Masterworks Violin Sonata in A Major, Op.2 L’estro armonico, Op.3 La stravaganza, Op.4 Gloria in D Major, RV 589 Oboe Concerto in A Minor, RV 461 Juditha triumphans, RV 644 Tito Manlio, RV 778 The Four Seasons, Op.8 Concerto for 2 Cellos in G Minor, RV 531 Mandolin Concerto in C Major, RV 425 Concerto for Strings in G Major, RV 151 Flute Concerto in G Minor, RV 439 Recorder Concerto in C Major, RV 443 Bassoon Concerto in A Minor, RV 497 Griselda, RV 718 Nulla in mundo pax sincera, RV 630 Dixit Dominus in D Major, RV 594 Complete Compositions Index of Vivaldi’s Compositions Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537318
Category : History
Languages : en
Pages : 565
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Book Description
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 0199913366
Category : Music
Languages : en
Pages : 559
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Book Description
Teachers and flutists at all levels have praised Nancy Toff'sThe Flute Book, a unique one-stop guide to the flute and its music. Organized into four main parts--The Instrument, Performance, The Music, and Repertoire Catalog--the book begins with a description of the instrument and its making, offers information on choosing and caring for a flute, sketches a history of the flute, and discusses differences between members of the flute family. In the Performance section, readers learn about breathing, tone, vibrato, articulation, technique, style, performing, and recording. In the extensive analysis of flute literature that follows, Toff places individual pieces in historical context. The book ends with a comprehensive catalog of solo and chamber repertoire, and includes appendices with fingering charts as well as lists of current flute manufacturers, repair shops, sources for flute music and books, and flute clubs and related organizations worldwide. In this Third Edition, Toff has updated the book to reflect technology's advancements--like new digital recording technology and recordings' more prevalent online availability--over the last decade. She has also accounted for new scholarship on baroque literature; recent developments such as the contrabass flute, quarter-tone flute, and various manufacturing refinements and experiments; consumers' purchase prices for flutes; and a thoroughly updated repertoire catalog and appendices.
