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Author: Isabel Thompson Breskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
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Author: Isabel Thompson Breskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
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Book Description
Author: Aston Gonzalez
Publisher: UNC Press Books
ISBN: 1469659972
Category : Social Science
Languages : en
Pages : 324
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Book Description
The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
Author:
Publisher:
ISBN:
Category : Cities and towns in art
Languages : en
Pages : 48
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Author: Sally Lorensen Gross
Publisher:
ISBN: 9780894670503
Category : Cities and towns
Languages : en
Pages : 48
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Author: Douglas Tallack
Publisher: Berg Publishers
ISBN:
Category : Art
Languages : en
Pages : 236
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Lavishly illustrated, New York Sights surveys the formative period when a nostalgically evoked "Old New York" transformed into "New New York," ultimately becoming the modernist city of the twentieth century. Drawing on photography, film, and painting, the author considers the changing skyline, the grid-plan, the growth of the elevated train, the homes of the leisure classes, and city streets. Among the artists discussed are: Alfred Stieglitz, Jacob Riis, Georgia O'Keefe, John Sloan, Childe Hassam, and George Bellows. The conclusion looks at the post World War II period and the shocking visual reality of a New York skyline without the Twin Towers.
Author: David Brody
Publisher: University of Chicago Press
ISBN: 0226075346
Category : Biography & Autobiography
Languages : en
Pages : 227
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Includes bibliographical references (p. 174-203) and index.
Author: Erica Segre
Publisher: Berghahn Books
ISBN: 1800735103
Category : Social Science
Languages : en
Pages : 304
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Book Description
There has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present – from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers – this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.
Author: William Sturkey
Publisher: Harvard University Press
ISBN: 0674240677
Category : History
Languages : en
Pages : 392
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Winner of the 2020 Zócalo Public Square Book Prize “Clear-eyed and meticulous...While depicting the terrors of Jim Crow, [Sturkey] also shows how Hattiesburg’s black residents, forced to forge their own communal institutions, laid the organizational groundwork for the civil rights movement of the ’50s and ’60s.” —New York Times “Sturkey’s magnificent portrait reminds us that Mississippi is no anachronism. It is the dark heart of American modernity.” —Robin D. G. Kelley, author of Thelonious Monk If you really want to understand Jim Crow—what it was and how African Americans rose up to defeat it—you should start by visiting Mobile Street in Hattiesburg, Mississippi, the heart of the historic black downtown. There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. And he takes us across town into the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.
Author: Ai Hisano
Publisher: Harvard University Press
ISBN: 0674242599
Category : Business & Economics
Languages : en
Pages : 345
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Book Description
Ai Hisano exposes how corporations, the American government, and consumers shaped the colors of what we eat and even the colors of what we consider “natural,” “fresh,” and “wholesome.” The yellow of margarine, the red of meat, the bright orange of “natural” oranges—we live in the modern world of the senses created by business. Ai Hisano reveals how the food industry capitalized on color, and how the creation of a new visual vocabulary has shaped what we think of the food we eat. Constructing standards for the colors of food and the meanings we associate with them—wholesome, fresh, uniform—has been a business practice since the late nineteenth century, though one invisible to consumers. Under the growing influences of corporate profit and consumer expectations, firms have sought to control our sensory experiences ever since. Visualizing Taste explores how our perceptions of what food should look like have changed over the course of more than a century. By examining the development of color-controlling technology, government regulation, and consumer expectations, Hisano demonstrates that scientists, farmers, food processors, dye manufacturers, government officials, and intermediate suppliers have created a version of “natural” that is, in fact, highly engineered. Retailers and marketers have used scientific data about color to stimulate and influence consumers’—and especially female consumers’—sensory desires, triggering our appetites and cravings. Grasping this pivotal transformation in how we see, and how we consume, is critical to understanding the business of food.
Author: Robert Judson Clark
Publisher: Metropolitan Museum of Art
ISBN: 0870990241
Category : Architecture
Languages : en
Pages : 189
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Book Description
