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Author: Igor Gorewicz
Publisher: Triglav Publishing
ISBN: 9781945430770
Category : Art
Languages : en
Pages : 0
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Book Description
An album of 343 authentic graphic designs in 2D. Collected mainly from the Viking Age, not only from Scandinavia, but also from Germany, Central Europe (eg Wolin) and Russia. They have been drawn from a vast selection of artifacts - hilts, crossguards, pottery, jewelry, manuscripts, bone and wood carvings etc. Each and every pattern has a date, origin, place it was found, and meaning, where possible. An album of 343 authentic graphic designs in 2D. Collected mainly from the Viking Age, are not only sourced from Scandinavia, but also from Germany, Central Europe (eg Wolin) and Russia. They have been drawn from a vast selection of artifacts - hilts, crossguards, pottery, jewelry, manuscripts, bone and wood carvings etc. Each and every pattern has a date, origin, place it was found, and meaning, where possible. All of the graphics presented in this catalog have a common denominator. All of them can be traced back to the Early Middle Ages (V-VI c.) Until the end of XII c. a fully functional entity, recognized as a property of the Middle Ages proper. During that time, a wide variety of ethnicities, culture, spread across Western Europe. Therefore, each designs represent a different cultural identity. The catalog is intended for artists re-enactors and researches alike, people who are genuinely interested in old cultures, designers, digital artists, tattooists and people inspired by the Early Middle Ages. Slavic or Viking outfits, jewelry, furniture and leatherwork. This album would be of interest to historians or art historians, art students and anybody involved in the recognition of unfamiliar beauty and ancient aesthetics. This is an area of study that has long been neglected and unappreciated.
Author: Igor Gorewicz
Publisher: Triglav Publishing
ISBN: 9781945430770
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
An album of 343 authentic graphic designs in 2D. Collected mainly from the Viking Age, not only from Scandinavia, but also from Germany, Central Europe (eg Wolin) and Russia. They have been drawn from a vast selection of artifacts - hilts, crossguards, pottery, jewelry, manuscripts, bone and wood carvings etc. Each and every pattern has a date, origin, place it was found, and meaning, where possible. An album of 343 authentic graphic designs in 2D. Collected mainly from the Viking Age, are not only sourced from Scandinavia, but also from Germany, Central Europe (eg Wolin) and Russia. They have been drawn from a vast selection of artifacts - hilts, crossguards, pottery, jewelry, manuscripts, bone and wood carvings etc. Each and every pattern has a date, origin, place it was found, and meaning, where possible. All of the graphics presented in this catalog have a common denominator. All of them can be traced back to the Early Middle Ages (V-VI c.) Until the end of XII c. a fully functional entity, recognized as a property of the Middle Ages proper. During that time, a wide variety of ethnicities, culture, spread across Western Europe. Therefore, each designs represent a different cultural identity. The catalog is intended for artists re-enactors and researches alike, people who are genuinely interested in old cultures, designers, digital artists, tattooists and people inspired by the Early Middle Ages. Slavic or Viking outfits, jewelry, furniture and leatherwork. This album would be of interest to historians or art historians, art students and anybody involved in the recognition of unfamiliar beauty and ancient aesthetics. This is an area of study that has long been neglected and unappreciated.
Author: Jonas Lau Markussen
Publisher:
ISBN: 9788797060025
Category :
Languages : en
Pages : 84
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Book Description
This guide covers all the stylistic periods of Viking Age art, breaking down each style to its basic components in an easy to understand and straightforward manner. Through illustrations, timelines, maps and short descriptions of the historical contexts, you'll quickly acquire a good grasp of the anatomy of Viking Age art.
Author: James Graham-Campbell
Publisher: Thames & Hudson
ISBN: 0500776105
Category : Art
Languages : en
Pages : 331
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Book Description
Updated to reflect recent archaeological discoveries and overflowing with color illustrations, this book is the definitive introduction to the art of the Viking Age. The Viking Age in Europe lasted from the time of the first major Viking expeditions in 800 CE to the widespread adoption of Christianity in Scandinavia some 300 years later. During that time, Viking art and culture spread across continental Europe and into the world beyond. Written by a leading authority on the subject, this book introduces readers to the intricate objects and beautiful art styles that developed during the Viking Age. Beginning with an introduction to the geographical and historical background of Viking culture, author James Graham-Campbell chronicles the six main styles of Viking art, examining how they emerged and interacted with one another, as well as how the religious shift from paganism to Christianity impacted Viking art and its legacy. More than 200 high-quality illustrations depict everything from delicate metalwork, elaborate wood carvings, ornate weapons, and fine jewelry to grand ships, the Gotland picture stones, and archaeological traces left by the Vikings around the Western world. Now revised and updated with recent archaeological discoveries, Viking Art is a perfect guide—including a timeline and maps—for all those interested in the arts of this vibrant and fascinating culture.
Author: Courtney Davis
Publisher: Courier Corporation
ISBN: 0486412296
Category : History
Languages : en
Pages : 50
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Book Description
Artists, illustrators, designers, and craftspeople in search of exceptionally bold and inventive motifs will find them in this versatile treasury brimming with 125 royalty-free designs. Taken from authentic Celtic and Old Norse sources, they include an amazing array of birds, human figures, and mythological creatures, all ingeniously woven into an intricate network of spirals and interlacings. Meticulously adapted from artwork that graced ancient rune stones and religious symbols, furniture, manuscripts, bronze mirrors, sword hilts, cooking utensils, and other artifacts, the illustrations depict a crucifix; decorative creatures that adorned the pages of the Lindisfarne Gospels; interwoven designs from stone crosses of Ireland, Scotland, and Cornwall; and many other designs and motifs. Convenient and inexpensive, this collection offers inspiration and a wealth of immediately usable dramatic ornamentation rich in character and distinctive in content.
Author: A. G. Smith
Publisher: Courier Corporation
ISBN: 0486404692
Category : Design
Languages : en
Pages : 50
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Book Description
This compilation features more than 175 dynamic, royalty-free motifs in a wide range of styles. Derived from the metalwork, woodwork, textiles, carvings, and ceramics of the Viking homelands of Norway, Denmark, and Sweden, they include sinuously intertwined patterns, mythological animals, dragon-slaying heroes on horseback, and many other striking images.
Author: Stewart Gordon
Publisher: Da Capo Press
ISBN: 0306815567
Category : History
Languages : en
Pages : 242
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Book Description
Describes the important influence of Asia's great civilization on the West, as traveling merchants, scholars, philosophers, and religious figures brought the wisdom of China and the Middle East to medieval Europe during the Dark Ages.
Author: Florent Audy
Publisher:
ISBN: 9789177972280
Category :
Languages : en
Pages :
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Book Description
Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
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Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Author: Steven Henry Madoff
Publisher: MIT Press
ISBN: 0262134934
Category : Art
Languages : en
Pages : 387
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Book Description
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
Author: Andres Tvauri
Publisher:
ISBN: 9789949199365
Category : Archaeology
Languages : en
Pages : 384
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Book Description
This book analyses the society, economy, settlement, and culture of the territory of present-day Estonia in the period of ca AD 450-1050. This period is known in the Estonian archaeological chronology as the Migration Period, the Pre-Viking Age, and the Viking Age. This was an era of rapid change, by the end of which traditional Estonian peasant culture as it is known until the 19th century had developed. Whereas in Western Europe written sources from the second half of the first millennium AD herald the arrival of the Middle Ages, there is an almost complete absence of written information about the prevailing conditions and events that took place in the area of present-day Estonia. There are only remains of the farms and fortresses of that time beneath the earth, as well as cemeteries, overgrown field baulks and clearance cairns, and the large amount of excavated ancient objects or fragments thereof. Many aspects of prehistoric life cannot be researched because the source material is not extant and there is no hope of finding it. Moreover, many phenomena of human life do not generate archaeological source material. Thus our overall understanding of the Estonian Middle Iron Age and the Viking Age is inevitably fragmentary and superficial.
