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Author: S. Tomaiuolo
Publisher: Springer
ISBN: 1137008180
Category : Fiction
Languages : en
Pages : 214
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Book Description
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
Author: S. Tomaiuolo
Publisher: Springer
ISBN: 1137008180
Category : Fiction
Languages : en
Pages : 214
Get Book Here
Book Description
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
Author: S. Tomaiuolo
Publisher: Springer
ISBN: 1137008180
Category : Fiction
Languages : en
Pages : 189
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Book Description
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
Author: Nicole Marie Steinbaugh
Publisher:
ISBN: 9781392234778
Category :
Languages : en
Pages : 134
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Book Description
Author: Andrew Mangham
Publisher: Cambridge University Press
ISBN: 1107511690
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In 1859 the popular novelist Wilkie Collins wrote of a ghostly woman, dressed from head to toe in white garments, laying her cold, thin hand on the shoulder of a young man as he walked home late one evening. His novel The Woman in White became hugely successful and popularised a style of writing that came to be known as sensation fiction. This Companion highlights the energy, the impact and the inventiveness of the novels that were written in 'sensational' style, including the work of Mary Elizabeth Braddon, Mrs Henry Wood and Florence Marryat. It contains fifteen specially-commissioned essays and includes a chronology and a guide to further reading. Accessible yet rigorous, this Companion questions what influenced the shape and texture of the sensation novel, and what its repercussions were both in the nineteenth century and up to the present day.
Author: Brenda Ayers
Publisher: Routledge
ISBN: 0429768672
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This book, Victorians and Their Animals: Beast on a Leash, investigates the notion that British Victorians did see themselves as naturally dominant species over other humans and over animals. They conscientiously, hegemonically were determined to rule those beneath them and the animal within themselves albeit with varying degrees of success and failure. The articles in this collection apply posthuman and other theories, including queer, postcolonialism, deconstruction, and Marxism, in their exploration of Victorian attitudes toward animals. They study the biopolitical relationships between human and nonhuman animals in several key Victorian literary works. Some of this book’s chapters deal with animal ethics and moral aesthetics. Also being studied is the representation of animals in several Victorian novels as narrative devices to signify class status and gender dynamics, either to iterate socially acceptable mores or to satirize hypocrisy or breach of behavior or to voice social protest. All of the chapters analyse the interdependence of people and animals during the nineteenth century.
Author: John Cordy Jeaffreson
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 426
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Book Description
Author: Joan Perkin
Publisher: NYU Press
ISBN: 9780814766255
Category : History
Languages : en
Pages : 288
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Book Description
A reprint of a book first published in 1993 by John Murray, UK. Perkins (women's history, Northwestern U.) uses letters, memoirs, and other revealing, first-hand sources to describe the social conditions of women of all classes during the Victorian era. Annotation copyright by Book News, Inc., Portland, OR
Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317612884
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Focusing on the language, style, and poetry of Dickens’ novels, this study breaks new ground in reading Dickens’ novels as a unique form of poetry. Dickens’ writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens’ interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens’ earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens’ key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Author: Yopie Prins
Publisher: Princeton University Press
ISBN: 9780691059198
Category : History
Languages : en
Pages : 298
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Book Description
What is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies.
Author: Jerome Meckier
Publisher: University Press of Kentucky
ISBN: 0813159598
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Victorian fiction has been read and analyzed from a wide range of perspectives in the past century. But how did the novelists themselves read and respond to each other's creations when they first appeared? Jerome Meckier answers that intriguing question in this ground-breaking study of what he terms the Victorian realism wars. Meckier argues that nineteenth-century British fiction should be seen as a network of intersecting reactions and counteractions in which the novelists rethought and rewrote each other's novels as a way of enhancing their own credibility. In an increasingly relative world, thanks to the triumph of a scientific secularity, the goal of the novelist was to establish his or her own credentials as a realist, hence a reliable social critic, by undercutting someone else's -- usually Charles Dickens's. Trollope, Mrs. Gaskell, and especially George Eliot attempted to make room for themselves in the 1850s and 1860s by pushing Dickens aside. Wilkie Collins tried a different form of parodic revaluation: he strove to outdo Dickens at the kind of novel Dickens thought he did best, the kind his other rivals tried to cancel, tone down, or repair, ostensibly for being too melodramatic but actually for expressing too negative a world view. For his part, Dickens -- determined to remain inimitable -- replied to all of his rivals by redoing them as spiritedly as they had reused his characters and situations to make their own statements and to discredit his. Thus Meckier redefines Victorian realism as the bravura assertion by a major novelist (or one soon to be) that he or she was a better realist than Dickens. By suggesting the ways Victorian novelist read and rewrote each other's work, this innovative study alters present day perceptions of such double-purpose novels as Felix Holt, Bleak House, Middlemarch, North and South, Hard Times, The Woman in White, and The Mystery of Edwin Drood.
