Author: Abigail Burnham Bloom
Publisher:
ISBN: 9781604977868
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Movies began during the Victorian age. Through even the earliest years of filmmaking, Victorian literature provided a ready stock of familiar stories about colorful characters caught up in mystery, fantasy, adventure, sensation, and domestic conflict. Among the earliest films are adaptations of works by Victorian writers like Charles Dickens, Lewis Carroll, Thomas Hardy, and even Alfred, Lord Tennyson. With the proliferation of volumes on adaptation, work is needed that provides theoretical and practical approaches for those who think about literature together with film adaptations whether as scholarship, part of classroom study, or general enjoyment. By bringing together many different approaches to the topic of adaptation, this book provides an important overview of the subject of the adaptation of nineteenth-century British literature, as well as an examination of the constructive and creative use of film adaptations in the classroom. Although a wide range of critical approaches are included, the primary emphasis is on what specific adaptations reveal about the ways in which nineteenth-century British texts are understood, responded to, and analyzed based on particular cultural contexts. This book provides a basis for rethinking adaptation and a template for future discussions and academic courses. They orient the reader within a popular field of study that is currently in need of both greater focus and of practical direction.
Victorian Literature and Film Adaptation
The Art of Adapting Victorian Literature, 1848-1920
Author: Dr Karen Laird
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472424417
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472424417
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
The Art of Adapting Victorian Literature, 1848-1920
Author: Karen E. Laird
Publisher: Routledge
ISBN: 1317044509
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
Publisher: Routledge
ISBN: 1317044509
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
Framing Empire
Author: Jerod Ra'Del Hollyfield
Publisher: Edinburgh University Press
ISBN: 1474429971
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Examines how postcolonial filmmakers negotiate national identities in Hollywood-supported Victorian literature adaptations
Publisher: Edinburgh University Press
ISBN: 1474429971
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Examines how postcolonial filmmakers negotiate national identities in Hollywood-supported Victorian literature adaptations
A Companion to Literature, Film, and Adaptation
Author: Deborah Cartmell
Publisher: John Wiley & Sons
ISBN: 1118917537
Category : Literary Criticism
Languages : en
Pages : 450
Book Description
This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness
Publisher: John Wiley & Sons
ISBN: 1118917537
Category : Literary Criticism
Languages : en
Pages : 450
Book Description
This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness
The Art of Adapting Victorian Literature, 1848-1920
Author: Dr Karen Laird
Publisher:
ISBN: 9781472424396
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.
Publisher:
ISBN: 9781472424396
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.
Framing Empire
Author: Jerod Ra'Del Hollyfield
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Art of Adapting Victorian Literature 1848-1920 Dramatizing Jane Eyre David Copperfield and the Woman in White 1848
Author: Karen Laird
Publisher: Lund Humphries Publishers
ISBN: 9781472424402
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë's Jane Eyre, Charles Dickens's David Copperfield, and Wilkie Collins's The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.
Publisher: Lund Humphries Publishers
ISBN: 9781472424402
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë's Jane Eyre, Charles Dickens's David Copperfield, and Wilkie Collins's The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.
Transmedia Adaptation in the Nineteenth Century
Author: Lissette Lopez Szwydky
Publisher:
ISBN: 9780814255872
Category :
Languages : en
Pages : 0
Book Description
Situates the history of adaptation, transmedia storytelling, convergence culture, and participatory fandom within the varied commercial and artistic practices of the nineteenth century across forms and media.
Publisher:
ISBN: 9780814255872
Category :
Languages : en
Pages : 0
Book Description
Situates the history of adaptation, transmedia storytelling, convergence culture, and participatory fandom within the varied commercial and artistic practices of the nineteenth century across forms and media.
The Literary Monster on Film
Author: Abigail Burnham Bloom
Publisher: McFarland
ISBN: 0786457597
Category : Performing Arts
Languages : en
Pages : 219
Book Description
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.
Publisher: McFarland
ISBN: 0786457597
Category : Performing Arts
Languages : en
Pages : 219
Book Description
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.