Verbivoracious Festschrift Volume One: PDF Download
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Author: Christine Brooke-Rose
Publisher: Verbivoracious Press
ISBN: 9810794088
Category : Fiction
Languages : en
Pages : 322
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Book Description
The flagship issue fêtes Christine Brooke-Rose, one of the most innovative voices of the twentieth century, whose fiction plays challenging games with form and structure, using grammatical constraints, multiple languages, and a dicing of genre styles and theoretical discourses as an integral component of her novels. Brooke-Rose is among an unfortunate revue of writers whose work is fading out of print, rarely part of critical or academic discussion. This 320-page issue contains creative and critical responses to her fiction, theory, and criticism, written with an eye to the general literary reader unfamiliar with her output, but with enough homage, parody, imitation, and analysis to excite her devoted fan base.
Author: Christine Brooke-Rose
Publisher: Verbivoracious Press
ISBN: 9810794088
Category : Fiction
Languages : en
Pages : 322
Get Book Here
Book Description
The flagship issue fêtes Christine Brooke-Rose, one of the most innovative voices of the twentieth century, whose fiction plays challenging games with form and structure, using grammatical constraints, multiple languages, and a dicing of genre styles and theoretical discourses as an integral component of her novels. Brooke-Rose is among an unfortunate revue of writers whose work is fading out of print, rarely part of critical or academic discussion. This 320-page issue contains creative and critical responses to her fiction, theory, and criticism, written with an eye to the general literary reader unfamiliar with her output, but with enough homage, parody, imitation, and analysis to excite her devoted fan base.
Author: Ed: Darlington, Hooper, Seddon, Tew, Zouaoui
Publisher: Lulu.com
ISBN: 1326418904
Category : Education
Languages : en
Pages : 250
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Book Description
The second issue of the B.S. Johnson Journal: 'The issue with materiality', featuring essays, interviews, peer-reviewed academic papers and creative pieces inspired by the British writer, with contributions from Melanie Seddon, Romen Reyes-Peschl, David Hucklesby, Joseph Darlington, Andrew Motion, Denisa Hobbs, Michael Pennie, Richard Russell, Gemma O'Connell, Simon Dawes, Richard Leigh Harris, Hannah Van Hove, Stephanie Jones, Mark Yates"
Author: Nathalie Camerlynck
Publisher: Anthem Press
ISBN: 1785277979
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
This book is about Raymond Federman and his incredible textual obsession with Samuel Beckett. Federman was a scholar of Beckett, postmodern theorist, a self-translator and avant-garde novelist. Born in Paris in 1928, all of his immediate family perished in the Holocaust. Federman escaped thanks to his mother, who hid him in a closet. After the war, he migrated to America and devoted his life to scholarship and creative writing. In both, he devoted his life to Beckett. Federman’s creative and theoretical writings contaminate and pervert each other just as, in his novels, French contaminates English and fiction perverts reality. His work is centered on the details of his survival, enacting a perpetual return to the closet, as previous studies have demonstrated. By examining Beckettian (and by extension Joycean) intertextuality in the novels of Raymond Federman, this study traces the contours of a second closet.
Author: Joseph Darlington
Publisher: Springer Nature
ISBN: 3030759067
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
This book utilizes archive research, interviews and historical analysis to present a comprehensive overview of the works of Christine Brooke-Rose. A writer well-known for her idiosyncratic and experimental approaches to the novel form; this work traces her development from her early years as a social satirist, through her space-aged experimentalism in the 1960s, to her later poststructuralism and interest in digital computing and genetics. The book gives an overview of her writing and intellectual career with new archival research that places Brooke-Rose’s work in the context of the historically important events in which she was a participant: Bletchley Park codebreaking in the Second World War, the events in Paris during May 1968, the dawning of the internet and the rise of poststructuralism. Joseph Darlington begins with Brooke-Rose’s first novels written in the late 1950s of social satire, studies her experimental phase of writing and finally illuminates her unique approach to autobiography, arguing for reevaluating this interdisciplinary author and her contribution to poststructuralism, life writing and post-war literature.
Author: Joseph Darlington
Publisher: Bloomsbury Publishing
ISBN: 1350244406
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
The Experimentalists is a collective biography, capturing the life and times of the British experimental writers of the swinging 1960s. A decade of research, including as-yet unopened archives and interviews with the writers' colleagues, is brought together to produce a comprehensive history of this ill-starred group of renegade writers. Whether the bolshie B.S. Johnson, the globetrotting Ann Quin, the cerebral Christine Brooke-Rose, or the omnipresent Anthony Burgess, these writers each brought their own unique contributions to literature at a time uniquely open to their iconoclastic message. The journey connects historical moments from Bletchley Park, to Paris May '68, to terrorist groups of the 1970s. A tale of love, loss, friendship and a shared vision, this book is a fascinating insight into a bold, provocative and influential group of writers whose collective story has gone untold, until now.
Author: Louis Bury
Publisher: punctum books
ISBN: 1685711189
Category : Poetry
Languages : en
Pages : 301
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Book Description
Author: Julia Jordan
Publisher: Oxford University Press
ISBN: 0192599216
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
In the decades following the immediately postwar period in Britain, a loose grouping of experimental writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but for the broader movement of the novel through the century. This volume takes some of the claims made about experimental fiction--that it is unreadable, nonlinear, elliptical, errant, plotless--and reimagines these descriptors as historically inscribed tendencies that express the period's investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique: attempting to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts--error, indeterminacy, uncertainty, accident--all bear a relation to that which evades or resists interpretation and meaning. Asking what are the wider political, ethical, and philosophical correlates of this incommensurability, Late Modernism and the Avant-Garde British Novel reads experimental literature in this light, as suffused with anxiety about its adequacy in the light of its status as necessarily imitative and derivative, and therefore redolent of the forms of not-knowing and uncertainty that mark late modernism more generally.
Author: Alexander García Düttmann
Publisher: Northwestern University Press
ISBN: 0810145375
Category : Philosophy
Languages : en
Pages : 276
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Book Description
A series of philosophical meditations on the nature of aesthetics across a wide array of filmmaking styles Images, whether filmic or not, cannot be replaced by words. Yet words can make images. This is the general thesis underlying So What, a collection of essays on canonical filmmakers like Luchino Visconti and Orson Welles; more experimental directors, such as Marguerite Duras and Albert Serra; and visual artists, including Hollis Frampton and Agnes Martin. Alexander García Düttmann aims to make their films as if they did not precede his text, capturing their idea and experience. If the relationship between filmic image and text is a heterogeneous one, then this heterogeneity must leave a trace. This is why the book’s chapters are organized not according to historical periods or on the basis of film theories but rather by single concepts that function like dictionary entries. The chapters adopt different forms, blurring the lines between art and philosophy. So What is a practical exercise in “making films with words,” inviting readers to draw out insights from its conceptual play. So What compiles previously untranslated and hard-to-find essays into a single volume, one that represents the absorbing and singular thought process of a major contemporary philosopher.
Author: Raymond Queneau
Publisher: New Directions Publishing
ISBN: 9780811207898
Category : French fiction
Languages : en
Pages : 212
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Book Description
Queneau uses a variety of literary styles and forms in ninety-nine exercises which retell the same story about a minor brawl aboard a bus.
Author: Donald Barthelme
Publisher: Penguin
ISBN: 9780142437391
Category : Fiction
Languages : en
Pages : 484
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Book Description
With these audacious and murderously witty stories, Donald Barthelme threw the preoccupations of our time into the literary equivalent of a Cuisinart and served up a gorgeous salad of American culture, high and low. Here are the urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Barthelme's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
