Author: David M. Knipe
Publisher: Oxford University Press, USA
ISBN: 0199397694
Category : History
Languages : en
Pages : 369
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Book Description
"Four generations of ten families speak about their lives, ancestral lineages, choices as pandits, wives, and children, ways of coping with an avalanche of changes in modern India. They are virtually unrecognized survivors of a 3,700-year-old heritage, the last in India who perform the ancient animal and soma sacrifices according to Vedic tradition"--
Author: Harshita Mruthinti Kamath
Publisher: University of California Press
ISBN: 0520301668
Category : Social Science
Languages : en
Pages : 244
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Book Description
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
Author: Ardian Ahmedaja
Publisher: Böhlau Verlag Wien
ISBN: 3205205138
Category : Music
Languages : en
Pages : 358
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Book Description
Local multipart music practices are based on the intentionally distinct and coordinated participation of music makers in the performing act. Following the rules of interaction while promoting at the same time their personal goals, the protagonists share their own treasure trove of experiences and cultural affiliations and shape sounds and values. Such complex and dynamic processes are central to the investigations of instrumentation and instrumentalization of sound.
Author: Stefan Binder
Publisher: Berghahn Books
ISBN: 1789206758
Category : Religion
Languages : en
Pages : 290
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Book Description
Exploring lived atheism in the South Indian states of Andhra Pradesh and Telangana, this book offers a unique insight into India’s rapidly transforming multi-religious society. It explores the social, cultural, and aesthetic challenges faced by a movement of secular activists in their endeavors to establish atheism as a practical and comprehensive way of life. On the basis of original ethnographic material and engaged conceptual analysis, Total Atheism develops an alternative to Eurocentric accounts of secularity and critically revisits central themes of South Asian scholarship from the hitherto marginalized vantage point of radically secular and explicitly irreligious atheists in India.
Author: Mani Rao
Publisher: Springer
ISBN: 3319963910
Category : Social Science
Languages : en
Pages : 225
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Book Description
Living Mantra is an anthropology of mantra-experience among Hindu-tantric practitioners. In ancient Indian doctrine and legends, mantras perceived by rishis (seers) invoke deities and have transformative powers. Adopting a methodology that combines scholarship and practice, Mani Rao discovers a continuing tradition of visionaries (rishis/seers) and revelations in south India’s Andhra-Telangana. Both deeply researched and replete with fascinating narratives, the book reformulates the poetics of mantra-practice as it probes practical questions. Can one know if a vision is real or imagined? Is vision visual? Are deity-visions mediated by culture? If mantras are effective, what is the role of devotion? Are mantras language? Living Mantra interrogates not only theoretical questions, but also those a practitioner would ask: how does one choose a deity, for example, or what might bind one to a guru? Rao breaks fresh ground in redirecting attention to the moments that precede systematization and canon-formation, showing how authoritative sources are formed.
Author: Levi S. Gibbs
Publisher: University of Illinois Press
ISBN: 0252054768
Category : Music
Languages : en
Pages : 214
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Book Description
Singers generating cultural identity from K-Pop to Beverly Sills Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music. Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions. Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald
Author: Frank J. Korom
Publisher: Routledge
ISBN: 0429753810
Category : Art
Languages : en
Pages : 272
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Book Description
The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the “lore” and the “life” of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent’s cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.
Author: Prashant Pardeshi
Publisher: BRILL
ISBN: 9004292527
Category : Language Arts & Disciplines
Languages : en
Pages : 210
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Book Description
A Functional Account of Marathi's Voice Phenomena offers a comprehensive account of the formal and semantic aspects of the two most prominent voice phenomena in Marathi: the passive and the causative. Previous studies offer many partial insights into various aspects of Marathi’s passives and causatives. However, a comprehensive description of the formal, semantic, and pragmatic aspects of Marathi’s passives and causatives as not been available so far. Attempting to fill this gap, the present monograph offers a description in the functional-typological framework. At the same time it introduces the reader to the rich tradition of grammatical studies in Marathi, which up to now have remained inaccessible to those who are unfamiliar with the language.
Author: Nicklas N. Bahrt
Publisher: Language Science Press
ISBN: 3961103194
Category : Language Arts & Disciplines
Languages : en
Pages : 340
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Book Description
This book provides a comprehensive typological account of voice syncretism, focusing on resemblance in formal verbal marking between two or more of the following seven voices: passives, antipassives, reflexives, reciprocals, anticausatives, causatives, and applicatives. It covers voice syncretism from both synchronic and diachronic perspectives, and has been structured in a manner that facilitates convenient access to information about specific patterns of voice syncretism, their distribution and development. The book is based on a survey of voice syncretism in 222 geographically and genealogically diverse languages, but also thoroughly revisits previous research on the phenomenon. Voice syncretism is approached systematically by establishing and exploring patterns of voice syncretism that can logically be posited for the seven voices of focus in the book: 21 simplex patterns when one considers two of the seven voices sharing the same marking (e.g. reflexive-reciprocal syncretism), and 99 complex patterns when one considers more than two of the voices sharing the same marking (e.g. reflexive-reciprocal-anticausative syncretism). In a similar vein, 42 paths of development can logically be posited if it is assumed that voice marking in each of the seven voices can potentially develop one of the other six voice functions (e.g. reflexive voice marking developing a reciprocal function). This approach enables the discussion of both voice syncretism that has received considerable attention in the literature (notably middle syncretism involving the reflexive, reciprocal, anticausative and/or passive voices) and voice syncretism that has received little or not treatment in the past (including seemingly contradictory patterns such as causative-anticausative and passive-antipassive syncretism). In the survey almost all simplex patterns are attested in addition to seventeen complex patterns. In terms of diachrony, evidence is presented and discussed for twenty paths of development. The book strives to highlight the variation found in voice syncretism across the world’s languages and encourage further research into the phenomenon.
Author: Bhagawan Sri Sathya Sai Baba
Publisher: Sri Sathya Sai Media Centre
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 130
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Book Description
This must be said of this book: It is the authentic Voice of the Divine Phenomenon, that is setting right the moral codes and behaviour of millions of men and women today. And, so, it merits careful and devoted study. The Lord has declared that when ethical standards fall and man forgets or ignores His glorious destiny, He will Himself come down among men and guide humanity along the straight and sacred path. The Lord has come; He is guiding those who accept the guidance; He is calling on all who have strayed away to retrace their steps. Baba’s love and wisdom know no bounds, His grace knows no obstacle. He is no hard taskmaster; His solicitude for our welfare and real progress is overwhelming. Bhagavan has announced Himself as the Divine Teacher of Truth, Beauty, and Goodness. By precept and example, through His writings and discourses, letters and conversations, He has been instilling the supreme wisdom and instructing all mankind to translate it into righteous living, inner peace, and universal love. When the Ramakatha Rasa Vahini, the uniquely authentic nectarine stream of the Rama story, was serialized in full in the Sanathana Sarathi, Bhagavan blessed readers with a new series, which He named Bharathiya Paramartha Vahini (Stream of Indian Spiritual Values). While these precious essays on the basic truths that fostered and fed Indian culture for ages before history began were being published, Bhagavan decided to continue the flow of illumination and instruction under a more comprehensive name, Sathya Sai Vahini —“The Stream of Divine Grace”, the Ganga from the Lotus Feet of the Lord. This book contains the two Vahinis merged in a master stream. Inaugurating these series, Bhagavan wrote for publication in the Sanathana Sarathi, “Moved by the urge to cool the heat of conflict and to quench the agonizing thirst for ‘knowledge about yourself’ with which you are afflicted, see, here it comes, the Sathya Sai Vahini, wave after wave, with the Sanathana Sarathi as the medium between you and me.” With infinite compassion, this Sathya Sai incarnation of the Omniwill is freeing millions of people in all lands from disease, distress, despair, narcotics, narcissism, and nihilism. He is encouraging those who suffer gloom through wilful blindness to light the lamp of love to see the world and the lamp of wisdom to see themselves. “This is a tantalizing true-false world; its apparent diversity is an illusion; it is ONE, but it is cognized by the maimed multiple vision of humans as Many”, says Bhagavan. This book is the twin lamp He has devised for us. Lord Krishna aroused Arjuna from the gloomy depression into which he led his mind, at the very moment when duty called on Arjuna to be himself —the famed warrior, ready and eager to fight on behalf of right against might. Krishna effected the cure by reminding him of the Atma that was his reality and of Himself being the Atma that he was. Bhagavan says that we too are easily prone to get caught “in the coils of cleverness and the meshes of dialectical logic. The key to success in spiritual endeavour (and what is life worth, if it is not dedicated to that high endeavor?) is philosophical inquiry and moral advance, both culminating in the awareness of the Atma, the source and sum of all the energy and activity that is.” We are all motivated by fear, doubt, and attachments, just as Arjuna was. We are all hesitant at the crossroad between this and That, the wave and the ocean. But, created by Him, we are “the miracle of miracles”. Bhagavan says, “What is not in man cannot be anywhere outside him. What is visible outside him is but a rough reflection of what really is in him.” “The Atma is free. It is purity. It is fullness. It is unbounded. Its centre is the body but its circumference is beyond the beyond.” Man has been endowed with a superintellect, which can recognize the existence of the Atma, strive to bring it into his awareness, and succeed. However, very few are human enough to seek to know who they are, why they are here, wherefrom, and where they go from here. They move about with temporary names, encased in evanescent ever-changing bodies. So, Bhagavan accosts us, “Listen! Children of Immortality! Listen! Listen to the message of the sages who had the vision of the most majestic Person, the Purushothama, the Foremost and the First, who dwells beyond the realms of illusion and elusion. O ye human beings! You are by nature ever full. You are indeed God moving on earth. Is there a greater sin than calling you ‘sinners’? When you accept this appellation, you defame yourselves. Arise! Cast off the humiliating feeling that you are sheep. Do not be deluded into that idea. You are Atma. You are drops of nectar, immortal truth, beauty, goodness. You have neither beginning nor end. All things material are your bondslaves; you are not bondslaves, as you imagine now.” Bhagavan says, “Through the unremitting practice of truth, righteousness, and fortitude, the Divinity quiescent in the individual has to be induced to manifest itself in daily living, transforming it into the joy of truly loving.” “Know the Supreme Reality; breathe It, bathe in It, live in It. Then It becomes all of you and you become fully It.” A material object is not self-expressive. It depends wholly on the capacity for knowledge (chith-sakthi) of the individual Atma for its manifestation (prakasa). The relative world of objects is dependent upon the relative consciousness of the individual Atma (jivi). When the object is further scrutinized and the true basis of the Plurality is grasped, Brahman or the Oversoul as the first Principle is acknowledged as a logical necessity. Subsequently, when sense control, mind cleansing, concentration, and inner silence are achieved, what appeared as a logical necessity dawns upon the purified consciousness as a Positive Permanent Impersonal Will (Prajnanam Brahma), whose expression is all this. Sathya Sai Vahini reveals to us in unmistakable terms that the self in man is “no other than the Overself, or God”. We are told that this is true not only of mankind but of all beings. Everywhere and anywhere! In fact, “Will causes this unreal multiplicity of Cosmos on the One that He is. He can, by the same Will, end the phenomenon.” “Being (God) is behind becoming, and becoming merges in being. This is the eternal play.” says Bhagavan. As Bhagavan writes, “the supreme end of education, the highest purpose of instruction, is to help us to become aware of the universal immanent Impersonal.” Sathya Sai Baba, in His role as the Teacher of Teachers, is instructing us herein for this supreme adventure of the soul. Seekers on this pilgrimage have in Him a compassionate guide and guardian, for He is the embodiment of the very Will that planned the Play. As we are led through the valley of this Vahini by Bhagavan, holding us by the hand, He exhorts us to admire, appreciate, and adore the seers and sages of many lands who pioneered this realm and laid limits, bounds, preparatory disciplines, and practices to smooth the path and hasten the discovery of truth. He writes of the Vedas and later spiritual texts, of the forms of worship that have stood the test of centuries of loyal acceptance, and of disciplinary codes for the four stages of human life and for humans with pronounced inborn characteristics —the vertically uplifting pure (sathwic), the horizontal expansive emotional (rajasic), and the declining dull (thamasic). He clarifies the role of karma (action) and its consequence. “Like a frail ship caught in a stormy sea, man climbs up a gigantic wave and reaches its froth-edged peak. The next moment, he is hurled into the trough, only to rise again. The rise and fall are both consequences of his own deeds. They design the palace and the prison for man. Grief and joy is the resound, the reflection or reaction of one’s own actions. The individual soul (jivi) can escape both by cultivating the attitude of a witness, not involved in the activities it has to do.” Bhagavan writes of yoga as the process of “coming together of the individual soul (jivatma) and the Highest Atma (Paramatma), the Self and the Overself”. He elaborates on the path of love (devotion, bhakthi), of selfless activity (karma), of mastery over the mind, of sublimation of consciousness (wisdom, jnana). Bhagavan analyses the rights and responsibilities of the individual and society and reveals to us that they have the one underlying purpose of spiritual fulfilment. To sum up, Sathya Sai Vahini is the Gita given to us by the Person who, as the eternal charioteer (Sanathana Sarathi), is eager and ready to hold the reins of our senses, mind, consciouness, ego, and intellect and to guide us safely to the Abode of Supreme Peace (Prasanthi Nilayam), the goal of all mankind. May we all be blessed by His love and grace.
