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Author: Frederick Boas
Publisher: Dalcassian Publishing Company
ISBN:
Category : College and school drama
Languages : en
Pages : 438
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Book Description
Author: Frederick Boas
Publisher: Dalcassian Publishing Company
ISBN:
Category : College and school drama
Languages : en
Pages : 438
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Book Description
Author: Tamara Atkin
Publisher: Routledge
ISBN: 1317079892
Category : Literary Criticism
Languages : en
Pages : 441
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Book Description
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible to market a play for leisure-time reading. Offering a detailed analysis of such features as title-pages, character lists, and other paratextual front matter, it suggests that even before the establishment of successful permanent playhouses, playbooks adopted recognisable conventions that not only announced their categorical status and genre but also suggested appropriate forms of use. As well as a survey of implied reading practices, this study is also about the historical owners and readers of plays. Examining the marks of use that survive in copies of early printed plays, it explores the habits of compilation and annotation that reflect the striking and often unpredictable uses to which early owners subjected their playbooks.
Author: Ruth Harriett Blackburn
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111392740
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 350
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 678
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Book Description
Author: Frederick Winthrop Faxon
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 626
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Book Description
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 630
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Book Description
Contains the cumulation of the subject index issued in the quarterly numbers of the Bulletin of bibliography and magazine subject-index.
Author: Glynne Wickham
Publisher: Routledge
ISBN: 113628897X
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
Author: Marcus K. Harmes
Publisher: A&C Black
ISBN: 1472509188
Category : History
Languages : en
Pages : 227
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Book Description
Armed with pistols and wearing jackboots, Bishop Henry Compton rode out in 1688 against his King but in defence of the Church of England and its bishops. His actions are a dramatic but telling indication of what was at stake for bishops in early modern England and Compton's action at the height of the Restoration was the culmination of more than a century and a half of religious controversy that engulfed bishops. Bishops were among the most important instruments of royal, religious, national and local authority in seventeenth-century England. While their actions and ideas trickled down to the lower strata of the population, poor opinions of bishops filtered back up, finding expression in public forums, printed pamphlets and more subversive forms including scurrilous verse and mocking illustrations. Bishops and Power in Early Modern England explores the role and involvement of bishops at the centre of both government and belief in early modern England. It probes the controversial actions and ideas which sparked parliamentary agitation against them, demands for religious reform, and even war. Bishops and Power in Early Modern England examines arguments challenging episcopal authority and the counter-arguments which stressed the necessity of bishops in England and their status as useful and godly ministers. The book argues that episcopal writers constructed an identity as reformed agents of church authority. Charting the development of this identity over a hundred and fifty years, from the Reformation to the Restoration, this book traces the history of early modern England from an original and highly significant perspective. This book engages with many aspects of the social, political and religious history of early modern England and will therefore be key reading for undergraduates and postgraduates, and researchers working in the early modern field, and anyone who has an interest in this period of history.
Author: Michelle Ephraim
Publisher: Routledge
ISBN: 1317071018
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The first book-length examination of Jewish women in Renaissance drama, this study explores fictional representations of the female Jew in academic, private and public stage performances during Queen Elizabeth I's reign; it links lesser-known dramatic adaptations of the biblical Rebecca, Deborah, and Esther with the Jewish daughters made famous by Christopher Marlowe and William Shakespeare on the popular stage. Drawing upon original research on early modern sermons and biblical commentaries, Michelle Ephraim here shows the cultural significance of biblical plays that have received scant critical attention and offers a new context with which to understand Shakespeare's and Marlowe's fascination with the Jewish daughter. Protestant playwrights often figured Elizabeth through Jewish women from the Hebrew scripture in order to legitimate her religious authenticity. Ephraim argues that through the figure of the Jewess, playwrights not only stake a claim to the Old Testament but call attention to the process of reading and interpreting the Jewish bible; their typological interpretations challenge and appropriate Catholic and Jewish exegeses. The plays convey the Reformists' desire for propriety over the Hebrew scripture as a "prisca veritas," the pure word of God as opposed to that of corrupt Church authority. Yet these literary representations of the Jewess, which draw from multiple and conflicting exegetical traditions, also demonstrate the elusive quality of the Hebrew text. This book establishes the relationship between Elizabeth and dramatic representations of the Jewish woman: to "play" the Jewess is to engage in an interpretive "play" that both celebrates and interrogates the religious ideology of Elizabeth's emerging Protestant nation. Ephraim approaches the relationship between scripture and drama from a historicist perspective, complicating our understanding of the specific intersections between the Jewess in Elizabethan drama, biblical commentaries, political discourse, and popular culture. This study expands the growing field of Jewish studies in the Renaissance and contributes also to critical work on Elizabeth herself, whose influence on literary texts many scholars have established.
