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Author: Marietta Martin
Publisher:
ISBN:
Category :
Languages : en
Pages : 1752
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Author: Marietta Martin
Publisher:
ISBN:
Category :
Languages : en
Pages : 1752
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Author: Maria Tatar
Publisher: Princeton University Press
ISBN: 1400871379
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Franz Anton Mesmer's concept of animal magnetism exercised a profound influence on key European and American thinkers. Mesmer, who saw in his discovery the secret of health, had hoped to recover the harmony between man and nature by harnessing the power of magnetic fluids. In calling attention to the existence of a second self that surfaces in the hypnotic trance, Mesmer made his real contribution and took the first, decisive steps on the road leading to the unconscious. While most critical studies of mesmerism originate in the history of science or medicine, Maria Tatar's book takes a fresh approach by tracing the impact of mesmerism on literature. The author launches her account with a portrait of Mesmer and places his views in the context of eighteenth-century thought. She then explores the significance of Mesmer's ideas and studies their influence on nineteenth-century German, French, and American writers. In conclusion, she examines the ways in which modern authors absorbed and reshaped the mesmerist legacy bequeathed to them by earlier generations. Whether discussing the electrical energy vibrating through Kleist's dramas, the electrical heat radiating from Hoffmann's figures, the streams of magnetic fluid coursing through Balzac's novels, or the magnetic chain of humanity linking Hawthorne's characters, Professor Tatar recaptures the meaning of ideas, motifs, and metaphors often overlooked by literary critics. Her study illuminates, in a remarkable way, the subtle connections between science, psychology, and literature. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Heather Hadlock
Publisher: Princeton University Press
ISBN: 0691170851
Category : Music
Languages : en
Pages : 175
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In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject. Les Contes d'Hoffmann is also examined as both a continuation and a retraction of tendencies in Offenbach's earlier operettas and opéra-comiques. Hadlock investigates the political climate of the 1870s that influenced the composer's vision and the reception of his last work. Drawing upon insights from feminist, literary, and cultural theory, she considers how the opera's music and libretto took shape within a complex literary and theatrical tradition. Finally, Hadlock ponders the enigmas posed by the score of this unfinished opera, which has been completed many times and by many different hands since its composer's death shortly before the premiere in 1881. In this book, the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself.
Author: John George Robertson
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 616
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Each number includes the section "Reviews."
Author: Edna Purdie
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 182
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Author: Julie Kavanagh
Publisher: Vintage
ISBN: 0804171556
Category : Biography & Autobiography
Languages : en
Pages : 322
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This riveting biography brilliantly explores the short, intense, and passionate life of the country girl from Normandy, who at thirteen fled her brute of a father to go to Paris. Almost overnight she became one of the most admired courtesans of the 1840s—the inspiration for Alexandre Dumas fils’ The Lady of the Camellias and Verdi’s La Traviata. With her aristocratic ways, elegant clothes and signature camellias, Marie was always a subject of fascination at the opera and the boulevard cafés. Her death at twenty-three from tuberculosis created such an outpouring of sympathy in the press that Charles Dickens, who was in Paris at the time, was amazed. “Everything is erased in the face of an incident which is far more important,” he wrote, “the romantic death of one of the glories of the demi-monde, the beautiful, the famous Marie Duplessis.”
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1584
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Author:
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 450
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1586
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Author: Marjorie Louise Henry
Publisher:
ISBN:
Category : Comparative literature
Languages : fr
Pages : 338
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