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Author: Ulrike Ottinger
Publisher: Moderne Kunst Verlag Fur
ISBN: 9783869844251
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
Ulrike Ottinger belongs to those pioneers of art cinema who recognised the possibilities of film as a continuation of their work early on. Her output goes far beyond that of a film-maker, however: she is an artist, photographer, author and director.She has been making film history since the 1970s, and her works have been shown at the most important international festivals and have won numerous prizes. Her artistic work caused a sensation at the Biennale di Venezia (1980), documenta 11 (2002) and the 3rd Berlin Biennale (2004).This catalogue accompanies the exhibition at kestnergesellschaft in Hannover. The various aspects of her œuvre – film, opera and theatre directing, stage design, photography and ritual objects inspired by her travels – all flow into a large-scale installation extending through several spaces.For the first time this catalogue comprehensively documents Ulrike Ottinger's exhibitions from the 1960s up to the present.English and German text.
Author: Ulrike Ottinger
Publisher: Moderne Kunst Verlag Fur
ISBN: 9783869844251
Category : Photography, Artistic
Languages : en
Pages : 0
Get Book Here
Book Description
Ulrike Ottinger belongs to those pioneers of art cinema who recognised the possibilities of film as a continuation of their work early on. Her output goes far beyond that of a film-maker, however: she is an artist, photographer, author and director.She has been making film history since the 1970s, and her works have been shown at the most important international festivals and have won numerous prizes. Her artistic work caused a sensation at the Biennale di Venezia (1980), documenta 11 (2002) and the 3rd Berlin Biennale (2004).This catalogue accompanies the exhibition at kestnergesellschaft in Hannover. The various aspects of her œuvre – film, opera and theatre directing, stage design, photography and ritual objects inspired by her travels – all flow into a large-scale installation extending through several spaces.For the first time this catalogue comprehensively documents Ulrike Ottinger's exhibitions from the 1960s up to the present.English and German text.
Author: Laurence A. Rickels
Publisher: U of Minnesota Press
ISBN: 0816653305
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger’s films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. Widely regarded as a singular and provocative talent, Ottinger’s conspicuous absence from critical discourse is, for Rickels, symptomatic of the art cinema’s demise. Incorporating interviews he conducted with Ottinger and illustrated with stunning examples from her photographic oeuvre, this book takes up the challenges posed by Ottinger’s filmography to interrogate, ultimately, the very practice-and possibility-of art cinema today. Laurence A. Rickels is professor of German and comparative literature at the University of California, Santa Barbara, and the author of several books, including The Case of California, The Vampire Lectures, and the three-volume Nazi Psychoanalysis (all published by Minnesota). He is a recognized art writer whose reflections on contemporary visual art appear regularly in numerous exhibition catalogues as well as in Artforum, artUS, and Flash Art.
Author: Ulrike Ottinger
Publisher:
ISBN:
Category : Experimental films
Languages : en
Pages : 8
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Book Description
Author: Ingvild Goetz
Publisher:
ISBN: 9783775734622
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
This volume offers an overview of German artist Ulrike Ottinger (born 1942), whose films explore the tensions between documentary and fiction. It includes reproductions of installations, such as Floating Flood (2011), an audio-visual collage of the artist's travels, drawing from four decades of cinematic creativity.
Author: Ulrike Ottinger
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 542
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Book Description
Ulrike Ottinger's films and photographs investigate remote corners of the world, using fictional and documentary means. Retrospectives of her works have been held at MoMA in New York and Tate Modern in London. In 2002 she took part in documenta 11.
Author: Kaja Silverman
Publisher: Routledge
ISBN: 1317795970
Category : Psychology
Languages : en
Pages : 272
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Book Description
In The Threshold of the Visible World Kaja Silverman advances a revolutionary new political aesthetic, exploring the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies.
Author: Rosalind Galt
Publisher: Columbia University Press
ISBN: 0231153465
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
Film culture often rejects visually rich images, valuing simplicity, austerity, or even ugliness as more provocative, political, and truly cinematic. Although cinema challenges traditional ideas of art, this opposition to the decorative continues a long-standing aesthetic antipathy to feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal and colonial perspective along with the preference for fine over decorative art, filmmakers, critics, and theorists tend to denigrate cinema's colorful, picturesque, and richly patterned visions. Condemning this exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements—styles increasingly central to world cinema. From European art house cinema to the films of Wong Kar-wai and Santosh Sivan, from handmade experimental films to the popular pleasures of Moulin Rouge! and Amelie, pretty is a vital element of contemporary cinema, using visual exuberance to communicate distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, a singular representation of cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art and film theory and philosophy, Galt reclaims prettiness as a radically transgressive style, woven with the threads of political agency.
Author: Elsa Coustou
Publisher: Yale University Press
ISBN: 0300216998
Category : Art
Languages : en
Pages : 267
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Book Description
A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.
Author: Rosalind Galt
Publisher: Columbia University Press
ISBN: 0231153473
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
Film culture often rejects visually rich images, treating simplicity, austerity, or even ugliness as the more provocative, political, and truly cinematic choice. Cinema may challenge traditional ideas of art, but its opposition to the decorative represents a long-standing Western aesthetic bias against feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal, colonial perspective--which treats decorative style as foreign or sexually perverse--filmmakers, critics, and theorists have often denigrated colorful, picturesque, and richly patterned visions in cinema. Condemning the exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements-styles increasingly central to world cinema. From European art cinema to the films of Wong Kar-wai and Santosh Sivan, from the experimental films of Derek Jarman to the popular pleasures of Moulin Rouge!, the pretty is a vital element of contemporary cinema, communicating distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, uniquely able to figure cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art theory, film theory, and philosophy, Galt reclaims prettiness as a radically transgressive style, shimmering with threads of political agency.
Author: Kaja Silverman
Publisher: Routledge
ISBN: 1317795989
Category : Psychology
Languages : en
Pages : 265
Get Book Here
Book Description
In The Threshold of the Visible World Kaja Silverman advances a revolutionary new political aesthetic, exploring the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies.
