Types of Ambiguity in Schoenberg's Tonal Compositions PDF Download
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Author: Thomas Clifton
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Book Description
Author: Thomas Clifton
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Book Description
Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374
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Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520019355
Category : Music
Languages : en
Pages : 220
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Book Description
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
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Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Author: David J. Hoek
Publisher: MLA Index and Bibliography Series
ISBN:
Category : Music
Languages : en
Pages : 382
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Book Description
"Features over 9000 references to analyses of the works of more than 1000 composers of the nineteenth and twentieth centuries. These references address form, harmony, melody, rhythm and other structural elements of musical composition."--Cover.
Author:
Publisher: Ann Arbor, Mich. : Music Library Association
ISBN:
Category : Music
Languages : en
Pages : 110
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Book Description
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author:
Publisher: Boston : Music Library Association
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 404
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Book Description
Provides rapid access to technical materials of an analytical nature contained in periodicals, monographs, Festschriften, and dissertations. Cumulates the 19th-century and 20th-century volumes previously published separately, and updates indexing for both centuries through 1985. Contains 5,664 entries by 2,400 authors, drawn from 132 periodicals and 93 Festschriften covering 779 composers.
Author: Robert Arp
Publisher: Simon and Schuster
ISBN: 1667201743
Category : Social Science
Languages : en
Pages : 960
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Book Description
Trace the progress of humanity—from prehistoric times to the present day—through 1,001 ideas that changed how we connect to each other and the world around us. From the ability to control fire to augmented reality, the power of humanity’s ideas has revolutionized how we live and experience the world around us. 1001 Ideas That Changed the Way We Think looks at the innovations and concepts that have played a key role in our progress since before recorded history. Covering a wide range of topics—from political and religious ideas to modern innovations such as social media and clean energy—this captivating volume offers a comprehensive look at how human ideas have evolved over the millennia.
Author: Ben Johnston
Publisher: University of Illinois Press
ISBN: 0252091574
Category : Biography & Autobiography
Languages : en
Pages : 327
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Book Description
Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace. This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. A discography of commercially available recordings of Johnston's music closes out the collection.
