Twelve solos for a violin or oboe with basso continuo

Twelve solos for a violin or oboe with basso continuo PDF Author: William Babell
Publisher: A-R Editions, Inc.
ISBN: 0895795760
Category : Music
Languages : en
Pages : 130

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Book Description
Pagination: xvii + 82 pp.Parts (violin) available as B140P

Twelve solos for a violin or oboe with basso continuo

Twelve solos for a violin or oboe with basso continuo PDF Author: William Babell
Publisher: A-R Editions, Inc.
ISBN: 0895795760
Category : Music
Languages : en
Pages : 130

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Book Description
Pagination: xvii + 82 pp.Parts (violin) available as B140P

Rinaldo and Armida

Rinaldo and Armida PDF Author: John Eccles
Publisher: A-R Editions, Inc.
ISBN: 9780895797230
Category : Music
Languages : en
Pages : 148

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Book Description


Hooked on Classics

Hooked on Classics PDF Author: Kenneth A. Christensen
Publisher: Dorrance Publishing
ISBN:
Category : Music
Languages : en
Pages : 1078

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Book Description
Drawing on his love and his own appreciation for classical music, Kenneth A. Christensen works to help educate and inspire fellow music lovers regarding numerous composers and their contributions to music throughout the years. Including composer biographies, suggested list of recordings, and music history, Hooked on Classics will surely help amateur music lovers to gain a better, firmer understanding of music. About the Author Kenneth A. Christensen is a private music teacher and church soloist from Crystal Lake, IL. He has won a Lifetime Achievement Award from Marquis Who's Who in America in 2020. He is a graduate of Crystal Lake South High School and McHenry County College in Crystal Lake, IL, and Elmhurst University in Elmhurst, IL. He has served as cantor and assistant choir director to St. John's Lutheran Church in Algonquin, IL and Shepherd of the Hills Lutheran Church in McHenry, IL. He is a prolific composer as well as the author of sixteen books.

Six sonatas Opéra XIII, c.1735, 1 & 2 for flute (violin, oboe) and basso continuo

Six sonatas Opéra XIII, c.1735, 1 & 2 for flute (violin, oboe) and basso continuo PDF Author: Michel Corrette
Publisher:
ISBN:
Category : Flute and continuo music
Languages : en
Pages : 30

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Book Description


Music and the Benefit Performance in Eighteenth-Century Britain

Music and the Benefit Performance in Eighteenth-Century Britain PDF Author: Matthew Gardner
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303

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Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

Twelve solos for the violin

Twelve solos for the violin PDF Author: Arcangelo Corelli
Publisher:
ISBN:
Category : Cello music
Languages : en
Pages : 218

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Book Description


Capricci (1622), Part 1

Capricci (1622), Part 1 PDF Author: Bellerofonte Castaldi
Publisher: A-R Editions, Inc.
ISBN: 0895795914
Category : Music
Languages : en
Pages : 210

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Book Description
Pagination: xvi + 180 pp.

Twelve sonatas for violin, viola da gamba and basso continuo, op. II: no. 1-3

Twelve sonatas for violin, viola da gamba and basso continuo, op. II: no. 1-3 PDF Author: Johann Philipp Krieger
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 56

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Book Description


Concerto in F for Solo Oboe, Violin, Strings & Basso Continuo

Concerto in F for Solo Oboe, Violin, Strings & Basso Continuo PDF Author: Georg Philipp Telemann
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Book Description


Selected Verse Anthems

Selected Verse Anthems PDF Author: John Blow
Publisher: A-R Editions, Inc.
ISBN: 0895796511
Category : Music
Languages : en
Pages : 128

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Book Description
The eight verse anthems in this edition constitute the only full scores of works in Blow's hand that survive in this abundant genre. The scores are located in two manuscripts that are now parts of the collections at Christ Church, Oxford, and the Fitzwilliam Museum, Cambridge. The Oxford manuscript includes five anthems from the 1670s, and each displays a variety of structural and musical-rhetoric procedures, making them ideal representatives of Blow's multifaceted early style. The Cambridge manuscript dates from ca. 1704 and contains three late works on a much larger scale. As a group, the later anthems require considerably greater virtuosity from the solo singers, and individual verse sections grow both longer and more numerous. As representative examples within a much larger repertoire, the works selected for this edition help to reveal important facets in the career of the first person to hold the title, Composer of the Chapel Royal.