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Author: Joel B. Altman
Publisher: Univ of California Press
ISBN: 9780520034273
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Sets out the principles of banking law and explains both case law and legislation. Author from University of Sydney, Australia.
Author: Joel B. Altman
Publisher: Univ of California Press
ISBN: 9780520034273
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Sets out the principles of banking law and explains both case law and legislation. Author from University of Sydney, Australia.
Author: Kristin M.S. Bezio
Publisher: Routledge
ISBN: 1317050770
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
Author: Thomas Betteridge
Publisher: OUP Oxford
ISBN: 0191651516
Category : Drama
Languages : en
Pages : 710
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Book Description
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Author: John Gassner
Publisher: Hal Leonard Corporation
ISBN: 9780936839844
Category : Drama
Languages : en
Pages : 484
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Book Description
Presents examples of folk drama, and morality plays, and the early tragedies and comedies following classical models
Author: Dr Kristin M. S. Bezio
Publisher: Ashgate Publishing, Ltd.
ISBN: 147246513X
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580–1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
Author: Alan Stewart
Publisher: Broadview Press
ISBN: 1770487263
Category : Literary Collections
Languages : en
Pages : 648
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Book Description
English drama between the late fifteenth century and the late sixteenth centuries is as diverse as it is engaging; this anthology brings together eighteen of the most interesting and important dramatic works from the period. The plays have been chosen to give a broad view of the drama produced in Tudor England. They testify to the eclectic tastes of sixteenth-century audiences, ranging from morality plays (Mankind, Everyman), to comedies inspired by the Roman plays of Terence and Plautus (Ralph Roister Doister), to tragedies inspired by the plays of Seneca (Gorboduc, Cambises). In later plays, morality plots rub shoulders with slapstick comic business (The Longer Thou Livest The More Fool Thou Art, The Three Ladies of London), and classical gods intervene in the affairs of England’s regions (Gallathea). While some of the plays offer pure entertainment, others have a clear political agenda. King Johan is presented as a prototype for English resistance to Rome’s Catholicism; Gorboduc’s decision to abdicate and divide his kingdom highlights the vexed question of the English succession under a childless queen. Other plays comment more obliquely on contemporary events. Play of the Four Elements reflects on England’s nascent maritime expeditions to the New World, while The Three Ladies of London comments topically on immigrant overcrowding in England’s port towns, and the dangers of England’s trade in the Mediterranean. Some plays push the boundaries of what the theatre can do in staging violence (Cambises) and questioning gender roles (Gallathea). Designed for undergraduate use, the anthology includes extensive explanatory annotations and a substantial introduction to each play; spelling and punctuation have been partially modernized in the interests of making the texts more accessible to students. In all this, the anthology follows principles similar to those developed for Christina M. Fitzgerald’s and John T. Sebastian’s Broadview Anthology of Medieval Drama; several of the plays from that anthology are also included here, while the rest have been newly edited for this volume, under the supervision of General Editor Alan Stewart.
Author: James C. Bryant
Publisher: Mercer University Press
ISBN: 9780865541290
Category : Drama
Languages : en
Pages : 194
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Book Description
Author: Greg Walker
Publisher:
ISBN: 0199681120
Category : Drama
Languages : en
Pages : 733
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Book Description
The first comprehensive anthology of English drama in the long Tudor century, The Oxford Anthology of Tudor Drama contains sixteen of the most important plays from the long Tudor century (1485-1603) newly edited in accessible modern spelling.
Author: Tamara Atkin
Publisher: Routledge
ISBN: 1317079892
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible to market a play for leisure-time reading. Offering a detailed analysis of such features as title-pages, character lists, and other paratextual front matter, it suggests that even before the establishment of successful permanent playhouses, playbooks adopted recognisable conventions that not only announced their categorical status and genre but also suggested appropriate forms of use. As well as a survey of implied reading practices, this study is also about the historical owners and readers of plays. Examining the marks of use that survive in copies of early printed plays, it explores the habits of compilation and annotation that reflect the striking and often unpredictable uses to which early owners subjected their playbooks.
Author: Robert Tittler
Publisher: John Wiley & Sons
ISBN: 1405137401
Category : History
Languages : en
Pages : 608
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Book Description
A Companion to Tudor Britain provides an authoritativeoverview of historical debates about this period, focusing on thewhole British Isles. An authoritative overview of scholarly debates about TudorBritain Focuses on the whole British Isles, exploring what was commonand what was distinct to its four constituent elements Emphasises big cultural, social, intellectual, religious andeconomic themes Describes differing political and personal experiences of thetime Discusses unusual subjects, such as the sense of the pastamongst British constituent identities, the relationship ofcultural forms to social and political issues, and the role ofscientific inquiry Bibliographies point readers to further sources ofinformation
