Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 282
Book Description
Tudor Church Music: Thomas Tomkins, pt. 1: Services
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 282
Book Description
Tudor Church Music: Thomas Tomkins, pt.1
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 286
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 286
Book Description
Thomas Tomkins, 1575 (?)-1656
Author: Thomas Tomkins
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices) with organ
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices) with organ
Languages : en
Pages : 280
Book Description
Tudor Church Music: John Taverner, pt. 1
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 308
Book Description
Tudor Church Music
Author: Denis Stevens
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 160
Book Description
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 160
Book Description
Tudor Church Music: Orlando Gibbons
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 414
Book Description
English Choral Practice, 1400-1650
Author: John Morehen
Publisher: Cambridge University Press
ISBN: 9780521544085
Category : Foreign Language Study
Languages : en
Pages : 266
Book Description
These nine essays consider for the first time the day-to-day performing practice of English composers of choral music of the period 1440-1650.
Publisher: Cambridge University Press
ISBN: 9780521544085
Category : Foreign Language Study
Languages : en
Pages : 266
Book Description
These nine essays consider for the first time the day-to-day performing practice of English composers of choral music of the period 1440-1650.
Essays on the History of English Music in Honour of John Caldwell
Author: Emma Hornby
Publisher: Boydell & Brewer
ISBN: 1843835355
Category : Music
Languages : en
Pages : 366
Book Description
Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE
Publisher: Boydell & Brewer
ISBN: 1843835355
Category : Music
Languages : en
Pages : 366
Book Description
Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry. The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography. Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW. To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE
Tudor Church Music: William Byrd, English church music, pt.1
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 360
Book Description
Poetry and Music in Seventeenth-Century England
Author: Diane Kelsey McColley
Publisher: Cambridge University Press
ISBN: 9780521593632
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of analogous texts, and discusses the philosophy, performance, and disputed political and ecclesiastical implications of polyphony. She also enters into the discourse about the nature of language, relating poets' use of language and composers' use of music to larger questions concerning the arts, politics and theology.
Publisher: Cambridge University Press
ISBN: 9780521593632
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of analogous texts, and discusses the philosophy, performance, and disputed political and ecclesiastical implications of polyphony. She also enters into the discourse about the nature of language, relating poets' use of language and composers' use of music to larger questions concerning the arts, politics and theology.