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Author: Neil Gaiman
Publisher: Harper Collins
ISBN: 0061793078
Category : Fiction
Languages : en
Pages : 185
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Book Description
New York Times Bestselling Author Give the gift of STARDUST! Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing not even a fallen star, is what he imagined. From the #1 New York Times bestselling author Neil Gaiman comes a remarkable quest into the dark and miraculous—in pursuit of love and the utterly impossible.
Author: Neil Gaiman
Publisher: Harper Collins
ISBN: 0061793078
Category : Fiction
Languages : en
Pages : 185
Get Book Here
Book Description
New York Times Bestselling Author Give the gift of STARDUST! Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing not even a fallen star, is what he imagined. From the #1 New York Times bestselling author Neil Gaiman comes a remarkable quest into the dark and miraculous—in pursuit of love and the utterly impossible.
Author: Steven Schoen
Publisher: Pearson
ISBN: 9780130257710
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 0
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Book Description
This book presents readers and creative writing enthusiasts with comprehensive coverage of the elements of fiction and real-world writing techniques that help build skills--such as sensory detailing, character construction, and cause and effect plotting. Plenty of practical advice completes this treatment of the fiction genre. Chapter topics include character, plot, story structure, dialogue, point of view, style, and details. For writers pursuing a hobby or a dream--or just dabbling, this insightful guide will teach them how do it and "say" it better.
Author: John Woods
Publisher: Springer
ISBN: 3319726587
Category : Philosophy
Languages : en
Pages : 246
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Book Description
This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows? It is argued that the most semantically distinctive feature of the sentences of fiction is that they areunambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn’t in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it? Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction. The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition.
Author: Patrick X Walsh
Publisher: FriesenPress
ISBN: 1525543660
Category : Biography & Autobiography
Languages : en
Pages : 566
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Book Description
How could he be a good boy and a bad boy at the same time? The TRUTH is what is. FICTION is not reality—but it can help us to see the TRUTH through stories, e.g., The Boy Who Cried Wolf. LIES deceive, for evil purposes, and for good purposes. But what happens when what we think is the TRUTH turns out to be a LIE? In his ninth decade, the author, who has spent his life creating FICTION to examine TRUTH, decided to write the story of his life, truthfully. But, in the process of examining his life—his prayers, works, joys and sufferings—he discovers it becomes more and more difficult to distinguish the TRUTH from the LIES. And the chief insights into the reality of a life he thought noble, his FICTION—often in the form of dreams—reveals his true nature as a failure in his professed faith—until a good woman shows him the way out of his dark forest.
Author: Barbara C. Foley
Publisher: Cornell University Press
ISBN: 1501722905
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Barbara Foley here focuses on the relatively neglected genre of documentary fiction: novels that are continually near the borderline between factual and fictive discourse. She links the development of the genre over three centuries to the evolution of capitalism, but her analyses of literary texts depart significantly from those of most current Marxist critics. Foley maintains that Marxist theory has yet to produce a satisfactory theory of mimesis or of the development of genres, and she addresses such key issues as the problem of reference and the nature of generic distinctions. Among the authors whom Foley treats are Defoe, Scott, George Eliot, Joyce, Isherwood, Dos Passos, William Wells Brown, Ishmael Reed, and Ernest Gaines.
Author: Thomas King
Publisher: House of Anansi
ISBN: 0887846963
Category : American literature
Languages : en
Pages : 184
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Book Description
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
Author: Craig Bourne
Publisher: Oxford University Press
ISBN: 0199675317
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
What can we learn about the world from engaging with fictional time-series--stories involving time travellers, recurring and rewinding time, and foreknowledge of the future? Do they show us radical alternative possibilities concerning the nature of time, or do they show that even the impossible can be represented in fiction? Neither, so this book argues. Defending the view that a fiction represents a single possible world, the authors show how apparentrepresentations of radically different time-series can be explained in terms of how worlds are represented without there being any fictional world which has such a time-series. In this way, the book uses thecomplexities of fictional time to get to the core of the relation between truth in fiction and possibility. It provides a logic and metaphysics to deal with the fact that fictions can leave certain features of their fictional worlds indefinite, and draws comparisons and connections between fictional and scientific representations and hypotheses.
Author: Jennifer Johnston
Publisher: Hachette UK
ISBN: 1472226038
Category : Fiction
Languages : en
Pages : 89
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Book Description
A brilliant story of the secrets we keep. Desmond Fitzmaurice is a mysterious literary giant of the thirties whom no one has seen for years. Caroline is a London journalist, and hasn't the faintest interest in going to Dublin to interview him. That his life story will feature 'lots of sex and some violence', as the old man claims, seems farcical. She'll stay for a couple of nights, extract what she can and try to make his life sound interesting. But in Desmond's quiet house, his quiet life, Caroline discovers much, much more than she bargained for...
Author: Peter Temple
Publisher: Random House Digital, Inc.
ISBN: 0307358852
Category : Fathers
Languages : en
Pages : 387
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Book Description
Villani's job as acting head of the Victoria Police homicide squad is bathed in blood and sorrow. His life is his work. It is his identity, his calling, his touchstone. But now, over a few sweltering summer days, as fires burn across the state and his superiors and colleagues scheme and jostle, he finds all the certainties of his life are crumbling.
Author: Monika Fludernik
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110484994
Category : Literary Criticism
Languages : en
Pages : 751
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Book Description
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
