Author: Pierre Corneille
Publisher: Société d'édition d'enseignement supérieur
ISBN:
Category : Drama
Languages : fr
Pages : 167
Book Description
Trois discours sur le poème dramatique
Author: Pierre Corneille
Publisher: Société d'édition d'enseignement supérieur
ISBN:
Category : Drama
Languages : fr
Pages : 167
Book Description
Publisher: Société d'édition d'enseignement supérieur
ISBN:
Category : Drama
Languages : fr
Pages : 167
Book Description
Trois Discourse Sur Le Poeme Dramatique
Author: Pierre Corneille
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 167
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 167
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
Trois descours sur le poeme dramatique (texte de 1660).
Author: Pierre Corneille
Publisher:
ISBN:
Category : Drama
Languages : fr
Pages : 167
Book Description
Publisher:
ISBN:
Category : Drama
Languages : fr
Pages : 167
Book Description
Trois discours sur le poème dramatique
Author: Pierre Corneille
Publisher: Paris, Societe d'edition d'enseignement superieur
ISBN:
Category : Drama
Languages : fr
Pages : 176
Book Description
Publisher: Paris, Societe d'edition d'enseignement superieur
ISBN:
Category : Drama
Languages : fr
Pages : 176
Book Description
Trois discours sur le poème dramatique
Author: Pierre Corneille
Publisher: Flammarion
ISBN: 9782080244345
Category :
Languages : fr
Pages : 324
Book Description
Publisher: Flammarion
ISBN: 9782080244345
Category :
Languages : fr
Pages : 324
Book Description
Master of the River
Author: Félix Antoine Savard
Publisher:
ISBN:
Category : French-Canadian fiction
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : French-Canadian fiction
Languages : en
Pages : 148
Book Description
Dramma Per Musica
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
The Guénégaud Theatre in Paris (1673-1680)
Author: Jan Clarke
Publisher:
ISBN: 9780773453135
Category : Theater
Languages : en
Pages : 0
Book Description
This is the first detailed study of the Hotel Guenegaud, the first home of the Paris Opera in 1670, and the first home of the Comedie-Francaise ten years later.
Publisher:
ISBN: 9780773453135
Category : Theater
Languages : en
Pages : 0
Book Description
This is the first detailed study of the Hotel Guenegaud, the first home of the Paris Opera in 1670, and the first home of the Comedie-Francaise ten years later.
Epic and Empire
Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.