Author: James N. Wood
Publisher: National Geographic Books
ISBN: 0789204029
Category : Art
Languages : en
Pages : 0
Book Description
This Tiny Folio book highlights some of the most celebrated European and American paintings from the nineteenth and twentieth centuries that are part of the permanent collection at The Art Institute of Chicago. Included in this collection are numerous masterpieces of Realism, Impressionism, Post–Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of Modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now–beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean–Auguste–Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media–appropriated Pop–art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.
Treasures of 19th and 20th Century Painting
Author: James N. Wood
Publisher: National Geographic Books
ISBN: 0789204029
Category : Art
Languages : en
Pages : 0
Book Description
This Tiny Folio book highlights some of the most celebrated European and American paintings from the nineteenth and twentieth centuries that are part of the permanent collection at The Art Institute of Chicago. Included in this collection are numerous masterpieces of Realism, Impressionism, Post–Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of Modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now–beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean–Auguste–Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media–appropriated Pop–art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.
Publisher: National Geographic Books
ISBN: 0789204029
Category : Art
Languages : en
Pages : 0
Book Description
This Tiny Folio book highlights some of the most celebrated European and American paintings from the nineteenth and twentieth centuries that are part of the permanent collection at The Art Institute of Chicago. Included in this collection are numerous masterpieces of Realism, Impressionism, Post–Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of Modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now–beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean–Auguste–Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media–appropriated Pop–art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.
Treasures of 19th- and 20th-century Painting, the Art Institute of Chicago
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 354
Book Description
From the Director of the Art Institute of Chicago comes a fascinating and handsomely illustrated miniature book which presents well-loved masterpieces of modern art. 300 full-color illus.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 354
Book Description
From the Director of the Art Institute of Chicago comes a fascinating and handsomely illustrated miniature book which presents well-loved masterpieces of modern art. 300 full-color illus.
Japanese Prints
Author: Art Institute of Chicago
Publisher: Tiny Folios (Hardcover Japanes
ISBN:
Category : Architecture
Languages : en
Pages : 328
Book Description
Publisher: Tiny Folios (Hardcover Japanes
ISBN:
Category : Architecture
Languages : en
Pages : 328
Book Description
Master Paintings in the Art Institute of Chicago
Author: James N. Wood
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Beyond Golden Clouds
Author: Philip K. Hu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Folding screens, known as byôbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shukei, a Zen-Buddhist monk-painter of the late 16th century, to daring contemporary works from the late 20th century. The first half of the Edo period (1615-1868) is especially well represented, with a dozen screens from the 17th century by such masters as Kano Koi and Tosa Mitsuoki. The contemporary scene is also well covered, with ten examples from the 20th century--proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics like the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (6/26/09-9/27/09) Saint Louis Art Museum (10/18/09-1/3/10)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Folding screens, known as byôbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shukei, a Zen-Buddhist monk-painter of the late 16th century, to daring contemporary works from the late 20th century. The first half of the Edo period (1615-1868) is especially well represented, with a dozen screens from the 17th century by such masters as Kano Koi and Tosa Mitsuoki. The contemporary scene is also well covered, with ten examples from the 20th century--proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics like the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (6/26/09-9/27/09) Saint Louis Art Museum (10/18/09-1/3/10)
Cumulative Book Index
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2328
Book Description
A world list of books in the English language.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2328
Book Description
A world list of books in the English language.
Becoming Edvard Munch
Author: Jay Anne Clarke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
"Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work The Scream (1893) suggests, and he was radically independent, following his own singular vision. Becoming Edvard Munch: Influence, Anxiety, and Myth persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch's paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch's diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. Becoming Edvard Munch features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers"--Book jacket.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
"Two potent myths have traditionally defined our understanding of the artist Edvard Munch (1862-1944): he was mentally unstable, as his iconic work The Scream (1893) suggests, and he was radically independent, following his own singular vision. Becoming Edvard Munch: Influence, Anxiety, and Myth persuasively challenges these entrenched perceptions. In this book, Jay A. Clarke demonstrates that Munch was thoroughly in control of his artistic identity, a savvy businessman skilled in responding to the market and shaping popular opinion. Moreover, the author shows that Munch was keenly aware of the art world of his day, adopting motifs, styles, and techniques from a wide variety of sources, including many Scandinavian artists. By presenting Munch's paintings, prints, and drawings in relation to those of European contemporaries, including Harriet Backer, James Ensor, Vincent van Gogh, Max Klinger, Christian Krohg, and Claude Monet, Clarke reveals often surprising connections and influences. This interpretive approach, grounded in Munch's diaries and letters, period criticism, and the artworks themselves, reintroduces Munch as an artist who cultivated myths both visual and personal. Becoming Edvard Munch features beautiful color reproductions of approximately 150 works, including 75 paintings and 75 works on paper by Munch and his peers"--Book jacket.
America After the Fall
Author: Sarah L. Burns
Publisher: Yale University Press
ISBN: 0300214855
Category : Art
Languages : en
Pages : 205
Book Description
A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
Publisher: Yale University Press
ISBN: 0300214855
Category : Art
Languages : en
Pages : 205
Book Description
A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
Talk Art
Author: Russell Tovey
Publisher: Ilex Press
ISBN: 9781781578131
Category :
Languages : en
Pages : 224
Book Description
Publisher: Ilex Press
ISBN: 9781781578131
Category :
Languages : en
Pages : 224
Book Description
Sargent, Whistler, and Venetian Glass
Author: Crawford Alexander Mann (III)
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.