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Author: Western Art Union (Cincinnati, Ohio)
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 136
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Book Description
Author: Western Art Union (Cincinnati, Ohio)
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 136
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Book Description
Author: Wendy Jean Katz
Publisher: Ohio State University Press
ISBN: 9780814209066
Category : Art
Languages : en
Pages : 292
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Book Description
"Before the Civil War, Cincinnati, Ohio, was considered the most important art center of what was then regarded as the U.S. West. In this book, Wendy Jean Katz explores the role of artists and art associations in moral and social reform in antebellum Cincinnati. Its leaders claimed for it the status of the future geographic and economic center of the nation, and supported art as part of their effort to forge a regional vision of morals and manners attractive enough to persuade their adoption nationally."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: American Art-Union
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
List of members in each vol.
Author: American Art-Union
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 556
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Book Description
Author:
Publisher:
ISBN:
Category : Religious newspapers and periodicals
Languages : en
Pages : 576
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Book Description
Author: American Medical Association
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 516
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Book Description
List of members in vol. 1-17 and occasional other volumes.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 584
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Book Description
Author: Kimberly A. Orcutt
Publisher: Fordham Univ Press
ISBN: 153150700X
Category : Art
Languages : en
Pages : 400
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Book Description
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
Author: Francis S. Grubar
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 136
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Book Description
Author: Jochen Wierich
Publisher: Penn State Press
ISBN: 0271050322
Category : Art
Languages : en
Pages : 237
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Book Description
"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.
