Author: Gerda Wolfram
Publisher:
ISBN:
Category : History
Languages : en
Pages : 422
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Book Description
Tradition and Innovation in Late- and Postbyzantine Liturgical Chant stellt ein ideales Thema dar, um die kontinuierliche Weiterentwicklung der byzantinischen Kirchenmusik und gleichzeitig die Bewahrung traditioneller Elemente im liturgischen Gesang aufzuzeigen. In 14 verschiedenen Beitragen treten bedeutende Komponisten mit ihren Schopfungen in den Vordergrund, weiters verschiedene musikliturgische Repertoires, regionale Entwicklungen, Veranderungen bzw. Neuinterpretationen in der Notation und in der Modalitat. Schliesslich rundet eine musikalische Analyse der Interpretation eines fruhchristlichen Troparion durch einen Sanger des 20. Jahrhunderts das Thema ab.
Author: Karl Krumbacher
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 716
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Book Description
Author: Andrew Walker White
Publisher: Cambridge University Press
ISBN: 1107073855
Category : Drama
Languages : en
Pages : 291
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Book Description
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
Author: Gerda Wolfram
Publisher:
ISBN:
Category : Byzantine chants
Languages : de
Pages :
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Book Description
Author: William Oliver Strunk
Publisher:
ISBN: 9780393332766
Category : Church music
Languages : en
Pages : 0
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Book Description
In this companion volume to Essays on Music in the Western World, Oliver Strunk focuses on the area of study that has dominated his interest for the last thirty years--the chant and liturgy of the Eastern Orthodox church.
Author: Gerda Wolfram
Publisher:
ISBN: 9789042927483
Category : Byzantine chants
Languages : en
Pages : 0
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Book Description
What is the relation between the Greek ecclesiastical chant traditions of today and Byzantine chant? That question can only be answered through a meticulous study of the transmission and transformation of both the melodies, the genres, and the whole musical culture of Late Byzantium and the subsequent centuries. This book presents a handful of studies focusing on both the development of new musical styles, such as the ornamented Kalofonia ('Beautiful sound'), and on the education of the cantors, the psaltai. The role of the master cantors, the maistores, their teachings, treatises, traditions, innovations, compositions, and the various modes of interpretation (exegesis) are among the topics covered by this collection of papers, written by specialist scholars of Byzantine chant history.
Author: Benjamin Brand
Publisher: Cambridge University Press
ISBN: 131679895X
Category : Music
Languages : en
Pages : 379
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Book Description
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
Author: Wade Clark Roof
Publisher: Princeton University Press
ISBN: 1400823080
Category : Social Science
Languages : en
Pages : 378
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Book Description
In large chain bookstores the "religion" section is gone and in its place is an expanding number of topics including angels, Sufism, journey, recovery, meditation, magic, inspiration, Judaica, astrology, gurus, Bible, prophesy, evangelicalism, Mary, Buddhism, Catholicism, and esoterica. As Wade Clark Roof notes, such changes over the last two decades reflect a shift away from religion as traditionally understood to more diverse and creative approaches. But what does this splintering of the religious perspective say about Americans? Have we become more interested in spiritual concerns or have we become lost among trends? Do we value personal spirituality over traditional religion and no longer see ourselves united in a larger community of faith? Roof first credited this religious diversity to the baby boomers in his bestselling A Generation of Seekers (1993). He returns to interview many of these people, now in mid-life, to reveal a generation with a unique set of spiritual values--a generation that has altered our historic interpretations of religious beliefs, practices, and symbols, and perhaps even our understanding of the sacred itself. The quest culture created by the baby boomers has generated a "marketplace" of new spiritual beliefs and practices and of revisited traditions. As Roof shows, some Americans are exploring faiths and spiritual disciplines for the first time; others are rediscovering their lost traditions; others are drawn to small groups and alternative communities; and still others create their own mix of values and metaphysical beliefs. Spiritual Marketplace charts the emergence of five subcultures: dogmatists, born-again Christians, mainstream believers, metaphysical believers and seekers, and secularists. Drawing on surveys and in-depth interviews for over a decade, Roof reports on the religious and spiritual styles, family patterns, and moral vision and values for each of these subcultures. The result is an innovative, engaging approach to understanding how religious life is being reshaped as we move into the next century.
Author: William Peter Mahrt
Publisher:
ISBN: 9780984865208
Category : Church music
Languages : en
Pages : 455
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Book Description
"Professor William Mahrt of Santford Univeristy and the Church Music Association of America has written a sweeping book--one that it is at once scholarly and practical--on that most controversial topic of music and the liturgy. He provides an over-whelming argument that every parish must have high standrads for liturgical music and he makes the full case for Gregorian chant as the model and the ideal of that liturgical music." - back cover
Author: Andrew Louth
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654964
Category : History
Languages : en
Pages : 258
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Book Description
The Byzantine Empire - the Christianized Roman Empire - very soon defined itself in terms of correct theological belief, 'orthodoxy'. The terms of this belief were hammered out, for the most part, by bishops, but doctrinal decisions were made in councils called by the Emperors, many of whom involved themselves directly in the definition of 'orthodoxy'. Iconoclasm was an example of such imperial involvement, as was the final overthrow of iconoclasm. That controversy ensured that questions of Christian art were also seen by Byzantines as implicated in the question of orthodoxy. The papers gathered in this volume derive from those presented at the 36th Spring Symposium of Byzantine Studies, Durham, March 2002. They discuss how orthodoxy was defined, and the different interests that it represented; how orthodoxy was expressed in art and the music of the liturgy; and how orthodoxy helped shape the Byzantine Empire's sense of its own identity, an identity defined against the 'other' - Jews, heretics and, especially from the turn of the first millennium, the Latin West. These considerations raise wider questions about the way in which societies and groups use world-views and issues of bel
