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Author: W. Walker Gibson
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 200
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Book Description
Author: W. Walker Gibson
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 200
Get Book Here
Book Description
Author: Walker Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 179
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Book Description
Author: Walker Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 179
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Book Description
Author: Walker Gibson
Publisher: Midland Books
ISBN: 9780253201379
Category :
Languages : en
Pages : 192
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Book Description
Author: Gibson Walker
Publisher:
ISBN: 9780876923825
Category : American prose literature
Languages : en
Pages : 179
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Book Description
Author: Berel Lang
Publisher: Cornell University Press
ISBN: 9780801494390
Category : Art
Languages : en
Pages : 316
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Book Description
A ground-breaking attempt at a prolegomenon to the study of style, this collection brings together eleven essays by distinguished philosophers, literary theorists, art historians, and musicologists, all addressing the role played by style in the arts and literature.
Author: Katherine Haramundanis
Publisher: Digital Press
ISBN: 1483184013
Category : Computers
Languages : en
Pages : 287
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Book Description
The Art of Technical Documentation presents concepts, techniques, and practices in order to produce effective technical documentation. The book provides the definition of technical documentation; qualities of a good technical documentation; career paths and documentation management styles; precepts of technical documentation; practices for gathering information, understanding what you have gathered, and methods for testing documentation; and considerations of information representation, to provide insights on how different representations affect reader perception of your documents. Technical writers and scientists will find the book a good reference material.
Author: Roy F. Fox
Publisher: Bloomsbury Publishing USA
ISBN: 0313002517
Category : Social Science
Languages : en
Pages : 243
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Book Description
This book defines and analyzes the content, structure, and values of three predominant types of public discourse, which are labeled Doublespeak, Salespeak, and Sensationspeak. These media messages are examined to determine how they are constructed and how they influence individuals, ideology, and culture. Discussions are illustrated with a diverse range of examples from popular culture, magazines, Internet sites, politics, television, and film. Fox argues that the Information Age has replaced actual reality with representations of reality. He states that electronic media dominates our lives. Together, these three voices saturate media and technology, profoundly influencing American culture. Fox suggests specific strategies for recognizing and understanding these coded messages. This lively and informative discussion will appeal to anyone who is interested in learning how print and electronic media manipulate both individuals and society as a whole. The extensive research will appeal to media, communications, journalism, and cultural studies scholars alike.
Author: DIANE Publishing Company
Publisher: DIANE Publishing
ISBN: 078812725X
Category :
Languages : en
Pages : 80
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Book Description
This popular handbook is designed to provide teachers, curriculum specialists, school administrators, parents, and students with a standard for assessing existing writing programs, and a tool for helping them design new programs. It includes information to help them identify the strengths and weaknesses of existing or proposed writing programs and to select strategies for change. Addresses both the content and teaching methodology of a writing program; that is, what ought to be taught and how it should be taught. Award Winner. Illustrated.
Author: Wendolyn E. Tetlow
Publisher: Bucknell University Press
ISBN: 9780838752197
Category : Fiction
Languages : en
Pages : 172
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Book Description
"Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, "There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so" (Selected Letters, 154)." "According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: ". . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical" (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally." "Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of "direct treatment of the 'thing'" apply to Hemingway's stories and interchapters (Literary Essays, 3)." "Opening with a discussion of the six prose pieces in the original version--the shorter "In Our Time" (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
