Author: Ernesto De Curtis
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 16
Book Description
"Torna a Surriento" (Come Back to Sorrento) is a Neapolitan song composed in 1894 by Italian musician Ernesto De Curtis to words by his brother, the poet and painter Giambattista De Curtis. Arrangement for Clarinet Quartet (easy/intermediate level) by Francesco Leone. Score & Parts (4): Bb Clarinets 1-3 and Bb bass Clarinet.
Torna a Surriento - Clarinet Quartet (score & parts)
Author: Ernesto De Curtis
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 16
Book Description
"Torna a Surriento" (Come Back to Sorrento) is a Neapolitan song composed in 1894 by Italian musician Ernesto De Curtis to words by his brother, the poet and painter Giambattista De Curtis. Arrangement for Clarinet Quartet (easy/intermediate level) by Francesco Leone. Score & Parts (4): Bb Clarinets 1-3 and Bb bass Clarinet.
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 16
Book Description
"Torna a Surriento" (Come Back to Sorrento) is a Neapolitan song composed in 1894 by Italian musician Ernesto De Curtis to words by his brother, the poet and painter Giambattista De Curtis. Arrangement for Clarinet Quartet (easy/intermediate level) by Francesco Leone. Score & Parts (4): Bb Clarinets 1-3 and Bb bass Clarinet.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 972
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 972
Book Description
Catalog of Copyright Entries, Third Series
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 972
Book Description
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 972
Book Description
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 966
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 966
Book Description
The Music Journal's Index to New Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 60
Book Description
Catalog of Copyright Entries. Fourth Series
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1198
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1198
Book Description
The Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 464
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 712
Book Description
Bibliographic Guide to Music
Author: Gale Group
Publisher: Macmillan Reference USA
ISBN: 9780783892139
Category : Music
Languages : en
Pages : 932
Book Description
Publisher: Macmillan Reference USA
ISBN: 9780783892139
Category : Music
Languages : en
Pages : 932
Book Description
Sounding the Cape
Author: Denis Martin
Publisher: African Minds
ISBN: 1920489827
Category : Music
Languages : en
Pages : 471
Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Publisher: African Minds
ISBN: 1920489827
Category : Music
Languages : en
Pages : 471
Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.