Author: David C. Parker
Publisher: Walter de Gruyter
ISBN: 3110211947
Category : Religion
Languages : en
Pages : 392
Book Description
David C. Parker is one of the world’s foremost specialists in the study of the New Testament text and of Greek and Latin manuscripts. In addition to editions, monographs and more popular writings, he has published many articles on different aspects of textual criticism. This volume brings together twentyfive of them in a revised and updated version. The collection is divided into three topics. The first deals with manuscript studies. As well as three very different studies of Codex Bezae, there are articles and reports on individual manuscripts and classes of manuscripts and reports on visits to libraries. The second section has the theme of textual criticism. It includes broader studies dealing with the theory of the discipline and more detailed discussions of particular problems, including translations into Latin, techniques for grouping Greek manuscripts, and the comparison of modern editions. The third section contains papers in which Parker has discussed the often overlooked relationship between textual criticism and theology. These studies explore particular textual problems and their wider significance, and cover topics as varied as “Jesus and Textual Criticism”, “Calvin’s Biblical Text” and “The Early Tradition of Jesus’ Sayings on Divorce”.
Manuscripts, Texts, Theology
Author: David C. Parker
Publisher: Walter de Gruyter
ISBN: 3110211947
Category : Religion
Languages : en
Pages : 392
Book Description
David C. Parker is one of the world’s foremost specialists in the study of the New Testament text and of Greek and Latin manuscripts. In addition to editions, monographs and more popular writings, he has published many articles on different aspects of textual criticism. This volume brings together twentyfive of them in a revised and updated version. The collection is divided into three topics. The first deals with manuscript studies. As well as three very different studies of Codex Bezae, there are articles and reports on individual manuscripts and classes of manuscripts and reports on visits to libraries. The second section has the theme of textual criticism. It includes broader studies dealing with the theory of the discipline and more detailed discussions of particular problems, including translations into Latin, techniques for grouping Greek manuscripts, and the comparison of modern editions. The third section contains papers in which Parker has discussed the often overlooked relationship between textual criticism and theology. These studies explore particular textual problems and their wider significance, and cover topics as varied as “Jesus and Textual Criticism”, “Calvin’s Biblical Text” and “The Early Tradition of Jesus’ Sayings on Divorce”.
Publisher: Walter de Gruyter
ISBN: 3110211947
Category : Religion
Languages : en
Pages : 392
Book Description
David C. Parker is one of the world’s foremost specialists in the study of the New Testament text and of Greek and Latin manuscripts. In addition to editions, monographs and more popular writings, he has published many articles on different aspects of textual criticism. This volume brings together twentyfive of them in a revised and updated version. The collection is divided into three topics. The first deals with manuscript studies. As well as three very different studies of Codex Bezae, there are articles and reports on individual manuscripts and classes of manuscripts and reports on visits to libraries. The second section has the theme of textual criticism. It includes broader studies dealing with the theory of the discipline and more detailed discussions of particular problems, including translations into Latin, techniques for grouping Greek manuscripts, and the comparison of modern editions. The third section contains papers in which Parker has discussed the often overlooked relationship between textual criticism and theology. These studies explore particular textual problems and their wider significance, and cover topics as varied as “Jesus and Textual Criticism”, “Calvin’s Biblical Text” and “The Early Tradition of Jesus’ Sayings on Divorce”.
The Berkeley Manuscript
Author: Oliver B. Ellsworth
Publisher: U of Nebraska Press
ISBN: 9780803218086
Category : Music
Languages : en
Pages : 332
Book Description
Completed in Paris in 1375, this important manuscript combing several musical treatises was kept in private hands until the 1960s, when it was sold to the University of California at Berkeley and at last became readily accessible to scholars. This is the first complete edition and translation of the manuscript to be published, and extensive notes, a critical introduction, and indexes rerum et verborum augment the volume. Inasmuch as some of the treatises appear in later manuscripts located in Britain, Belgium, and Italy, full collations are provided. An appendix reviews more distantly related manuscripts. This edition will make widely available a collection of treatises that has already revised the history of music theory and practice. The treatises collected in the Berkeley Manuscript (olim Phillipps 4450) consider topics as fundamental and diverse as counterpoint, notation, tuning, chant, and speculative matters, for example, the history of the development of the scale. There is thorough coverage of the doctrine of coiuncta, which provides a means for accounting for chromatic accidentals in music, previously thought to be an invention of a century later. The discussion of tuning suggests the possibility of equal temperament some two centuries earlier than had been assumed. Two plates illustrate the edition. The first depicts musical instruments of the fourteenth century; the second provides a representative example of the handwritten manuscript.
Publisher: U of Nebraska Press
ISBN: 9780803218086
Category : Music
Languages : en
Pages : 332
Book Description
Completed in Paris in 1375, this important manuscript combing several musical treatises was kept in private hands until the 1960s, when it was sold to the University of California at Berkeley and at last became readily accessible to scholars. This is the first complete edition and translation of the manuscript to be published, and extensive notes, a critical introduction, and indexes rerum et verborum augment the volume. Inasmuch as some of the treatises appear in later manuscripts located in Britain, Belgium, and Italy, full collations are provided. An appendix reviews more distantly related manuscripts. This edition will make widely available a collection of treatises that has already revised the history of music theory and practice. The treatises collected in the Berkeley Manuscript (olim Phillipps 4450) consider topics as fundamental and diverse as counterpoint, notation, tuning, chant, and speculative matters, for example, the history of the development of the scale. There is thorough coverage of the doctrine of coiuncta, which provides a means for accounting for chromatic accidentals in music, previously thought to be an invention of a century later. The discussion of tuning suggests the possibility of equal temperament some two centuries earlier than had been assumed. Two plates illustrate the edition. The first depicts musical instruments of the fourteenth century; the second provides a representative example of the handwritten manuscript.
Bracton De legibus et consuetudinibus Angliæ
Author: Henry de Bracton
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 448
Book Description
Early Christian Manuscripts
Author: Thomas J Kraus
Publisher: BRILL
ISBN: 9004194347
Category : Religion
Languages : en
Pages : 264
Book Description
For the reconstruction of early Christianity, the lives of early Christians, their world of ideas, their ways of living, and their literature. Early Christian manuscripts - documents and literary texts - are pivotal archaeological artefacts. However, the manuscripts often came to us in fragmentary conditions, incomplete or with gaps and missing lines. Others appear to form a corpus, belong to an archive, or are connected with each other as far as theme or purpose are concerned. The present collection comprises of nine essays about individual or a set of certain manuscripts. With their essays the authors aim to present special approaches to early Christian manuscripts and, consequently, demonstrate methodically how to deal with them. The scope of topics ranges from the reconstruction of fragmentary manuscripts to the significance of amulets and from the discussion of individual fragments to the handling of the known manuscripts of a specific Christian text or a whole archive of papyri.
Publisher: BRILL
ISBN: 9004194347
Category : Religion
Languages : en
Pages : 264
Book Description
For the reconstruction of early Christianity, the lives of early Christians, their world of ideas, their ways of living, and their literature. Early Christian manuscripts - documents and literary texts - are pivotal archaeological artefacts. However, the manuscripts often came to us in fragmentary conditions, incomplete or with gaps and missing lines. Others appear to form a corpus, belong to an archive, or are connected with each other as far as theme or purpose are concerned. The present collection comprises of nine essays about individual or a set of certain manuscripts. With their essays the authors aim to present special approaches to early Christian manuscripts and, consequently, demonstrate methodically how to deal with them. The scope of topics ranges from the reconstruction of fragmentary manuscripts to the significance of amulets and from the discussion of individual fragments to the handling of the known manuscripts of a specific Christian text or a whole archive of papyri.
The Ethics of Reading in Manuscript Culture
Author: John Dagenais
Publisher: Princeton University Press
ISBN: 140082107X
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Reexamining the roles played by author, reader, scribe, and text in medieval literary practice, John Dagenais argues that the entire physical manuscript must be the basis of any discussion of how meaning was made. Medievalists, he maintains, have relied too heavily on critical editions that seek to create a single, definitive text reflecting an author's intentions. In reality, manuscripts bear not only authorial texts but also a variety of elements added by scribes and readers: glosses, marginal notes, pointing hands, illuminations, and fragments of other, seemingly unrelated works. Using the surviving manuscripts of the fourteenth-century Libro de buen amor, a work that has been read both as didactic treatise on spiritual love and as a celebration of sensual pleasures, Dagenais shows how consideration of the physical manuscripts and their cultural context can shed new light on interpretive issues that have puzzled modern readers. Dagenais also addresses the theory and practice of reading in the Middle Ages, showing that for medieval readers the text on the manuscript leaf, including the text of the Libro, was primarily rhetorical and ethical in nature. It spoke to them directly, individually, always in the present moment. Exploring the margins of the manuscripts of the Libro and of other Iberian works, Dagenais reveals how medieval readers continually reshaped their texts, both physically and ethically as they read, and argues that the context of medieval manuscript culture forces us to reconsider such comfortable received notions as "text" and "literature" and the theories we have based upon them.
Publisher: Princeton University Press
ISBN: 140082107X
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Reexamining the roles played by author, reader, scribe, and text in medieval literary practice, John Dagenais argues that the entire physical manuscript must be the basis of any discussion of how meaning was made. Medievalists, he maintains, have relied too heavily on critical editions that seek to create a single, definitive text reflecting an author's intentions. In reality, manuscripts bear not only authorial texts but also a variety of elements added by scribes and readers: glosses, marginal notes, pointing hands, illuminations, and fragments of other, seemingly unrelated works. Using the surviving manuscripts of the fourteenth-century Libro de buen amor, a work that has been read both as didactic treatise on spiritual love and as a celebration of sensual pleasures, Dagenais shows how consideration of the physical manuscripts and their cultural context can shed new light on interpretive issues that have puzzled modern readers. Dagenais also addresses the theory and practice of reading in the Middle Ages, showing that for medieval readers the text on the manuscript leaf, including the text of the Libro, was primarily rhetorical and ethical in nature. It spoke to them directly, individually, always in the present moment. Exploring the margins of the manuscripts of the Libro and of other Iberian works, Dagenais reveals how medieval readers continually reshaped their texts, both physically and ethically as they read, and argues that the context of medieval manuscript culture forces us to reconsider such comfortable received notions as "text" and "literature" and the theories we have based upon them.
One-Volume Libraries: Composite and Multiple-Text Manuscripts
Author: Michael Friedrich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311049695X
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
Composite and multiple-text manuscripts are traditionally studied for their individual texts, but recent trends in codicology have paved the way for a more comprehensive approach: Manuscripts are unique artefacts which reveal how they were produced and used as physical objects. While multiple-text manuscripts codicologically are to be considered as production units, i.e. they were originally planned and realized in order to carry more than one text, composites consist of formerly independent codicological units and were put together at a later stage with intentions that might be completely different from those of its original parts. Both sub-types of manuscripts are still sometimes called "miscellanies", a term relating to the texts only. The codicological difference is important for reconstructing why and how these manuscripts which in many cases resemble (or contain) a small library were produced and used. Contributions on the manuscript cultures of China, India, Africa, the Islamic world and European traditions lead not only to the conclusion that "one-volume libraries" have been produced in many manuscript cultures, but allow also for the identification of certain types of uses.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311049695X
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
Composite and multiple-text manuscripts are traditionally studied for their individual texts, but recent trends in codicology have paved the way for a more comprehensive approach: Manuscripts are unique artefacts which reveal how they were produced and used as physical objects. While multiple-text manuscripts codicologically are to be considered as production units, i.e. they were originally planned and realized in order to carry more than one text, composites consist of formerly independent codicological units and were put together at a later stage with intentions that might be completely different from those of its original parts. Both sub-types of manuscripts are still sometimes called "miscellanies", a term relating to the texts only. The codicological difference is important for reconstructing why and how these manuscripts which in many cases resemble (or contain) a small library were produced and used. Contributions on the manuscript cultures of China, India, Africa, the Islamic world and European traditions lead not only to the conclusion that "one-volume libraries" have been produced in many manuscript cultures, but allow also for the identification of certain types of uses.
The Complete Works in Verse and Prose: Veue on the present state of Ireland. Letters, etc
Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 306
Book Description
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province)
Author: Li Ling
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882370977
Category : History
Languages : en
Pages : 180
Book Description
The Silk Manuscripts from Zidanku, Changsha (Hunan), are the only preImperial Chinese manuscripts on silk found todate. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several short texts concerning basic cosmological concepts, arranged in a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts. This is the first in a twovolume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context and history of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United States in 1946; documents the early stages in the research on the finds from the Zidanku tomb and its reexcavation in the 1970s; and accounts for where the manuscripts were kept before becoming the property, respectively, of the Arthur M. Sackler Foundation, New York (Manuscript 1), and the Freer and Sackler Galleries, Smithsonian Institution (Manuscripts 2 and 3). Superseding previous efforts, this is the definitive account that will sets the record straight and establishes a new basis for future research on these uniquely important artifacts.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882370977
Category : History
Languages : en
Pages : 180
Book Description
The Silk Manuscripts from Zidanku, Changsha (Hunan), are the only preImperial Chinese manuscripts on silk found todate. Dating to the turn from the 4th to the 3rd centuries BC (Late Warring States period), they contain several short texts concerning basic cosmological concepts, arranged in a diagrammatic arrangement and surrounded by pictorial illustrations. As such, they constitute a unique source of information complementing and going beyond what is known from transmitted texts. This is the first in a twovolume monograph on the Zidanku manuscripts, reflecting almost four decades of research by Professor Li Ling of Peking University. While the philological study and translation of the manuscript texts is the subject of Volume Two, this first volume presents the archaeological context and history of transmission of the physical manuscripts. It records how they were taken from their original place of interment in the 1940s and taken to the United States in 1946; documents the early stages in the research on the finds from the Zidanku tomb and its reexcavation in the 1970s; and accounts for where the manuscripts were kept before becoming the property, respectively, of the Arthur M. Sackler Foundation, New York (Manuscript 1), and the Freer and Sackler Galleries, Smithsonian Institution (Manuscripts 2 and 3). Superseding previous efforts, this is the definitive account that will sets the record straight and establishes a new basis for future research on these uniquely important artifacts.
Abstractions of Evidence in the Study of Manuscripts and Early Printed Books
Author: Joseph A. Dane
Publisher: Taylor & Francis
ISBN: 1351961160
Category : Literary Criticism
Languages : en
Pages : 185
Book Description
In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include Everyman, Chaucer's Legend of Good Women, the Anglo-Norman Le Seint Resurrection, and Adam de la Helle's Le Jeu de Robin et Marion. The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice.
Publisher: Taylor & Francis
ISBN: 1351961160
Category : Literary Criticism
Languages : en
Pages : 185
Book Description
In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include Everyman, Chaucer's Legend of Good Women, the Anglo-Norman Le Seint Resurrection, and Adam de la Helle's Le Jeu de Robin et Marion. The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice.
Journal of Biblical Literature
Author:
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 100
Book Description