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Author: Brendan Prawdzik
Publisher: Edinburgh University Press
ISBN: 1474421024
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Theatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.
Author: Brendan Prawdzik
Publisher: Edinburgh University Press
ISBN: 1474421024
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Theatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.
Author: David L. Smith
Publisher: Cambridge University Press
ISBN: 9780521526159
Category : History
Languages : en
Pages : 312
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Book Description
A collection of interdisciplinary essays on the 'theatrical' in Renaissance London.
Author: Timothy J. Burbery
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book-length study of Milton as a dramatist fills a longstanding gap in Milton scholarship. Combining author-contextual criticism, historicized reader-response theory, and new historicism, Timothy Burbery begins by answering common objections to the claim that the poet is a dramatist, including the putatively static natures of Comus and Samson Agonistes, Milton's egoism, and his Puritanism. Further, Burbery asserts, recent biographical evidence of Milton's consumption of drama, such as his father's trusteeship of the Blackfriars Theater, suggests that the future poet viewed commercial plays and thus probably alludes to these experiences in his early poetry. Exposure to the public theater may also have influenced major episodes of his own dramas, including the debate between the Lady and Comus, and Dalila's stunning entrance in Samson. The study then examines Milton as a practitioner of drama by analyzing Arcades and the Ludlow masque. Having mastered the conventions of masque in the former work, Milton stretched himself in Comus by composing a work that was far more playlike than any court masque. It is possible that his success with these dramas encouraged Milton to regard himself as a budding dramatist in the 1630s, for late in that decade he began sketching out ideas for tragedies on biblical subjects including the Fall, Sodom, and Abraham and Isaac. This material, found in the Trinity Manuscript, shows him working through practical problems of staging and presentation, and sets the foundation for Paradise Lost and Samson Agonistes. While Samson was never intended for the stage, it nonetheless embeds numerous stage directions in its dialogue, including information about the characters' appearances, gestures, and blocking. Awareness of these cues sheds light on some of the current critical debates, including the terrorist reading of the tragedy and Dalila's role. Burbery surveys the surprisingly extensive stage history of Samson, a history that tends to confirm its theatrical viability. Milton the Dramatist emphasizes Milton's dramatic achievements and thus restores a more equitable balance to our appreciation of his total literary achievement.
Author: Johanna Harris
Publisher: Oxford University Press
ISBN: 0192575589
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
What is meant by the Puritan literary tradition, and when did the idea of Puritan literature, as distinct from Puritan beliefs and practices, come into being? The answer is not straightforward. This volume addresses these questions by bringing together new research on a wide range of established and emerging literary subjects that help to articulate the Puritan literary tradition, including: political polemic and the performing arts; conversion and New-World narratives; individual and corporate life-writings; histories of exile and womens history; book history and the translation and circulation of Puritan literature abroad; Puritan epistolary networks; discourses of Puritan friendship; the historiography of Puritanism defined through editing and publishing; doctrinal controversy; and the history of emotions. This essay collection proposes that a Puritan literary tradition existed that was distinct from broader conceptions of early modern English and Protestant traditions and offers a nuanced account of the distinct and variegated contribution that Puritanism has made to the construction of literature as a concept in English. It ranges from the late sixteenth through to the nineteenth century, and spans British, European, and American Puritan cultures. It offers new analyses of well-known Puritan writers such as Anne Bradstreet, John Bunyan, Richard Baxter, and John Milton, as well as less familiar figures, such as Mary Rowlandson and Joseph Hussey, and writers less often associated with Puritanism, such as Andrew Marvell and Aphra Behn.
Author: Ann C. Hall
Publisher: Cambridge Scholars Publishing
ISBN: 1527563170
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
MAKING THE STAGE is a collection of essays that examines the role of theatre, drama, and performance in contemporary culture, a culture that is growing increasingly technological and isolated--seemingly at odds with the very nature of theatre, a collaborative and sometimes very primitive art form. Through the course of these essays, it is clear that theatre not only survives some of the challenges of the day but even defines discussions, particularly political ones which are prohibited by an increasingly manipulated media. The essays, from a diverse group of theatre scholars, examine the mechanics of theatre, from space to sound to the use of technology, the role of women in creating theatre, the relationship between theatre and literary art forms, the politics of theatre, science and theatre, and the role of performance art. Through them all, it is clear that theatre, drama, and performance continue to speak in significant ways.
Author: David Wiles
Publisher: Cambridge University Press
ISBN: 0521193273
Category : Drama
Languages : en
Pages : 267
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Book Description
Shaped by political concerns of today, this is an informed but provocative take on theatre history and theatre's social function.
Author: John G. Demaray
Publisher: iUniverse
ISBN: 1583484213
Category :
Languages : en
Pages : 194
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Book Description
In this analysis of Milton's artistry as an epic poet, John G. Demaray offers a fresh perspective on one of the world's great epic poems. Placing Paradise Lost against the background of Renaissance theatrical and literary formspageants, baroque spectacles, masques, musical dramas, and Continental heroic worksDemaray offers the first extended critical reading of the poem as a unique theatrical epic incorporating heroic conventions, theological materials, and elements of visual pageantry. He examines Milton's early experiments in prophetic verse and theatrical forms, the poet's exposure to Italian theater and art during travels in 163839, and the influence of classical, Continental, and British works upon evolving drafts of Paradise Lost. He relates the epic in new ways to the writings of Jonson, Dryden, and others. Readers interested in seventeenth-century literature, Renaissance and baroque theater, the epic, religious writings, and the creative processes of Milton's imagination will all find many original insights in Milton's Theatrical Epic.
Author: Helmer J. Helmers
Publisher: Cambridge University Press
ISBN: 1316240940
Category : History
Languages : en
Pages : 343
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Book Description
In 1649, Charles I was executed before Whitehall Palace in London. This event had a major impact not only in the British Isles, but also on the continent, where British exiles, diplomats and agents waged propaganda battles to conquer the minds of foreign audiences. In the Dutch Republic, above all, their efforts had a significant impact on public opinion, and succeeded in triggering violent debate. This is the first book-length study devoted to the continental backlash of the English Civil Wars. Interdisciplinary in scope and drawing on a wide range of sources, from pamphlets to paintings, Helmer Helmers shows how the royalist cause managed to triumph in one of the most unlikely places in early modern Europe. In doing so, Helmers transforms our understanding of both British and Dutch political culture, and provides new contexts for major literary works by Milton, Marvell, Huygens, and many others.
Author: Marcie Frank
Publisher: Cambridge University Press
ISBN: 9781139434881
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.
Author: P. A. Skantze
Publisher: Psychology Press
ISBN: 9780415286688
Category : Drama
Languages : en
Pages : 224
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Book Description
In the seventeenth century, emerging practices such as print, collecting and performance influenced early modern discussions of stillness and motion.
