Author: Sara Freeman
Publisher: University of Alabama Press
ISBN: 0817371109
Category : Performing Arts
Languages : en
Pages : 392
Book Description
Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin
Theatre History Studies 2016, Vol. 35
Author: Sara Freeman
Publisher: University of Alabama Press
ISBN: 0817371109
Category : Performing Arts
Languages : en
Pages : 392
Book Description
Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin
Publisher: University of Alabama Press
ISBN: 0817371109
Category : Performing Arts
Languages : en
Pages : 392
Book Description
Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin
Theatre History Studies
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 404
Book Description
Theatre History Studies 2017, Vol. 36
Author: Sara Freeman
Publisher: University of Alabama Press
ISBN: 0817371117
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.
Publisher: University of Alabama Press
ISBN: 0817371117
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.
Theatre History Studies 2019, Vol. 38
Author: Sara Freeman
Publisher: University Alabama Press
ISBN: 0817371133
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 38 PART I: Studies in Theatre History ELIZABETH COEN Hanswurst’s Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna BRIDGET MCFARLAND “This Affair of a Theatre”: The Boston Theatre Controversy and the Americanization of the Stage RYAN TVEDT From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces DANIELLA VINITSKI MOONEY So Long Ago I Can’t Remember: GAle GAtes et al. and the 1990s Immersive Theatre Part II: The Site-Based Theatre Audience Experience: Dramaturgy and Ethics —EDITED BY PENELOPE COLE AND RAND HARMON PENELOPE COLE Site-Based Theatre: The Beginning PENELOPE COLE Becoming the Mob: Mike Brookes and Mike Pearson’s Coriolan/us SEAN BARTLEY A Walk in the Park: David Levine’s Private Moment and Ethical Participation in Site-Based Performance DAVID BISAHA “I Want You to Feel Uncomfortable”: Adapting Participation in A 24-Decade History of Popular Music at San Francisco’s Curran Theatre COLLEEN RUA Navigating Neverland and Wonderland: Audience as Spect-Character GUILLERMO AVILES-RODRIGUEZ, PENELOPE COLE, RAND HARMON, AND ERIN B. MEE Ethics and Site-Based Theatre: A Curated Discussion PART III: The Robert A. Schanke Award-Winning Essay from the 1038 Mid-America Theatre Conference MICHELLE GRANSHAW Inventing the Tramp: The Early Tramp Comic on the Variety Stage
Publisher: University Alabama Press
ISBN: 0817371133
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 38 PART I: Studies in Theatre History ELIZABETH COEN Hanswurst’s Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna BRIDGET MCFARLAND “This Affair of a Theatre”: The Boston Theatre Controversy and the Americanization of the Stage RYAN TVEDT From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces DANIELLA VINITSKI MOONEY So Long Ago I Can’t Remember: GAle GAtes et al. and the 1990s Immersive Theatre Part II: The Site-Based Theatre Audience Experience: Dramaturgy and Ethics —EDITED BY PENELOPE COLE AND RAND HARMON PENELOPE COLE Site-Based Theatre: The Beginning PENELOPE COLE Becoming the Mob: Mike Brookes and Mike Pearson’s Coriolan/us SEAN BARTLEY A Walk in the Park: David Levine’s Private Moment and Ethical Participation in Site-Based Performance DAVID BISAHA “I Want You to Feel Uncomfortable”: Adapting Participation in A 24-Decade History of Popular Music at San Francisco’s Curran Theatre COLLEEN RUA Navigating Neverland and Wonderland: Audience as Spect-Character GUILLERMO AVILES-RODRIGUEZ, PENELOPE COLE, RAND HARMON, AND ERIN B. MEE Ethics and Site-Based Theatre: A Curated Discussion PART III: The Robert A. Schanke Award-Winning Essay from the 1038 Mid-America Theatre Conference MICHELLE GRANSHAW Inventing the Tramp: The Early Tramp Comic on the Variety Stage
Theatre Histories
Author: Phillip B. Zarrilli
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
Publisher: Taylor & Francis
ISBN: 0415462231
Category : Performing Arts
Languages : en
Pages : 656
Book Description
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
(M)Other Perspectives
Author: Lynn Deboeck
Publisher: Taylor & Francis
ISBN: 1000887480
Category : Performing Arts
Languages : en
Pages : 323
Book Description
This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration. Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And what do dramatic representations tell us about the role of mothers in our own fraught contemporary moment? This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.
Publisher: Taylor & Francis
ISBN: 1000887480
Category : Performing Arts
Languages : en
Pages : 323
Book Description
This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration. Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And what do dramatic representations tell us about the role of mothers in our own fraught contemporary moment? This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.
Theatre History Studies 2018, Vol. 37
Author: Sara Freeman
Publisher: University Alabama Press
ISBN: 0817371125
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity
Publisher: University Alabama Press
ISBN: 0817371125
Category : Performing Arts
Languages : en
Pages : 371
Book Description
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity
Different Voices
Author: Paola Partenza
Publisher: V&R Unipress
ISBN: 3847015281
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The concept of the "human" has been broadly re-visited and modified, and the term "posthuman" has now become a term of continuous inquiry. Gender (representations) play(s) a critical role in works of literature, culture, and art, and focusing on gender is crucial to uncovering the anthropocentrism or androcentrism that may underlie the work and the times to which it belongs. While maintaining a solid literary emphasis, the ten chapters included in this volume focus on feminist debates about women, technology, and the body, on gender representation and the posthuman, on post-gender figurations, on gender and trans/post/humanism, biotechnology/biopolitics/bioethics, on feminist posthumanism, on animals, the human-machine, and ecological posthumanism. The aim of the volume is to analyse how useful these concepts may be for thinking about the subject, its definition and identity in a changing society.
Publisher: V&R Unipress
ISBN: 3847015281
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The concept of the "human" has been broadly re-visited and modified, and the term "posthuman" has now become a term of continuous inquiry. Gender (representations) play(s) a critical role in works of literature, culture, and art, and focusing on gender is crucial to uncovering the anthropocentrism or androcentrism that may underlie the work and the times to which it belongs. While maintaining a solid literary emphasis, the ten chapters included in this volume focus on feminist debates about women, technology, and the body, on gender representation and the posthuman, on post-gender figurations, on gender and trans/post/humanism, biotechnology/biopolitics/bioethics, on feminist posthumanism, on animals, the human-machine, and ecological posthumanism. The aim of the volume is to analyse how useful these concepts may be for thinking about the subject, its definition and identity in a changing society.
The Business of English Restoration Theatre, 1660–1700
Author: Deborah C. Payne
Publisher: Cambridge University Press
ISBN: 1009398210
Category : Drama
Languages : en
Pages : 303
Book Description
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Publisher: Cambridge University Press
ISBN: 1009398210
Category : Drama
Languages : en
Pages : 303
Book Description
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Theatre History Studies 2020, Vol. 39
Author: Lisa Jackson-Schebetta
Publisher: University Alabama Press
ISBN: 0817371141
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 38 PART I: Studies in Theatre History MATTHIEU CHAPMAN Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World MICHAEL CHEMERS AND MICHAEL SELL Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy JEFFREY ULLOM The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House CHRYSTYNA DAIL When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays MICHAEL DENNIS The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment Part II: HEMISPHERIC HISTORIOGRAPHIES EMILY SAHAKIAN, CHRISTIANA MOLLDREM HARKULICH, AND LISA JACKSON-SCHEBETTA Introduction to the Special Section PATRICIA YBARRA Gestures toward a Hemispheric Theatre History: A Work in Progress ERIC MAYER- GARCÍA Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba ANA OLIVAREZ-LEVINSON AND ERIC MAYER-GARCÍA Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection JESSICA N. PABÓN-COLÓN Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria LEO CABRANES-GRANT Performance, Cognition, and the Quest for an Affective Historiography Part III: Essays from the Conference The Robert A. Schanke Award-Winning Essay, from the 2019 Mid-America Theatre Conference JULIE BURRELL Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’ The Robert A. Schanke Honorable Mention Essay, MATC 2019 MATTHEW MCMAHAN Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat
Publisher: University Alabama Press
ISBN: 0817371141
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 38 PART I: Studies in Theatre History MATTHIEU CHAPMAN Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World MICHAEL CHEMERS AND MICHAEL SELL Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy JEFFREY ULLOM The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House CHRYSTYNA DAIL When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays MICHAEL DENNIS The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment Part II: HEMISPHERIC HISTORIOGRAPHIES EMILY SAHAKIAN, CHRISTIANA MOLLDREM HARKULICH, AND LISA JACKSON-SCHEBETTA Introduction to the Special Section PATRICIA YBARRA Gestures toward a Hemispheric Theatre History: A Work in Progress ERIC MAYER- GARCÍA Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba ANA OLIVAREZ-LEVINSON AND ERIC MAYER-GARCÍA Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection JESSICA N. PABÓN-COLÓN Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria LEO CABRANES-GRANT Performance, Cognition, and the Quest for an Affective Historiography Part III: Essays from the Conference The Robert A. Schanke Award-Winning Essay, from the 2019 Mid-America Theatre Conference JULIE BURRELL Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’ The Robert A. Schanke Honorable Mention Essay, MATC 2019 MATTHEW MCMAHAN Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat