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Author: Jasleen Dhamija
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 168
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Book Description
Contributed articles.
Author: Jasleen Dhamija
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 168
Get Book Here
Book Description
Contributed articles.
Author: Jasleen Dhamija
Publisher:
ISBN: 9789386906823
Category : Saris
Languages : en
Pages : 244
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Book Description
* This lavishly decorated book, featuring around 200 photographs, delineates the rich and varied history of Baluchar textiles, especially the saris* The very town that this wonderful sari bears the name of - Baluchar - is now gone, but the Baluchar sari is still alive, and is continuing to come off looms. How this art form traveled from Murshidabad to Bishnupur, then to Benares as well as to museums around the world has been analyzed and documented within the pages of this book* The transition from Nawabi to Colonial rule in Bengal was beautifully captured in the superbly crafted works of Baluchar weavers: from images of hookah-smoking nawabs and courtesans playing musical instruments, to English soldiers with canons, English women sitting boldly with their menfolk on elephants, hunting scenes, steamboats and trains* Each of the essays in the book has been written by a specialist in the field of Indian textiles, focusing on the heritage, conservation and revival of Baluchars The historic Baluchar textiles of Bengal are a testament to a unique weaving tradition. Composed of the finest silk, these textiles were painstakingly woven with intricate figurative and decorative patterns. They represent more than just a textile tradition. They are a window into the socio-cultural set-up of the eighteenth and nineteenth centuries. The transition from Nawabi to Colonial rule in Bengal has been beautifully captured through these textiles. This richly illustrated book traces the historical development of Baluchar textiles, especially saris, and the position this art form has come to acquire in the twenty-first century. By dissecting the conditions, inspirations, materials, techniques and aesthetic qualities of this weaving tradition, this book showcases how this art form traveled from Murshidabad to Bishnupur, then to Benares as well as to museums around the world.
Author: Anu Kapur
Publisher: Taylor & Francis
ISBN: 1317351738
Category : Law
Languages : en
Pages : 199
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Book Description
What makes Darjeeling tea, Pashmina shawl, Monsooned Malabar Arabica coffee and Chanderi saree special? Why is it that some goods derive their uniqueness through their inherent linkage to a place? In a pioneering study, this book explores this intriguing question in the Indian context across 199 registered goods with geographical indications, linked with their place of origin. It argues that the origin of these goods is attributed to a distinctive ecology that brews in a particular place. The attributes of their origin further endorse their unique geographical indications through legal channels. Drawing from a variety of disciplines including geography, history, sociology, handicrafts, paintings, and textiles, the author also examines the Geographical Indications Act of 1999, and shows how it has created a scope to identify, register and protect those goods, be they natural, agricultural, or manufactured. The work presents a new perspective on the indigenous diversities and offers an original understanding of the geography and history of India. Lucid and accessible, with several illustrative maps, this book will be useful to scholars and researchers in the social sciences, environmental studies, development studies, law, trade and history.
Author: Sylvia Houghteling
Publisher: Princeton University Press
ISBN: 0691215782
Category : Art
Languages : en
Pages : 280
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Book Description
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
Author: Rosemary Crill
Publisher: Victoria & Albert Museum
ISBN: 9781851778539
Category : Design
Languages : en
Pages : 0
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Book Description
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
Author: Veena Sheshadri
Publisher: Penguin UK
ISBN: 9351184269
Category :
Languages : en
Pages : 346
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Book Description
Why are the Himalayas considered geologically alive? When did the First train huff and puff its way between two stations in India? What was Indias very own desi dino called? How did Indias currency come to be Named the rupee? Which Indian glacier is the highest battleground in The world? Who wrote the worlds first grammar book? If questions like these make you curious about incredible India, here is a bumper info-pedia packed with fascinating facts, terrific trivia and colourful Cartoons on just about everything in India, this book encourages interest in a wide range of subjects. Use it for homework help, for project ideas, to Boost your general knowledge or as a ready reference because this must have Book makes getting to know India as easy as ABC.
Author: Amy Elizabeth Bogansky
Publisher: Metropolitan Museum of Art
ISBN: 1588394964
Category : Art
Languages : en
Pages : 366
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Book Description
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
Author: Achyut Yagnik
Publisher: Penguin UK
ISBN: 8184754736
Category : Literary Collections
Languages : en
Pages : 449
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Book Description
Founded in 1411 by Sultan Ahmed Shah on the banks of the river Sabarmati, Ahmedabad is today India's seventh largest city and also one of the subcontinent's few medieval cities which continues to be prosperous and important. Soon after it was established, the royal city of Ahmedabad became the commercial and cultural capital of Gujarat. When the Mughal Empire annexed Gujarat in 1572, Ahmedabad lost its political pre-eminence, but continued to flourish as a great trading centre connecting the silk route with the spice route. Briefly under the Marathas in the eighteenth century, Ahmedabad experienced a dimming of its fortunes, but with the beginning of British control from the early nineteenth century the city reasserted its mercantile ethos, even as it began questioning age-old social hierarchies. The opening of the first textile mill in 1861 was a turning point and by the end of the century Ahmedabad was known as the Manchester of the East. When Gandhi returned to India from South Africa in 1915, looking for a place where he could establish 'an institution for the whole of India', it was Ahmedabad he chose. With the setting up of his Sabarmati Ashram, the great manufacturing centre also became a centre for new awakening. It became the political hub of India, radiating the message of freedom struggle based on truth and non-violence. After Independence, it emerged as one of the fastest-growing cities of India and in the 1960s Ahmedabadis pioneered institutions of higher education and research in new fields such as space sciences, management, design and architecture. Yet, through the centuries, Ahmedabad's prosperity has been punctuated by natural disasters and social discord, from famines and earthquakes to caste and religious violence. Ahmedabadis have tried to respond to these, trying to meld economic progress with a new culture of social harmony. Coinciding with the 600th anniversary of the founding of Ahmedabad, this broad brush history highlights socio-economic patterns that emphasize Indo-Islamic and Indo-European synthesis and continuity, bringing the focus back to the pluralistic heritage of this medieval city. Evocative profiles of Ahmedabadi merchants, industrialists, poets and saints along with descriptions and illustrations of the city's art and architecture bring alive the city and its citizens.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
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Book Description
Author: Pika Ghosh
Publisher: University of Washington Press
ISBN: 0295747005
Category : Art
Languages : en
Pages : 275
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Book Description
In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats. Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women’s embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture. Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers’ work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists’ visual literacy. Affinities with older textile practices include the region’s lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects’ creation elevates kantha beyond consideration as mere handcraft to recognition as art.
