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Author: Lois Gordon
Publisher: Yale University Press
ISBN: 9780300074956
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
Samuel Beckett, whose play Waiting for Godot was one of the most influential works for the post-World War II generation, has long been identified with the debilitated and impotent characters he created. In this provocative book, Lois Gordon offers a new perspective on Beckett, challenging the prevalent image of him as reclusive, self-absorbed, and disturbed. Gordon investigates the first forty years of Beckett's life and finds that he was, on the contrary, a kind and generous man who responded sensitively and even heroically to the world around him. Gordon describes the various places and events that affected Beckett during this formative period: war-torn Dublin during the Easter Uprising and World War I, where he spent his childhood and student days; Belfast and Paris in the 1920s and London during the Depression, where he lived and worked; Germany in 1937, where he traveled and witnessed Hitler's brutal domestic policies; prewar and occupied France, where he was active in the Resistance (for which he was later decorated); and the war-ravaged town of Saint-L� in Normandy, which he helped to restore following the liberation. Gordon also portrays the individuals who were important to Beckett, including Jack B. Yeats, Alfred P�ron, Thomas McGreevy, and, most significantly, James Joyce, who was a model for Beckett personally, artistically, and politically. Gordon argues convincingly that Beckett was very much aware of the political and cultural turmoil of this period and that the enormously creative works he wrote after World War II can, in fact, be viewed as a product of and testament to those tumultuous times.
Author: Lois Gordon
Publisher: Yale University Press
ISBN: 9780300074956
Category : Biography & Autobiography
Languages : en
Pages : 272
Get Book Here
Book Description
Samuel Beckett, whose play Waiting for Godot was one of the most influential works for the post-World War II generation, has long been identified with the debilitated and impotent characters he created. In this provocative book, Lois Gordon offers a new perspective on Beckett, challenging the prevalent image of him as reclusive, self-absorbed, and disturbed. Gordon investigates the first forty years of Beckett's life and finds that he was, on the contrary, a kind and generous man who responded sensitively and even heroically to the world around him. Gordon describes the various places and events that affected Beckett during this formative period: war-torn Dublin during the Easter Uprising and World War I, where he spent his childhood and student days; Belfast and Paris in the 1920s and London during the Depression, where he lived and worked; Germany in 1937, where he traveled and witnessed Hitler's brutal domestic policies; prewar and occupied France, where he was active in the Resistance (for which he was later decorated); and the war-ravaged town of Saint-L� in Normandy, which he helped to restore following the liberation. Gordon also portrays the individuals who were important to Beckett, including Jack B. Yeats, Alfred P�ron, Thomas McGreevy, and, most significantly, James Joyce, who was a model for Beckett personally, artistically, and politically. Gordon argues convincingly that Beckett was very much aware of the political and cultural turmoil of this period and that the enormously creative works he wrote after World War II can, in fact, be viewed as a product of and testament to those tumultuous times.
Author:
Publisher:
ISBN: 9780300143447
Category : Authors, French
Languages : en
Pages : 250
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Book Description
Samuel Beckett, whose play Waiting for Godot was one of the most influential works for the post-World War II generation, has long been identified with the debilitated and innocent characters he created. In this provocative book, Lois Gordon offers a new perspective on Beckett, challenging the prevalent image of him as reclusive, self-absorbed, and disturbed. Gordon investigates the first forty years of Beckett's life and finds that he was, on the contrary, a kind and generous man who responded sensitively and even heroically to the world around him. Gordon describes the various places and events that affected Beckett during this formative period: war-torn Dublin during the Easter Uprising and World War I, where he spent his childhood and student days; Belfast and Paris in the 1920s and London during the Depression, where he lived and worked; Germany in 1937, where he traveled and witnessed Hitler's brutal domestic policies; prewar and occupied France, where he was active in the Resistance (for which he was later decorated); and the war-torn town of Saint-Lo in Normandy, which he helped to restore following the liberation. Gordon also portrays the individuals who were important to Beckett: including Jack B. Yeats, Alfred Peron, Thomas McGreevy, and, most significantly, James Joyce, who was a model for Beckett personally, artistically, and politically. Gordon argues convincingly that Beckett was very much aware of the political and cultural turmoil of this period and that the enormously creative works he wrote after World War II can, in fact, be viewed as a product of and testament to those tumultuous times.
Author: Joseph H. Smith
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The World of Samuel Beckett brings together a distinguished group of authorities, among them Beckett's longtime associates and colleagues Herbert Blau and Martin Esslin. In a chapter on Beckett's "Enough," Blau concedes that parts of the playwright's work can be lyrical and beguiling, but "it's still an appalling vision." Esslin (who coined the term "theater of the absurd") challenges the notion that Beckett is difficult or depressing, arguing instead that he is basically a comic writer, gallows humor thought it be. Angela Moorjani sees Beckett's writing as the product of a cryptic text inscribed within. Bennett Simon, a psychiatrist who has written extensively on Beckett, examines the self in current art and psychoanalysis. Joseph H. Smith emphasizes that Beckett, like Freud and Lacan, challenges any notions of "cure" as the easy achievement of happiness.
Author: Samuel Beckett
Publisher: London : J. Calder ; New York : Riverrun Press
ISBN:
Category : Fiction
Languages : en
Pages : 144
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Book Description
Author: David Kleinberg-Levin
Publisher: Bloomsbury Publishing
ISBN: 1474216862
Category : Philosophy
Languages : en
Pages : 329
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Book Description
At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Author: Nels Pearson
Publisher: University Press of Florida
ISBN: 0813063094
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Donald J. Murphy Prize for a Distinguished First Book "Pearson is convincing in arguing that Irish writers often straddle the space between national identity and a sense of belonging to a larger, more cosmopolitan environment."--Choice "Demonstrat[es]. . .just what it is that makes comparative readings of history, politics, literature, theory, and culture indispensable to the work that defines what is best and most relevant about scholarship in the humanities today."--Modern Fiction Studies "[An] admirable book . . . Repositions the artistic subject as something different from the biographical Joyce, Bowen, or Beckett, cohering as a series of particular aesthetic responses to the dilemma of belonging in an Irish context."--James Joyce Broadsheet "A smart and compelling approach to Irish expatriate modernism. . . . An important new book that will have a lasting impact on postcolonial Irish studies."--Breac "Clearly written, convincingly argued, and transformative."--Nicholas Allen, author of Modernism, Ireland and Civil War "Goes beyond 'statism' and postnationalism toward a cosmopolitics of Irish transnationalism in which national belonging and national identity are permanently in transition."--Gregory Castle, author of The Literary Theory Handbook "Shows how three important Irish writers crafted forms of cosmopolitan thinking that spring from, and illuminate, the painful realities of colonialism and anti-colonial struggle."--Marjorie Howes, author of Colonial Crossings: Figures in Irish Literary History "Asserting the simultaneity of national and global frames of reference, this illuminating book is a fascinating and timely contribution to Irish Modernist Studies."--Geraldine Higgins, author of Heroic Revivals from Carlyle to Yeats Looking at the writing of three significant Irish expatriates, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity. In reality, he argues, these writers constantly work back and forth between a sense of national belonging that remains incomplete and ideas of human universality tied to their new global environments. For these and many other Irish writers, national and international concerns do not conflict, but overlap--and the interplay between them motivates Irish modernism. According to Pearson, Joyce 's Ulysses strives to articulate the interdependence of an Irish identity and a universal perspective; Bowen's exiled, unrooted characters are never firmly rooted in the first place; and in Beckett, the unsettled origin is felt most keenly when it is abandoned for exile. These writers demonstrate the displacement felt by many Irish citizens in an ever-changing homeland unsteadied by long and turbulent decolonization. Searching for a sense of place between national and global abstractions, their work displays a twofold struggle to pinpoint national identity while adapting to a fluid cosmopolitan world.
Author: Louise S. Sherby
Publisher: Bloomsbury Publishing USA
ISBN: 0313006881
Category : History
Languages : en
Pages : 303
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Book Description
The Who's Who of Nobel Prize Winners is a one-stop source of detailed information on the men and women who earned the Nobel Prize during the 20th century. Organized chronologically by prize, each extensive article contains in-depth information on the laureate's life and career as well as a selected list of his or her publications and biographical resources on the individual. A concise commentary explains why the laureate received the award and summarizes the individual's other important achievements. This completely updated edition also contains a history of the prize. Four indexes distinguish this title from similar biographical references and enable researchers to search by name, education, nationality or citizenship, and religion.
Author: S. E. Gontarski
Publisher: Anthem Press
ISBN: 0857285807
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.
Author: Alan Warren Friedman
Publisher: University Press of Kentucky
ISBN: 0813194210
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
Author: Katherine O'Callaghan
Publisher: Routledge
ISBN: 1351865889
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.
