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Author: Henry E. Huntington Library and Art Gallery
Publisher: Harry N Abrams Incorporated
ISBN: 9780810925892
Category : Art
Languages : en
Pages : 159
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Book Description
An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Harry N Abrams Incorporated
ISBN: 9780810925892
Category : Art
Languages : en
Pages : 159
Get Book Here
Book Description
An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
This complete catalogue of William Blake's work from the richly comprehensive collections of the Huntington Library and Art Gallery features a full introduction and explanatory text by a leading Blake scholar and covers the artist's entire oeuvre: his pencil sketches, watercolor drawings, tempera paintings, engravings, etchings, relief color printing, illustrated and illuminated books, and printed writings.
Author: William Blake
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 35
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Book Description
Author: National Gallery of Victoria
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
Author: Martin Myrone
Publisher: Princeton University Press
ISBN: 0691198314
Category : Art
Languages : en
Pages : 225
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Book Description
"William Blake is a universal artist--an inspiration to visual artists, musicians, poets, and performers worldwide as well as everyone who aspires to the ideals of personal, spiritual, and creative liberty. His heroic story has inspired an invigorated generations. His personal struggles during a period of political terror and oppression, his technical innovations, and his political commitment all remain deeply relevant today. This book presents a comprehensive overview of Blake's work as a printmaker, poet, and painter, foregrounding his relationship with the art world of his time and telling the stories behind many of his most iconic images."--
Author: Mark Crosby
Publisher: Springer Nature
ISBN: 3031474368
Category :
Languages : en
Pages : 389
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Book Description
Author: Mei-Ying Sung
Publisher: Routledge
ISBN: 1317314255
Category : Art
Languages : en
Pages : 239
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Book Description
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: S. Behrendt
Publisher: Springer
ISBN: 0230380166
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
William Blake's illuminated poems challenge their readers to participate fully in a highly interactive process of reading. The complex interaction of their verbal and visual texts forces the involved reader to assume greater responsibility than usual for formulating meaning. This book examines some of the ways in which Blake's illuminated poems subvert the customary authority of texts and force readers to reassess both their expectations about reading and their customary responses to words and visual images alike.
Author: Naomi Billingsley
Publisher: Bloomsbury Publishing
ISBN: 1838609660
Category : Art
Languages : en
Pages : 288
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Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.
