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Author: Henry Purcell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 270
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Book Description
Author: Henry Purcell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 270
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Book Description
Author: Henry Purcell
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 90
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
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Book Description
Author: Henry Purcell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 92
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Book Description
Author: Jonathan Keates
Publisher: UPNE
ISBN: 9781555532871
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Henry Purcell (1659-1695) is the greatest of all English composers and a pivotal figure in European musical history. In this rich and colorful biography, Jonathan Keates deftly traces Purcell's life and artistry against the backdrop of the turbulent political, religious, theatrical, and social movements of his time. Purcell's musical genius both embraced and transcended the variable moods and tensions of Restoration England, and gave the period and the culture an unforgettable voice. With great skill and historical understanding, Keates follows Purcell through his extraordinarily prolific career, from chorister at the Chapel Royal, to composer for the theater and the court, to writer of sacred music, chamber music, and the triumphant Dido and Aeneas, the first British opera. Keates considers Purcell's musical studies with Pelham Humfrey and John Blow as well as his adaptation of Matthew Locke's innovative and colorful style. He provides a superb critical appreciation of Purcell's music in all its forms. Keates also discusses the musical history of the period, including the influence of French and Italian composers, whose music blended with and modified native traditions.
Author: Richard W. Barber
Publisher: DS Brewer
ISBN: 9780859917674
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
"Between these two extremes, the main body of the book deals largely with opera, from Wagner's 'Tristan' and 'Parsifal' to Harrison Birtwistle's 'Sir Gawain and the Green Knight'. Some works have never been performed, such as Hubert Parry's 'Guenever' and Rutland Boughton's Arthurian cycle, while others have only recently been staged or revived, such as Isaac Albeniz's 'Merlin' and Ernest Chausson's 'Le roi Artus', both striking post-Wagnerian works in very different styles - 'Merlin', for instance, beginning with a passage based on Gregorian chant. The range of music is wider than one might at first suspect."--BOOK JACKET.
Author: Rebecca Herissone
Publisher: Routledge
ISBN: 1317043278
Category : Music
Languages : en
Pages : 439
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Book Description
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author: Robert Shay
Publisher: Cambridge University Press
ISBN: 9780521028110
Category : Music
Languages : en
Pages : 380
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Book Description
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
Author: C. A. Price
Publisher: Cambridge University Press
ISBN: 9780521238311
Category : Music
Languages : en
Pages : 414
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Book Description
This book was the first comprehensive survey of Purcell's dramatic music. It is concerned as much with the London theatre world - playhouses, poets, actors, singers, producers - as with the music itself. Purcell wrote music for more than fifty plays of various types, most of them produced at the Theatre Royal, Drury Lane, between 1690 and 1695. The songs, dialogues, choruses, act tunes and larger musical scenes are often active participants in the spoken drama, not simply grafted-on entertainments. The extraordinary semi-operas - Dioclesian, King Arthur, and The Fairy-Queen - are placed in the context of a theatre that thrived mainly on plays that, though less lavish, were no less musical. The traditional picture of a composer trapped within a degraded musical society, his natural predilection for opera ignored, is redrawn to show a consummate dramatist exploiting a remarkably musical theatre.
Author: Henry Purcell
Publisher: Clarendon Press
ISBN: 9780198164456
Category : Music
Languages : en
Pages : 528
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Book Description
While understanding the concept of all-sung opera, seventeenth-century English impresarios and their audiences also understood opera to mean spoken plays with a large amount of added music. The works have been given a variety of descriptive titles including `semi-operas', `ambigues', `multi-media spectaculars', and, most appropriately, `dramatick operas'. As well as four big dramatick operas, Henry Purcell also wrote a small all-sung masque, Dido and Aeneas, which is one of the few works of the century which fulfils a modern ideal of `opera'. The music of Purcell's operas has long been studied in detail, but it is only in recent years--and not by all scholars--that the operas have been taken seriously as dramatic entities. Consideration of the pieces have been hampered by the lack of availability of the texts of the operas, for while the music has long been edited and played, the sections of spoken dialogue have been almost entirely ignored. This volume, the first complete collection of the texts, redresses the balance. It presents to the reader the complete entertainment as prepared by the author on each occasion. Included are editions of both the 1689 libretto of Dido and Aeneas and its later incarnation as a series of masques in Shakespeare's Measure for Measure, together with the playtext, the original published texts of Dioclesian, King Arthur, and The Fairy-Queen, and a transcription of the manuscript of The Indian Queen. An appendix to the volumeshows the song texts as actually set by Purcell.
