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Author: Stephen Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1443886750
Category : Art
Languages : en
Pages : 158
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Book Description
This book explores the areas of perspective, proportion, witness and theological threshold in the devotional art of the Italian Renaissance, with particular reference to the painted image of Christ. While the Incarnation, in a very real way, legitimised the idea of the portrayal of God in human form (as Jesus Christ), problems remained as to how this might be achieved and whether it should be restricted to the second person of the Holy Trinity. This book looks at the creation of pictorial space and the presentation of the image – paying special attention to schemes of perspective, as a way to better describe reality, as well as to considerations of proportion through such geometric methodology as the Golden Section and dynamic root-rectangles (based on certain ‘perfect’ or divine ratios) to balance and harmonise form. The Word Made Visible in the Painted Image also explores the theological theme of threshold and liminal space, describes how themes such as the Incarnation and Revelation were represented, and looks at the symbolism employed in so doing. It shows how such themes were captured, set in space and communicated in the painted image. This study is necessarily interdisciplinary, combining the subject areas of art history and theory, theology, biblical study, philosophy, aesthetics, physics, metaphysics, mathematics, geometry, optics, physiology, psychology, and sociology, in greater and lesser degrees. Few books take such an interdisciplinary stance on art, theology, science and related disciplines to this extent.
Author: Stephen Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1443886750
Category : Art
Languages : en
Pages : 158
Get Book Here
Book Description
This book explores the areas of perspective, proportion, witness and theological threshold in the devotional art of the Italian Renaissance, with particular reference to the painted image of Christ. While the Incarnation, in a very real way, legitimised the idea of the portrayal of God in human form (as Jesus Christ), problems remained as to how this might be achieved and whether it should be restricted to the second person of the Holy Trinity. This book looks at the creation of pictorial space and the presentation of the image – paying special attention to schemes of perspective, as a way to better describe reality, as well as to considerations of proportion through such geometric methodology as the Golden Section and dynamic root-rectangles (based on certain ‘perfect’ or divine ratios) to balance and harmonise form. The Word Made Visible in the Painted Image also explores the theological theme of threshold and liminal space, describes how themes such as the Incarnation and Revelation were represented, and looks at the symbolism employed in so doing. It shows how such themes were captured, set in space and communicated in the painted image. This study is necessarily interdisciplinary, combining the subject areas of art history and theory, theology, biblical study, philosophy, aesthetics, physics, metaphysics, mathematics, geometry, optics, physiology, psychology, and sociology, in greater and lesser degrees. Few books take such an interdisciplinary stance on art, theology, science and related disciplines to this extent.
Author: Stephen Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1527535436
Category : Art
Languages : en
Pages : 192
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Book Description
Both collectively and individually we have a deep and abiding fascination with angels. This book explores depictions of angels in the visual arts and in scripture and associated apocryphal and mystical writings, specifically in the Hebrew and Christian Bibles and Islamic, Zoroastrian and other ancient and latter-day accounts. It examines the visual clues, artistic conventions and attributes that have been set down to help us to recognise angels in their particular roles and functions. Certain writings have had a particularly influential bearing on our understanding of angels. This text focuses on the hierarchies and orders proposed by the likes of Pseudo-Dionysius, St. Thomas Aquinas and others. In a new age of fascination with the metaphysical and supernatural (in film, television, popular mythology and literature), are we cementing or losing our connection with the authentic meaning and purpose that such vibrant and energised beings bring to our table? This book contains more than 30 illustrations in a central colour plates section. It also includes a useful glossary of terms and will prove a rich and enduring reference resource for libraries, as well as a stimulating go-to source for those interested in the world of angels and how human sensibilities and imaginative reasoning have enriched the subject, as a starting point for interreligious dialogue.
Author: Stephen Miller
Publisher:
ISBN: 9781443885423
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
The book explores the areas of perspective, proportion, witness and theological threshold as related to the visual arts and primarily to the painted image in the devotional art of the Italian Renaissance, with particular reference to the painted image of Christ. While the Incarnation, in a very real way, legitimised the idea of the portrayal of God in human form (as Jesus Christ), problems remained as to how this might be achieved and whether it should be restricted to the second person of the Holy Trinity. This book looks at the creation of pictorial space and the presentation of the image-paying special attention to schemes of perspective, as a way to better describe reality, as well as considerations of proportion through such geometric methodology as the Golden Section and dynamic root-rectangles (based on certain 'perfect' or divine ratios) to balance and harmonise form. The Word Made Visible in the Painted Image also explores the theological theme of threshold and liminal space, and describes how themes such as the Incarnation and revelation were represented, looking at the symbolism employed in so doing. It shows how such themes were captured, set in space, and communicated in the painted image. This study is necessarily interdisciplinary, combining the subject areas of art history and theory, theology, biblical study, philosophy, aesthetics, physics, metaphysics, mathematics, geometry, optics, physiology, psychology, and sociology, in greater and lesser degrees. Few books take such an interdisciplinary stance on art, theology, science and related disciplines to this extent.
Author: Stephen Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1527518833
Category : Art
Languages : en
Pages : 171
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Book Description
This beautifully illustrated monograph, including more than 50 colour plates of the artist’s work—most of which appear here for the first time—is the first critical study of the work of the artist Stephen Cook (born 1952), and will serve as both an introduction to, and analysis of, his output in the context of a tradition of figurative art in post-war Britain. The scrutiny of the subjects of these paintings point to a representation of a reality outside of the flux of things and of our everyday experience, albeit one that is derived from the immediately recognisable natural world. This is achieved not only through a method of close observation, but through the rigour of the application of that observation.
Author: John Paul II
Publisher: LiturgyTrainingPublications
ISBN: 9781568543383
Category : Religion
Languages : en
Pages : 32
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Book Description
Meeting House Essays in a series of papers reflecting on the mystery, beauty and practicalities of the place of worship. This popular series was begun in 1991, and each resource focuses on a particular aspect of space, design or materials and how they relate to the liturgy.
Author: AnneMarie Luijendijk
Publisher: Mohr Siebeck
ISBN: 9783161528590
Category : Religion
Languages : en
Pages : 232
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Book Description
"This book centers on The Gospel of the Lots of Mary, a previously unknown text preserved in a fifth- or sixth-century Coptic miniature codex. It presents the first critical edition and translation of this new text. My book is also a project about religious praxis and authority, as I situate the manuscript within the context of practices of and debates around divination in the ancient Mediterranean world."--Preface, p. [vii].
Author: Timothy Verdon
Publisher: Paraclete Press
ISBN: 1612619789
Category : Religion
Languages : en
Pages : 120
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Book Description
The last fifty years have seen a rediscovery of the role of the visual arts in the lives of all Christians. In tune with this ecumenical age, this book shares the belief that beauty and art can bridge differences, unite people in "shared admiration," and possibly become an instrument of communion among separated Christians. The authors of this book are Catholic, Orthodox, Anglican, and Protestant artists, scholars, and clergy who in 2017 will take part in a symposium organized to commemorate the Reformation, which began when Martin Luther published his 95 theses in 1517. With sessions in Paris, Strasburg, Florence, New Haven (CT), and Orleans (MA), the symposium is promoted by Catholic and Protestant schools of theology together with Mount Tabor Centre for Art and Spirituality, in Barga, Italy.
Author: John Drury
Publisher: Yale University Press
ISBN: 9780300092943
Category : Art
Languages : en
Pages : 224
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Book Description
In this beautifully written book, Drury, an Anglican priest and theologian, looks at religious paintings through the ages and presents them in a fresh way--as works filled with passion, stories, and meaning. 100 illustrations, 70 in color.
Author: Jeffrey John Dixon
Publisher: McFarland
ISBN: 1476629285
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
The early chroniclers of Britain presented the island as the promised land of the Roman goddess Diana. Later, when the story of Arthur was transformed by Christian mythology, a new literary concept of the island was promoted: the promised land of the Holy Grail. As the feminine enchantment of the Goddess gave way to the masculine crusade of the Grail Quest, the otherworld realms of the fays or fairy women were denigrated in favor of the heavenly afterlife. The dualism of the medieval authors was challenged by modern writers such as Blake and Tolkien, as well as by the scholars of the Eranos conferences. This book explores the conflict between Goddess and Grail--a rift less about paganism versus Christianity than about religious literalism versus spiritual imagination--which is resolved in the figure of Sophia (Divine Wisdom).
Author: Juliet Benner
Publisher: InterVarsity Press
ISBN: 083083544X
Category : Religion
Languages : en
Pages : 192
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Book Description
Docent Juliet Benner began showing people how to meditate on Christian art treasures, which led to her much-beloved "O Taste and See" columns from the spiritual formation journal Conversations, now expanded into this book. In each chapter you'll encounter a passage of Scripture and a corresponding piece of art to lead you in a new experience of prayer in God's presence.
