The Wonderful and Surprising History of Sweeney Todd PDF Download
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Author: Robert L Mack
Publisher: Continuum
ISBN:
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Tells the fascinating story of how the Sweeny-Todd-myth developed from popular melodrama in the 1850s to film, ballet and musical incarnations in the 20th century. >
Author: Robert L Mack
Publisher: Continuum
ISBN:
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Tells the fascinating story of how the Sweeny-Todd-myth developed from popular melodrama in the 1850s to film, ballet and musical incarnations in the 20th century. >
Author: George Payne Rainsford James
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410392449
Category : Literary Criticism
Languages : en
Pages : 24
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Book Description
A Study Guide for Stephen Sondheim's "Sweeney Todd: The Demon Barber of Fleet Street" (film entry), excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
Author: Robert Gordon
Publisher: Oxford University Press
ISBN: 0190909730
Category : Music
Languages : en
Pages : 1001
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Book Description
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
Author: Laura Colmenero-Chilberg
Publisher: BRILL
ISBN: 184888429X
Category : Social Science
Languages : en
Pages : 216
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Book Description
Author: J K Curry
Publisher: University of Alabama Press
ISBN: 0817370064
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the same ways? The essays in “Theatre Symposium: Volume 19” present this dynamic coexistence of theatre and film, and examine the nature of their mutual influence on each other. Bruce McConachie, in his contribution to the collection, “Theatre and Film in Evolutionary Perspective,” argues that the cognitive functions used to interpret either media arise from the same evolutionary foundation, and that therefore the viewing experiences of theatre and film are closely linked to each other. In “Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams,” Anthony Hostetter and Elisabeth Hostetter consider Jones’ influential vision of a “theater of the future,” in which traditional stage performances incorporate mediated video material into stage productions. Becky Becker’s “Nollywood: Film and Home Video, of the Death of Nigerian Theatre,” by focusing on the current conversation in Nigeria, discusses the anxiety generated by a film and video industry burgeoning into and displacing theatre culture These and the six other essays in “Theatre Symposium: Volume 19” shed light on the current state of affairs—the collaborations and the tensions—between two distinctly individual yet inextricably related artistic media.
Author: Jen Cadwallader
Publisher: Springer
ISBN: 3319588869
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This edited collection offers undergraduate Literature instructors a guide to the pedagogy and teaching of Victorian literature in liberal arts classrooms. With numerous essays focused on thematic course design, this volume reflects the increasingly interdisciplinary nature of the literature classroom. A section on genre provides suggestions on approaching individual works and discussing their influence on production of texts. Sections on digital humanities and “out of the classroom” approaches to Victorian literature reflect current practices and developing trends. The concluding section offers three different versions of an “ideal” course, each of which shows how thematic, disciplinary, genre, and technological strands may be woven together in meaningful ways. Professors of introductory literature courses aimed at non-English majors to advanced seminars for majors will find accessible and innovative course ideas supplemented with a variety of versatile teaching materials, including syllabi, assignments, and in-class activities.
Author: Ted Geier
Publisher: Edinburgh University Press
ISBN: 1474424724
Category : Nature
Languages : en
Pages : 200
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Book Description
Meat Markets articulates the emergent 'nonhuman thought' developed across literatures of the long nineteenth century and inflecting recent critical theories of abject life and animality. It presents important connections between meat and popular serial press industries, the intersections of criminals and public readership, and the long history of bloody spectacle at London's Smithfield Market including public executions, criminal escapades, death and horror tales, and the fungible 'penny press' forms of mass consumption. Through analysis of subjection, address, and narration in canonical and penny literatures, this book reveals the mutual forces of concern and consumption that afflict objects of a weird cultural history of bloody London across the long nineteenth century. Players include butchers, Smithfield, Parliament, Dickens, Romantics, Sweeney Todd, cattle, and a strange, impossible London.
Author: Caroline McCracken-Flesher
Publisher: Oxford University Press
ISBN: 0190208597
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with terror. When the perpetrators were finally apprehended in 1828, their motive roiled the nation: William Burke and William Hare had murdered for profit. The cadavers supplied a ready payout, courtesy of Dr. Robert Knox, who was desperate for anatomical subjects. Nearly two hundred years later, these scandalous murders continue to fire imagination in Scotland and beyond. From the start, the sensational events provoked artists and writers. While Sir Walter Scott resisted public comment, his correspondence gives his trenchant private opinion and shows him working busily behind the scenes and against the doctor. Many more mined the news outright. Serial novelist David Pae exploited the disturbance to lobby for religious belief in an increasingly secular world. A subsequent generation resurrected the grisly drama as fodder for the Victorian gothic-the murders figure prominently in Robert Louis Stevenson's "The Body Snatcher" and, more obliquely, in Strange Case of Dr. Jekyll and Mr. Hyde. The twentieth century saw the specters of Burke and Hare emerge in James Bridie's play The Anatomist, Hollywood horror films, television programs like Alfred Hitchcock Presents, and Frankensteinian retellings from Alasdair Gray. In this century, the story has been picked up by Smallville and Doctor Who. Recent allusions and reenactments range from the somber-in popular detective fiction by Ian Rankin-to the dark, camp comedy of Fringe Festival performances and the slapstick of John Landis's Burke and Hare. Featuring over thirty images and canvassing a wide range of media-from contemporary newspaper accounts and private correspondence to Japanese comic books and videogames-The Doctor Dissected analyzes the afterlife of this national trauma and considers its singular place in Scottish history.
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 867
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Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
