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Author: Emmett Early
Publisher: McFarland
ISBN: 9780786483396
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Movies have provided a record of the war veteran as he was viewed within his own culture and within the culture in which the movies were produced. Thus, movies account for a significant portion of what people "know" about the war veteran and how he fared during and after the war. In this book, the author examines 125 movies from the classical era to the 20th century that feature the war veteran. The author provides commentary on specific categories the films can be organized into and notes similarities between films produced in different periods. The categories deal with the wounded veteran returning home (e.g., The Sun Also Rises, The Best Years of Our Lives, Born on the Fourth of July, The Manchurian Candidate); the veteran struggling with guilt, revenge and post-traumatic stress disorder (Anatomy of a Murder, Lethal Weapon, Desert Bloom, In Country, Jacob's Ladder); the war veteran returning in disguise (Ulysses, Ivanhoe, The Seventh Seal, The Man in the Gray Flannel Suit); the war veteran as a social symbol (Dances with Wolves, Gosford Park, The Legend of Bagger Vance, The Big Chill, Gods and Monsters, Cornered); the war veteran in action (The Born Losers, Conspiracy Theory, She Wore a Yellow Ribbon, Saint Jack, Looking for Mr. Goodbar); and the war veteran before, during and after the war (The Deer Hunter, Forrest Gump).
Author: Emmett Early
Publisher: McFarland
ISBN: 9780786483396
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
Movies have provided a record of the war veteran as he was viewed within his own culture and within the culture in which the movies were produced. Thus, movies account for a significant portion of what people "know" about the war veteran and how he fared during and after the war. In this book, the author examines 125 movies from the classical era to the 20th century that feature the war veteran. The author provides commentary on specific categories the films can be organized into and notes similarities between films produced in different periods. The categories deal with the wounded veteran returning home (e.g., The Sun Also Rises, The Best Years of Our Lives, Born on the Fourth of July, The Manchurian Candidate); the veteran struggling with guilt, revenge and post-traumatic stress disorder (Anatomy of a Murder, Lethal Weapon, Desert Bloom, In Country, Jacob's Ladder); the war veteran returning in disguise (Ulysses, Ivanhoe, The Seventh Seal, The Man in the Gray Flannel Suit); the war veteran as a social symbol (Dances with Wolves, Gosford Park, The Legend of Bagger Vance, The Big Chill, Gods and Monsters, Cornered); the war veteran in action (The Born Losers, Conspiracy Theory, She Wore a Yellow Ribbon, Saint Jack, Looking for Mr. Goodbar); and the war veteran before, during and after the war (The Deer Hunter, Forrest Gump).
Author: Emmett Early
Publisher: McFarland
ISBN: 0786474998
Category : History
Languages : en
Pages : 239
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Book Description
The veterans' culture in postwar eras from World War I to the present is examined in this book, with specific attention to the historic events of each era as they influence veterans, and the literature and movies produced about veterans and by veterans. The intention is to highlight the reciprocal interactions among the influences of the war, the veterans, and the culture. The common alienation of the veterans of foreign wars is thoroughly explored. Films and literary works featuring war veterans of each era are examined in detail for their various views of alienation. Homer's Odyssey, myths, fairy tales, modern novels, memoirs, and short stories are all discussed with an emphasis on detailing what is common and expected with returning veterans, and what is unique for each postwar era.
Author: Haidee Wasson
Publisher: Univ of California Press
ISBN: 0520291506
Category : Business & Economics
Languages : en
Pages : 396
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Book Description
The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror. This engagement includes cinema created and used by and for the military itself (such as training films), the codevelopment of technologies (chemical, mechanical, and digital), and the use of film (and related mass media) as a key aspect of American "soft power," at home and around the world. A rich and timely set of essays, this volume will become a go-to for scholars interested in all aspects of how the military creates and uses moving-image media.
Author: Robert T. Eberwein
Publisher: Rutgers University Press
ISBN: 9780813534978
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
War has had a powerful impact on the film industry, while at the same time motion pictures can influence wartime behaviour & shape our perception of the historical record. This book collects essays that use a variety of critical approaches to explore this film genre.
Author: Nico Walker
Publisher: Vintage
ISBN: 0525520147
Category : Fiction
Languages : en
Pages : 336
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Book Description
National Bestseller Now a major motion picture starring Tom Holland and directed by the Russo Brothers. A young medic returns from deployment in Iraq to two things: the woman he loves, and the opioid crisis sweeping across the Midwest. In this “miracle of literary serendipity” (The Washington Post), after finding himself deep in the thrall of heroin addiction, the soldier arrives at what seems like the only logical solution: robbing banks. Written by a singularly talented, wildly imaginative debut novelist, Cherry is a bracingly funny and unexpectedly tender work of fiction straight from the dark heart of America. A PEN/HEMINGWAY AWARD FINALIST A NEW YORK TIMES NOTABLE BOOK ONE OF THE BEST BOOKS OF THE YEAR: THE NEW YORKER • ENTERTAINMENT WEEKLY • VULTURE • VOGUE • LIT HUB
Author: Jack Schmitt
Publisher: Xlibris Corporation
ISBN: 1796014494
Category : History
Languages : en
Pages : 914
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Book Description
The book details the adventures of the eldest son of a working-class family from the urban Midwest who enters the army in the late 1960s and is transformed from a naive cowboy idolizer into a devious, larcenous, gun-carrying reprobate. He delves into the world of black market activities, prostitutes, drugs, and race relations and emerges a callous man for whom death is divided into two basic classes: bodies that are sent away and those that are dismissed as the impersonal enemy. Raised in an all-white environment and having had only one long-term exposure to a person of color, during a short period attending a seminary, he was taught to treat others fairly or to ignore them if their behavior warranted it. In the army, he encounters young men from every part of the country. Some require special treatment, while others introduce him to layers of the spectrum of life, which he did not know existed. He receives specialized training and, instead of being sent directly to Vietnam, is dispatched to Germany to participate in the Cold War in a very active manner. While in the army from 1967 to 1970, he wrote over five hundred letters, many to a girl with whom relations ended upon his return from Vietnam. She gave all the letters back, and they stayed on a shelf, waiting to fulfill the promise to someday write a book about the things that happened. His father also returned the letters that were written to him, which described the language used, the abuse suffered, and the status of race and homosexual relations, as well as the horrors of war, in no uncertain terms. The letters remained untouched for nearly fifty years, but he would sometimes recount an incident to friends or family, receiving in return an urging to write the stories for them. His older daughter chronologically organized the letters, while his other daughter edited the manuscript as it was being written. The idea to write this book, as well as its title, struck while joking with fellow GI’s in the barracks about someday telling the world that no one would believe the things they were doing in the name of serving their country. They would develop audacious pranks to outdo one another or minimalize a situation and just be glad to live another day. They often remarked about spending parents’ and grandparents’ tax money on atrocious wastes of effort and material. The military personnel during the late ’60s fit three distinct categories: juicers, heads, and straights. The first included men from every state, since almost everyone drank now and then. The second referred to the use of acid by some, while smokers and dopers fit right in. Lastly, there were some individuals who preferred not to get wasted by any means. Homosexuals and blacks could occupy any of the groups. The story details army life for a middle-class Midwest man who is introduced to conditions and concepts he had never imagined in Europe, then in the States, and finally in Vietnam. The intended audience is adult, mostly because of the language and the portrayal of man’s cruelty to man, while on the other hand, the book is both nostalgic as well as informative.
Author: Douglas A. Cunningham
Publisher: John Wiley & Sons
ISBN: 111833762X
Category : Performing Arts
Languages : en
Pages : 475
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Book Description
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship
Author: Laura J. Ahlstrom
Publisher: Routledge
ISBN: 9780367275617
Category :
Languages : en
Pages : 144
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Book Description
War Movies and Economics: Lessons from Hollywood's Adaptations of Military Conflict applies ongoing research in the relatively new genre of economics in popular media to Hollywood's war movies. Whether inadvertently or purposefully, these movies provide numerous examples of how economic principles often play an important role in military conflict. The authors of the chapters included in this edited collection work to illustrate economics lessons portrayed in adaptations such as Band of Brothers, Conspiracy, The Dirty Dozen, Dunkirk, Memphis Belle, Saving Private Ryan, Schindler's List, Spartacus, Stalag 17 and Valkyrie. Aspects of these stories show how key economic principles of scarcity, limited resources and incentives play important roles in military conflict. The movies also provide an avenue for discussion of the economics of public goods provision, the modern economic theory of bureaucracy, and various game-theoretic concepts such as strategic moves and commitment devices. Where applicable, lessons from closely related fields such as management are also provided. This book is ideal reading for students of economics looking for an approachable route to understanding basic principles of economics and game theory. It is also accessible to amateur and professional historians, and any reader interested in popular culture as it relates to television, movies, and military history.
Author: John Trafton
Publisher: Springer
ISBN: 1137497025
Category : Social Science
Languages : en
Pages : 197
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Book Description
Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.
Author: Yvonne Tasker
Publisher: Duke University Press
ISBN: 0822348470
Category : History
Languages : en
Pages : 330
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Book Description
A comprehensive analysis of the changing representations of military women in American and British movies and TV programs from the Second World War to the present.
