The War That Time Forgot (2008-) #8 PDF Download
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Author: Bruce Jones
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 24
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Book Description
Colonel Jape goes over the edge! Tomahawk, Enemy Ace and the rest of the time-lost warriors must contend with their crazed leader while Trang goes into labor-in the middle of a blockbuster dinosaur battle royal!
Author: Bruce Jones
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 24
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Book Description
Colonel Jape goes over the edge! Tomahawk, Enemy Ace and the rest of the time-lost warriors must contend with their crazed leader while Trang goes into labor-in the middle of a blockbuster dinosaur battle royal!
Author: Chris Bishop
Publisher: Univ. Press of Mississippi
ISBN: 1496808533
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.
Author: Stuart Allan
Publisher: Routledge
ISBN: 1135261962
Category : Language Arts & Disciplines
Languages : en
Pages : 687
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Book Description
The Routledge Companion to News and Journalism presents an authoritative, comprehensive assessment of diverse forms of news media reporting – past, present and future. Including 60 chapters, written by an outstanding team of internationally respected authors, the Companion provides scholars and students with a reliable, historically informed guide to news media and journalism studies. The Companion has the following features: It is organised to address a series of themes pertinent to the on-going theoretical and methodological development of news and journalism studies around the globe. The focus encompasses news institutions, production processes, texts, and audiences. Individual chapters are problem-led, seeking to address ‘real world’ concerns that cast light on an important dimension of news and journalism – and show why it matters. Entries draw on a range of academic disciplines to explore pertinent topics, particularly around the role of journalism in democracy, such as citizenship, power and public trust. Discussion revolves primarily around academic research conducted in the UK and the US, with further contributions from other national contexts - thereby allowing international comparisons to be made. The Routledge Companion to News and Journalism provides an essential guide to key ideas, issues, concepts and debates, while also stressing the value of reinvigorating scholarship with a critical eye to developments in the professional realm. The paperback edition of this Companion includes four new chapters, focusing on news framing, newsmagazines, digital radio news, and social media. Contributors: G. Stuart Adam, Stuart Allan, Chris Atton, Brian Baresch, Geoffrey Baym, W. Lance Bennett, Rodney Benson, S. Elizabeth Bird, R. Warwick Blood, Tanja Bosch, Raymond Boyle, Bonnie Brennen, Qing Cao, Cynthia Carter, Anabela Carvalho, Deborah Chambers, Lilie Chouliaraki, Lisbeth Clausen, James R. Compton, Simon Cottle, Ros Coward, Andrew Crisell, Mark Deuze, Roger Dickinson, Wolfgang Donsbach, Mats Ekström, James S.Ettema, Natalie Fenton, Bob Franklin, Herbert J. Gans, Mark Glaser, Mark Hampton, Joseph Harker, Jackie Harrison, John Hartley, Alfred Hermida, Andrew Hoskins, Shih-Hsien Hsu, Dale Jacquette, Bengt Johansson, Richard Kaplan, Carolyn Kitch, Douglas Kellner, Larsåke Larsson, Justin Lewis, Jake Lynch, Mirca Madianou, Donald Matheson, Heidi Mau, Brian McNair, Kaitlynn Mendes, Máire Messenger Davies, Toby Miller, Martin Montgomery, Marguerite Moritz, Mohammed el-Nawawy, Henrik Örnebring, Julian Petley, Shawn Powers, Greg Philo, Stephen D. Reese, Barry Richards, David Rowe, Philip Seib, Jane B. Singer, Guy Starkey, Linda Steiner, Daya Kishan Thassu, John Tulloch, Howard Tumber, Silvio Waisbord, Gary Whannel, Andrew Williams, Barbie Zelizer
Author: John Tulloch
Publisher: Routledge
ISBN: 0415698049
Category : History
Languages : en
Pages : 234
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Book Description
This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.
Author: Michael Pawuk
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1113
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Book Description
Covering genres from adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast terrain of graphic novels, describing and organizing titles to help librarians balance their graphic novel collections and direct patrons to read-alikes. New subgenres, new authors, new artists, and new titles appear daily in the comic book and manga world, joining thousands of existing titles—some of which are very popular and well-known to the enthusiastic readers of books in this genre. How do you determine which graphic novels to purchase, and which to recommend to teen and adult readers? This updated guide is intended to help you start, update, or maintain a graphic novel collection and advise readers about the genre. Containing mostly new information as compared to the previous edition, the book covers iconic super-hero comics and other classic and contemporary crime fighter-based comics; action and adventure comics, including prehistoric, heroic, explorer, and Far East adventure as well as Western adventure; science fiction titles that encompass space opera/fantasy, aliens, post-apocalyptic themes, and comics with storylines revolving around computers, robots, and artificial intelligence. There are also chapters dedicated to fantasy titles; horror titles, such as comics about vampires, werewolves, monsters, ghosts, and the occult; crime and mystery titles regarding detectives, police officers, junior sleuths, and true crime; comics on contemporary life, covering romance, coming-of-age stories, sports, and social and political issues; humorous titles; and various nonfiction graphic novels.
Author: Cord A Scott
Publisher: Naval Institute Press
ISBN: 1612514782
Category : History
Languages : en
Pages : 214
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Book Description
Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.
Author: Smruti S. Pattanaik
Publisher: Taylor & Francis
ISBN: 1003849172
Category : History
Languages : en
Pages : 287
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Book Description
This book encapsulates the creation of Bangladesh with stories of some of those who made it happen —from the perspectives of people who fought for recognition of Bangla as one of the state languages of Pakistan, those who brought the stories of war to life as it progressed through the Swadhin Bangla Betar Kendro, operations by valiant military men, sacrifices of Birangonas (women of valour) whose contribution to the liberation of Bangladesh has often been neglected, martyrs who laid down their lives for the birth of the nation, and those who worked among the freedom fighters and refugees and kept their morale high. The emergence of Bangladesh in 1971 shaped both the nation and its narratives that revolved around partition of the subcontinent earlier in 1947. The history of Bangladesh was rewritten from the people’s perspective. The struggle of individuals and families who contributed to the liberation of Bangladesh is etched in blood and it is but natural that their perspectives would inform those interested in studying the history of liberation in a larger context. More than fifty years have passed since Bangladesh was liberated. Yet stories of individual suffering, sacrifices and contributions illustrate how people endured the repression inflicted by the Pakistan Army on them and yet fought gallantly. Three million were killed, 2 million were raped and 10 million became refugees in India. Bangladesh’s liberation war also represents the struggle of a people to preserve their culture and identity. This book captures all these and much more, bringing in reminiscences of what 1971 represented to those who contributed directly to the war of liberation. The book will be of interest to scholars and researchers of politics and international relations, partition studies, South Asian studies and refugee and diaspora studies. The chapters in this book were originally published in Strategic Analysis.
Author: Mark Campbell
Publisher: Oldacastle Books
ISBN: 1842436600
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
A new, updated edition puts all the Doctors under the microscope—including Matt Smith—with facts, figures and opinions on every Doctor Who story televised Doctor Who has seen many ups and downs in its long and colorful history, and this guide tracks all of them. From humble beginnings in November 1963 to its cancellation in 1989 and eventual resurrection in 2005, Doctor Who has always been a quintessential element of sci-fi, and British popular culture. The spine-chilling theme music, the multidimensional Tardis, the evil metallic Daleks, and the ever-changing face of the Doctor himself have become trademarks of the program's witty, eclectic style. Over the years Doctor Who has embraced such diverse genres as science fiction, horror, westerns, history, romance, adventure, and comedy—but has never strayed from its first and most important remit: telling damn good stories. Eleven Doctors, a multitude of companions, and a veritable cornucopia of monsters and villains: the show has it all. This guide includes sections on TV, radio, cinema, stage, and internet spin-offs; novels and audio adventures; missing episodes; and an extensive website listing and bibliography.
Author: Bruce Jones
Publisher:
ISBN: 9781401224752
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Written by Bruce Jones Art by Al Barrionuevo, Jimmy Palmiotti, Scott Kolins and Graham Nolan Cover by Justiniano In this concluding volume, featuring issues #7-12 of the miniseries, a USAF pilot, about to warn his superiors of the attack on Pearl Harbor, crashes on a mysterious island populated by prehistoric creatures and soldiers of wars of the past, present and future. Advance-solicited; on sale September 9 - 144 pg, FC, $17.99 US
Author: Sanjib Kr Biswas
Publisher: Bloomsbury Publishing
ISBN: 9354359574
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
The book rereads the historiography of the Liberation War of Bangladesh in 1971 documented by Bangladeshi, Indian, and Western historians to trace the position of women who share a negligible place in the gendered war history. It analyses how contemporary novels of South Asia have dealt with the war and highlights women's issues like their subordination through blame, their agency in the war, and their victimization in the ethnic politics of their men. The book has also taken into account nonfictional works of contemporary women ethnographers and studies the lives of women who had engaged in the 1971 war not only as victims, but also as social workers, healthcare professionals, and fighters, and whose voice has been continuously suppressed in the post-war situation of Bangladesh. The book follows a postmodern approach to evaluate the ethnographic metanarratives in the forms of ethnographic fictions, oral history, interview, and memoirs in order to challenge women's neglected place in the historical grand narratives of the 1971 war.
