Author: Robert Kirkman
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"FINAL FIGHT" Jesus is confronted on the road
The Walking Dead #173
Author: Robert Kirkman
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"FINAL FIGHT" Jesus is confronted on the road
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"FINAL FIGHT" Jesus is confronted on the road
"We're All Infected"
Author: Dawn Keetley
Publisher: McFarland
ISBN: 0786476281
Category : Performing Arts
Languages : en
Pages : 255
Book Description
This edited collection brings together an introduction and 13 original scholarly essays on AMC's The Walking Dead. The essays in the first section address the pervasive bloodletting of the series: What are the consequences of the series' unremitting violence? Essays explore violence committed in self-defense, racist violence, mass lawlessness, the violence of law enforcement, the violence of mourning, and the violence of history. The essays in the second section explore an equally urgent question: What does it mean to be human? Several argue that notions of the human must acknowledge the centrality of the body--the fact that we share a "blind corporeality" with the zombie. Others address how the human is closely aligned with language and time, the disappearance of which are represented by the aphasic, timeless zombie. Underlying each essay are the game-changing words of The Walking Dead's protagonist Rick Grimes to the other survivors: "We're all infected." The violence of the zombie is also our violence; their blind drives are also ours. The human characters of The Walking Dead may try to define themselves against the zombies but in the end their bodies harbor the zombie virus: they are the walking dead. Instructors considering this book for use in a course may request an examination copy here.
Publisher: McFarland
ISBN: 0786476281
Category : Performing Arts
Languages : en
Pages : 255
Book Description
This edited collection brings together an introduction and 13 original scholarly essays on AMC's The Walking Dead. The essays in the first section address the pervasive bloodletting of the series: What are the consequences of the series' unremitting violence? Essays explore violence committed in self-defense, racist violence, mass lawlessness, the violence of law enforcement, the violence of mourning, and the violence of history. The essays in the second section explore an equally urgent question: What does it mean to be human? Several argue that notions of the human must acknowledge the centrality of the body--the fact that we share a "blind corporeality" with the zombie. Others address how the human is closely aligned with language and time, the disappearance of which are represented by the aphasic, timeless zombie. Underlying each essay are the game-changing words of The Walking Dead's protagonist Rick Grimes to the other survivors: "We're all infected." The violence of the zombie is also our violence; their blind drives are also ours. The human characters of The Walking Dead may try to define themselves against the zombies but in the end their bodies harbor the zombie virus: they are the walking dead. Instructors considering this book for use in a course may request an examination copy here.
The Walking Dead Vol. 17
Author: Robert Kirkman
Publisher: Image Comics
ISBN: 1607067242
Category : Comics & Graphic Novels
Languages : en
Pages : 148
Book Description
In this volume of the NYT bestselling survival horror, Rick and his band of survivors work to build a larger network of thriving communities, and soon discover that Negan's 'Saviors' prove to be a larger threat than they could have fathomed. Crossing Negan will lead to serious, dire consequences for the group; it seems that for the first time since the Governor's reign of terror that Rick may have Something to Fear. Collects THE WALKING DEAD 97-102
Publisher: Image Comics
ISBN: 1607067242
Category : Comics & Graphic Novels
Languages : en
Pages : 148
Book Description
In this volume of the NYT bestselling survival horror, Rick and his band of survivors work to build a larger network of thriving communities, and soon discover that Negan's 'Saviors' prove to be a larger threat than they could have fathomed. Crossing Negan will lead to serious, dire consequences for the group; it seems that for the first time since the Governor's reign of terror that Rick may have Something to Fear. Collects THE WALKING DEAD 97-102
Vampire State Building
Author: Ange
Publisher: Ablaze
ISBN: 9781950912049
Category : Horror comic books, strips, etc
Languages : en
Pages : 0
Book Description
Originally published in French under the following title: Vampire State Building, vol. 1 & 2, Ã Editions Soleil - 2019.
Publisher: Ablaze
ISBN: 9781950912049
Category : Horror comic books, strips, etc
Languages : en
Pages : 0
Book Description
Originally published in French under the following title: Vampire State Building, vol. 1 & 2, Ã Editions Soleil - 2019.
Rick Grimes 2000
Author: Robert Kirkman
Publisher: Image Comics
ISBN: 9781534322233
Category : Comics & Graphic Novels
Languages : en
Pages : 64
Book Description
Beyond THE WALKING DEAD... RICK GRIMES2000! RickGrimes was a small-town police officer. Then the world fell to the walking dead.But the dead were only the start... and a new tale of alien horror beginshere. Superstarwriter Robert Kirkman (INVINCIBLE, FIRE POWER) and superstar artist Ryan Ottley(INVINCIBLE, Amazing Spider-Man) present the wildest WALKING DEAD story ever.This hardcover collects the entire RICK GRIMES 2000 story originally serializedin the pages of SKYBOUND X. SUPERHEROES, HORROR
Publisher: Image Comics
ISBN: 9781534322233
Category : Comics & Graphic Novels
Languages : en
Pages : 64
Book Description
Beyond THE WALKING DEAD... RICK GRIMES2000! RickGrimes was a small-town police officer. Then the world fell to the walking dead.But the dead were only the start... and a new tale of alien horror beginshere. Superstarwriter Robert Kirkman (INVINCIBLE, FIRE POWER) and superstar artist Ryan Ottley(INVINCIBLE, Amazing Spider-Man) present the wildest WALKING DEAD story ever.This hardcover collects the entire RICK GRIMES 2000 story originally serializedin the pages of SKYBOUND X. SUPERHEROES, HORROR
The Netflix Vision of Horror
Author: Sotiris Petridis
Publisher: McFarland
ISBN: 1476643121
Category : Performing Arts
Languages : en
Pages : 195
Book Description
Since the emergence of on-demand streaming platforms, television as a storytelling medium has drastically changed. The lines between TV and cinema are blurred. Traditionally, television relied on narrative forms and genres that were highly formulaic, striving to tease the viewer onward with a series of cliffhangers while still maintaining viewer comprehension. Now, on platforms such as Netflix, the lack of commercial breaks and the practice of "binge-watching" have led to a new type of television flow that urges viewers to see and consume a series as a whole and not as a fragmented narrative. This book examines the structuring methods of 13 Netflix original horror series, including Chilling Adventures of Sabrina, Stranger Things, Hemlock Grove, The Haunting of Hill House, and Santa Clarita Diet. Although these shows use television as the medium of storytelling, they are structured according to the classical rules of film.
Publisher: McFarland
ISBN: 1476643121
Category : Performing Arts
Languages : en
Pages : 195
Book Description
Since the emergence of on-demand streaming platforms, television as a storytelling medium has drastically changed. The lines between TV and cinema are blurred. Traditionally, television relied on narrative forms and genres that were highly formulaic, striving to tease the viewer onward with a series of cliffhangers while still maintaining viewer comprehension. Now, on platforms such as Netflix, the lack of commercial breaks and the practice of "binge-watching" have led to a new type of television flow that urges viewers to see and consume a series as a whole and not as a fragmented narrative. This book examines the structuring methods of 13 Netflix original horror series, including Chilling Adventures of Sabrina, Stranger Things, Hemlock Grove, The Haunting of Hill House, and Santa Clarita Diet. Although these shows use television as the medium of storytelling, they are structured according to the classical rules of film.
The Cambridge Companion to the American Graphic Novel
Author: Jan Baetens
Publisher: Cambridge University Press
ISBN: 1009379364
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
The Cambridge Companion to the American Graphic Novel explores the important role of the graphic novel in reflecting American society and in the shaping of the American imagination. Using key examples, this volume reviews the historical development of various subgenres within the graphic novel tradition and examines how graphic novelists have created multiple and different accounts of the American experience, including that of African American, Asian American, Jewish, Latinx, and LGBTQ+ communities. Reading the American graphic novel opens a debate on how major works have changed the idea of America from that once found in the quintessential action or superhero comics to show new, different, intimate accounts of historical change as well as social and individual, personal experience. It guides readers through the theoretical text-image scholarship to explain the meaning of the complex borderlines between graphic novels, comics, newspaper strips, caricature, literature, and art.
Publisher: Cambridge University Press
ISBN: 1009379364
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
The Cambridge Companion to the American Graphic Novel explores the important role of the graphic novel in reflecting American society and in the shaping of the American imagination. Using key examples, this volume reviews the historical development of various subgenres within the graphic novel tradition and examines how graphic novelists have created multiple and different accounts of the American experience, including that of African American, Asian American, Jewish, Latinx, and LGBTQ+ communities. Reading the American graphic novel opens a debate on how major works have changed the idea of America from that once found in the quintessential action or superhero comics to show new, different, intimate accounts of historical change as well as social and individual, personal experience. It guides readers through the theoretical text-image scholarship to explain the meaning of the complex borderlines between graphic novels, comics, newspaper strips, caricature, literature, and art.
Ghouls, Gimmicks, and Gold
Author: Kevin Heffernan
Publisher: Duke University Press
ISBN: 0822385554
Category : Performing Arts
Languages : en
Pages : 333
Book Description
The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.
Publisher: Duke University Press
ISBN: 0822385554
Category : Performing Arts
Languages : en
Pages : 333
Book Description
The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.
Undead Souths
Author: Eric Gary Anderson
Publisher: LSU Press
ISBN: 080716108X
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Examines physical, symbolic, psychological, and cultural forms of undeadness in a variety of media and historical periods.
Publisher: LSU Press
ISBN: 080716108X
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Examines physical, symbolic, psychological, and cultural forms of undeadness in a variety of media and historical periods.
Final Girls, Feminism and Popular Culture
Author: Katarzyna Paszkiewicz
Publisher: Springer Nature
ISBN: 3030315231
Category : Performing Arts
Languages : en
Pages : 281
Book Description
This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.
Publisher: Springer Nature
ISBN: 3030315231
Category : Performing Arts
Languages : en
Pages : 281
Book Description
This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.