The Walking Dead #162 PDF Download
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Author: Robert Kirkman
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
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Book Description
END OF STORY ARC "THE WHISPERER WAR," Conclusion.
Author: Robert Kirkman
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
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Book Description
END OF STORY ARC "THE WHISPERER WAR," Conclusion.
Author: Robert Kirkman
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 40
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Book Description
"AFTERMATH" Carl fights for the Commonwealth but who is he fighting against?
Author: Robert Kirkman
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
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Book Description
This special Walking Dead issue contains THE WALKING DEAD 27, featuring the first appearance of The Governor, as well as the Governor origin story that first appeared in the CBLDF LIBERTY ANNUAL 2012. Find out the origins of the villain.
Author: Ange
Publisher: Ablaze
ISBN: 9781950912049
Category : Horror comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Originally published in French under the following title: Vampire State Building, vol. 1 & 2, Ã Editions Soleil - 2019.
Author: John C. McDowell
Publisher: McFarland
ISBN: 0786474882
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Bringing critical attention to a particular set of science fiction and fantasy films--Larry and Andy Wachowski's The Matrix, George Lucas' Star Wars saga, and Joss Whedon's Avengers--this book utilizes a wide-ranging set of critical tools to illuminate their political ideologies, while also examining any resistant and complicating turns or byways the films may provide. What they all have in common ideologically is that they--or at least the genres they belong to--tend to be regarded as belonging to politically conservative frames of sociocultural reference. With the Star Wars saga, however, this idea is shown to be superficial and weak.
Author: Cary Levine
Publisher: University of Chicago Press
ISBN: 022602623X
Category : Art
Languages : en
Pages : 250
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Book Description
Mike Kelley, Paul McCarthy, and Raymond Pettibon—these Southern California artists formed a “bad boy” trifecta. Early purveyors of abject art, the trio produced work ranging from sculptures of feces to copulating stuffed animals, and gained notoriety from being perverse. Showing how their work rethinks transgressive art practices in the wake of the 1960s, Pay for Your Pleasures argues that their collaborations as well as their individual enterprises make them among the most compelling artists in the Los Angeles area in recent years. Cary Levine focuses on Kelley’s, McCarthy’s, and Pettibon’s work from the 1970s through the 1990s, plotting the circuitous routes they took in their artistic development. Drawing on extensive interviews with each artist, he identifies the diverse forces that had a crucial bearing on their development—such as McCarthy’s experiences at the University of Utah, Kelley’s interest in the Detroit-based White Panther movement, Pettibon’s study of economics, and how all three participated in burgeoning subcultural music scenes. Levine discovers a common political strategy underlying their art that critiques both nostalgia for the 1960s counterculture and Reagan-era conservatism. He shows how this strategy led each artist to create strange and unseemly images that test the limits of not only art but also gender roles, sex, acceptable behavior, poor taste, and even the gag reflex that separates pleasure from disgust. As a result, their work places viewers in uncomfortable situations that challenge them to reassess their own values. The first substantial analysis of Kelley, McCarthy, and Pettibon, Pay for Your Pleasures shines new light on three artists whose work continues to resonate in the world of art and politics.
Author: Bryan Senn
Publisher: McFarland
ISBN: 1476610908
Category : Performing Arts
Languages : en
Pages : 561
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Book Description
This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.
Author: Gordon Arnold
Publisher: McFarland
ISBN: 1476605114
Category : History
Languages : en
Pages : 239
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Book Description
The fall of Saigon in 1975 signaled the end of America's longest war. Yet in many ways the conflict was far from over. Although the actual fighting ended, the struggle to find political justification and historical vindication for the Vietnam War still lingered in American consciousness. A plethora of images from America's first "televised war" has kept the conflict all too fresh in the memories of those who lived through it, while creating a confusing picture for a younger generation. The political process of attaching meaning to historical events has ultimately failed due to the lack of consensus--then and now--regarding events surrounding the Vietnam War. Reviewing the record of American politics, film, and television, this volume provides a brief overview of the war's appearance in American popular culture. It examines the ways in which this conflict has consistently resurfaced in social and political life, especially in the arena of contemporary world events such as the Soviet incursion into Afghanistan, the Gulf War and the 2004 presidential campaign. To this end, the work explores the contexts and uses of the Vietnam War as a recurring subject. The circumstances and symbolism used in the rhetoric of the political elite and the news media, including the New York Times, the Washington Post, Time, and Newsweek, are discussed. Emphasis is also placed on the role of film and television as the book examines movies such as The Deer Hunter and Apocalypse Now and TV series such as M*A*S*H. In weaving together the political and screen appearances of the Vietnam War, the book reexamines the influence of a major episode in American history.
Author: Robert Neri
Publisher: Lulu.com
ISBN: 0997267402
Category : Games & Activities
Languages : en
Pages : 258
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Book Description
Mage, wizard, necromancer whatever you call a spellcaster they all require the same thing... spells. Those intricate little bits of game arcana that make such characters worthwhile and certain foes so lethal. This illustrated book contains over 1,000 pregenerated spells compatible with the D&G Core system with every thing from RPG classics to very strange and powerful new original spells. This accessory to the Dice & Glory system can aid any player or Game Master not willing or simply too over-taxed to create their own magic spells using the core rulebook. Requires the Dice & Glory Core Rulebook The Great Grimoire contains: Over 1,000 pregenerated spells and rituals, Several random roll tables including those to create randomly generated magic items! Rules, tables and an extra word on Magic Shops. This invaluable resource is a must have for upstart wizards and Game Masters looking for ideas!
Author: Stella Marie Gaynor
Publisher: Springer Nature
ISBN: 3030975894
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including American Horror Story, The Haunting of Hill House, Creepshow, Ash vs Evil Dead, and Hannibal; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television.
