Author: Catherine M. Keesling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Sheds light upon the origins and significance of Greek portraiture.
The Votive Statues of the Athenian Acropolis
Author: Catherine M. Keesling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Sheds light upon the origins and significance of Greek portraiture.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Sheds light upon the origins and significance of Greek portraiture.
The Female Portrait Statue in the Greek World
Author: Sheila Dillon
Publisher: Cambridge University Press
ISBN: 0521764505
Category : Art
Languages : en
Pages : 271
Book Description
The first detailed analysis of the female portrait statue in the Greek world from the fourth century BCE to the third century CE.
Publisher: Cambridge University Press
ISBN: 0521764505
Category : Art
Languages : en
Pages : 271
Book Description
The first detailed analysis of the female portrait statue in the Greek world from the fourth century BCE to the third century CE.
Architecture and Meaning on the Athenian Acropolis
Author: Robin Francis Rhodes
Publisher: Cambridge University Press
ISBN: 9780521469814
Category : Architecture
Languages : en
Pages : 244
Book Description
Examines the several buildings making up the Acropolis as a group, or narrative.
Publisher: Cambridge University Press
ISBN: 9780521469814
Category : Architecture
Languages : en
Pages : 244
Book Description
Examines the several buildings making up the Acropolis as a group, or narrative.
Early Greek Portraiture
Author: Catherine M. Keesling
Publisher: Cambridge University Press
ISBN: 1108211275
Category : Art
Languages : en
Pages : 329
Book Description
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Publisher: Cambridge University Press
ISBN: 1108211275
Category : Art
Languages : en
Pages : 329
Book Description
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Divine Images and Human Imaginations in Ancient Greece and Rome
Author:
Publisher: BRILL
ISBN: 9047441656
Category : History
Languages : en
Pages : 455
Book Description
The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.
Publisher: BRILL
ISBN: 9047441656
Category : History
Languages : en
Pages : 455
Book Description
The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.
The Tyrant-Slayers of Ancient Athens
Author: Vincent Azoulay
Publisher: Oxford University Press
ISBN: 019066357X
Category : Literary Collections
Languages : en
Pages : 305
Book Description
This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Publisher: Oxford University Press
ISBN: 019066357X
Category : Literary Collections
Languages : en
Pages : 305
Book Description
This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Statues and Cities
Author: John Ma
Publisher:
ISBN: 0199668914
Category : Architecture
Languages : en
Pages : 406
Book Description
Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout
Publisher:
ISBN: 0199668914
Category : Architecture
Languages : en
Pages : 406
Book Description
Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout
Autopsy in Athens
Author: Margaret M. Miles
Publisher: Oxbow Books
ISBN: 1782978593
Category : History
Languages : en
Pages : 201
Book Description
This is an exciting time to study in Athens. The “rescue” excavations of recent years, conducted during construction of the Metro system and in preparation for the 2004 Olympics Games, combined with major restoration projects and a new enthusiasm for fresh examination of old material, using new techniques and applications, brings new perspectives and answers on many aspects of the ancient city of Athens and life, politics and religion in Attica. The 15 papers presented here contribute new findings that result from intensive, firsthand examinations of the archaeological and epigraphical evidence. They illustrate how much may be gained by reexamining material from older excavations, and from the methodological shift from documenting information to closer analysis and larger historical reflection. They offer a variety of perspectives on a range of issues: the ambiance of the ancient city for passersby, filled with roadside shrines; techniques of architectural construction and sculpting; religious expression in Athens including cults of Asklepios and Serapis; the precise procedures for Greek sacrifice; how the borders of Attica were defined over time, and details of its road-system. In presenting this volume the contributors are continuing in a long tradition of autopsy – in the sense of 'personal observation' – in Athens, that began even in the Hellenistic period and has continued through the writings of centuries of travelers and academics to the present day.
Publisher: Oxbow Books
ISBN: 1782978593
Category : History
Languages : en
Pages : 201
Book Description
This is an exciting time to study in Athens. The “rescue” excavations of recent years, conducted during construction of the Metro system and in preparation for the 2004 Olympics Games, combined with major restoration projects and a new enthusiasm for fresh examination of old material, using new techniques and applications, brings new perspectives and answers on many aspects of the ancient city of Athens and life, politics and religion in Attica. The 15 papers presented here contribute new findings that result from intensive, firsthand examinations of the archaeological and epigraphical evidence. They illustrate how much may be gained by reexamining material from older excavations, and from the methodological shift from documenting information to closer analysis and larger historical reflection. They offer a variety of perspectives on a range of issues: the ambiance of the ancient city for passersby, filled with roadside shrines; techniques of architectural construction and sculpting; religious expression in Athens including cults of Asklepios and Serapis; the precise procedures for Greek sacrifice; how the borders of Attica were defined over time, and details of its road-system. In presenting this volume the contributors are continuing in a long tradition of autopsy – in the sense of 'personal observation' – in Athens, that began even in the Hellenistic period and has continued through the writings of centuries of travelers and academics to the present day.
Archaic and Classical Greek Epigram
Author: Manuel Baumbach
Publisher: Cambridge University Press
ISBN: 0521118050
Category : History
Languages : en
Pages : 455
Book Description
This book explores dialogue between Archaic and Classical Greek epigrams and their readers, and argues for their often-unacknowledged literary and aesthetic achievement.
Publisher: Cambridge University Press
ISBN: 0521118050
Category : History
Languages : en
Pages : 455
Book Description
This book explores dialogue between Archaic and Classical Greek epigrams and their readers, and argues for their often-unacknowledged literary and aesthetic achievement.
Historical Agency and the ‘Great Man' in Classical Greece
Author: Sarah Brown Ferrario
Publisher: Cambridge University Press
ISBN: 1316061116
Category : History
Languages : en
Pages : 425
Book Description
The 'great man' of later Greek historical thought is the long product of traceable changes in ancient ideas about the meaning and impact of an individual life. At least as early as the birth of the Athenian democracy, questions about the ownership of the motion of history were being publicly posed and publicly challenged. The responses to these questions, however, gradually shifted over time, in reaction to historical and political developments during the fifth and fourth centuries BC. These ideological changes are illuminated by portrayals of the roles played by individuals and groups in significant historical events, as depicted in historiography, funerary monuments, and inscriptions. The emergence in these media of the individual as an indispensable agent of history provides an additional explanation for the reception of Alexander 'the Great': the Greek world had long since been prepared to understand him as it did.
Publisher: Cambridge University Press
ISBN: 1316061116
Category : History
Languages : en
Pages : 425
Book Description
The 'great man' of later Greek historical thought is the long product of traceable changes in ancient ideas about the meaning and impact of an individual life. At least as early as the birth of the Athenian democracy, questions about the ownership of the motion of history were being publicly posed and publicly challenged. The responses to these questions, however, gradually shifted over time, in reaction to historical and political developments during the fifth and fourth centuries BC. These ideological changes are illuminated by portrayals of the roles played by individuals and groups in significant historical events, as depicted in historiography, funerary monuments, and inscriptions. The emergence in these media of the individual as an indispensable agent of history provides an additional explanation for the reception of Alexander 'the Great': the Greek world had long since been prepared to understand him as it did.