The Vocal Parts of an Entertainment, Called the Necromancer Or Harlequin Doctor Faustus. As Perform'd at the Theatre Royal in Lincoln's-Inn-Fields. To Which is Prefix'd, a Short Account of Doctor Faustus; and how He Came to be Reputed a Magician PDF Download
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Author: John Rich
Publisher: Gale Ecco, Print Editions
ISBN: 9781379531722
Category :
Languages : en
Pages : 24
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Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T147512 Anonymous. By John Rich. Words only. With a half-title. London: printed and sold at the Book-Seller's Shop and by A. Dodd, 1723. [4], v-x, [3],6-16p.; 8°
Author: John Rich
Publisher: Gale Ecco, Print Editions
ISBN: 9781379531722
Category :
Languages : en
Pages : 24
Get Book Here
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T147512 Anonymous. By John Rich. Words only. With a half-title. London: printed and sold at the Book-Seller's Shop and by A. Dodd, 1723. [4], v-x, [3],6-16p.; 8°
Author: Rich
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Ernest Galliard
Publisher: Forgotten Books
ISBN: 9780484000628
Category : Poetry
Languages : en
Pages : 24
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Book Description
Excerpt from The Vocal Parts of an Entertainment, Call'd, the Necromancer, or Harlequin Doctor Faustus: As Perform'd at the Theatre Royal in Lincoln's-Inn-Fields; To Which Is Prefix'd, a Short Account of Doctor Faustus, and How He Came to Be Reputed a Magician E his ?r0 I. What particular Arqifiges he was Mafier of, are but very darkly handed down to us; and. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Ernest Galliard
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 16
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Author: John Rich
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Dr. Johann FAUST
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Dr. Johann FAUST
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Author:
Publisher:
ISBN:
Category : Puppet plays
Languages : en
Pages : 284
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Book Description
Author: Christa Knellwolf King
Publisher: Routledge
ISBN: 1351936913
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Having identified the literary origins of the Faustus legend in the German Faust Book (1587) and its English translation (1592), this book argues that these works transformed a simple rogue's tale into an incisive study of morality and beliefs. The chapbooks' contrastive portrayal of an imaginary experience of hell and a pseudo-scientific journey through the cosmos is interpreted as an unconventional approach to the questions of an inquiring mind. This study offers the first analysis of the chapbooks as literary works in their own right, as opposed to simply being sources for Christopher Marlowe's play. It is also the first study to describe the Faustus typology as a vehicle by which uncompromising thinkers of early modernity and the Enlightenment questioned contemporary views about religion, morality and the possibility of experiencing transcendence. While arguing that Marlowe's Doctor Faustus primarily examines the imaginary foundations of religious rules and standards, the author suggests that the 1616 version of the play revived the chapbooks' accounts of spiritual ravishment and intellectual ecstasy. Imaginary explorations of cosmic space became popular in the seventeenth century and gave rise to strongly diverging works of literature, embracing the arcane spirituality of Milton's Paradise Lost as well as Fontenelle's sociable but essentially secular fantasy of cosmic travel. This book shows that contemporary responses to early modern science also tended to address the most urgent concerns of the Faustus legend, explaining the re-emergence of the typology in Mountfort's late seventeenth-century farcical Faustus play and early eighteenth-century harlequinades about Doctor Faustus
Author: Al Coppola
Publisher: Oxford University Press
ISBN: 0190627263
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
