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Author: Maryan W. Ainsworth
Publisher: Giles
ISBN: 9781911282198
Category : Art
Languages : en
Pages : 160
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Book Description
"This catalogue is published in conjunction with the exhibition The Charterhouse of Bruges: Jan Van Eyck, Petrus Christus, and Jan Vos on view at The Frick Collection from September 18, 2018, to January 13, 2019."
Author: Maryan W. Ainsworth
Publisher: Giles
ISBN: 9781911282198
Category : Art
Languages : en
Pages : 160
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Book Description
"This catalogue is published in conjunction with the exhibition The Charterhouse of Bruges: Jan Van Eyck, Petrus Christus, and Jan Vos on view at The Frick Collection from September 18, 2018, to January 13, 2019."
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 0810964821
Category : Painting, Renaissance
Languages : en
Pages : 246
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Book Description
This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
During the past few decades, admirers of Petrus Christus have been astonishingly fortunate. Unknown or forgotten paintings in the style of Christus have turned up with surprising regularity: in the 1950s, the wonderful Kansas City Holy Family; in the 1960s the Birmingham Christ and the Bruges Isabella of Portugal Presented by Saint Elisabeth in the 1980s, the Cleveland Baptist and the problematic Bruges panels of the Annunciation and the Nativity. Nothing, of course, can compensate for the loss, during World War II, of the Dessau Crucifixion, and the Berlin wing panels of the Baptist and Saint Catherine. We had to wait until 1974 for the first monograph devoted to Christus, but since then two more books on Christus have been published and important discoveries have been made about his career in Bruges. Thanks to Maryan Ainsworth and her colleagues, we had a truly marvellous exhibition, where we had the privilige of studying more of Chrsitus' paintings than he himself can ever have seen gathered in one place. The exhibition itself initiated a new phase in Christus studies and it is the ideal beginning. If problems of attribution and chronology are ever to be settled, they had to be settled during the exhibition. This publication offers the papers of the 1994 Petrus Christus Symposium at The Metropolitan Museum in New York. L. Campbell, Approaches to Petrus Christus, W. Blockmans, The Creative Environment: Inventions and Functions of Bruges Art Production, C. Harbison, Fact, Symbol, Ideal, Roles for Realism in Early Netherlandish Painting, G.B. Canfield, The Reception of Flemish Art in Renaissance Florence and Naples, M.P.J. Martens, Discussion, J. Upton, PETRUS.XPI.ME.FECIT, The Transformation of a Legacy, S. Buck, Petrus Christus' Berlin Wings and the Metropolitan Museum's Eyckian Diptych, S. Jones, The Virgin of Nicholas van Maelbeke and the Followers of Jan Van Eyck, C. Eisler, Discussion, L. Gellman, Two Lost Portraits by Petrus Christus.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870998706
Category : Art patronage
Languages : en
Pages : 466
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Book Description
Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Boudewijn Bakker
Publisher: Routledge
ISBN: 1351561138
Category : Art
Languages : en
Pages : 394
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Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Author: Bret L. Rothstein
Publisher: Cambridge University Press
ISBN: 9780521832786
Category : Art
Languages : en
Pages : 280
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Book Description
Publisher Description
Author: Otto Pächt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
This volume follows on from Pacht's work on the Van Eycks and their circle, to encompass the great artists of the fifteenth and sixteenth centuries. Figures such as Van Der Weyden, Bouts, Christus, Van Der Goes and Memling, as well as lesser known artists, are examined in turn. With detailed discussion of particular paintings, style and symbolism.
Author: Noa Turel
Publisher: Yale University Press
ISBN: 0300247575
Category : Art
Languages : en
Pages : 201
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Book Description
A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.
Author: Bernhard Ridderbos
Publisher: Amsterdam University Press
ISBN: 9789053566145
Category : Art
Languages : en
Pages : 506
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Book Description
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588390101
Category : Art
Languages : en
Pages : 132
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Book Description
The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
