Author: Laurie Brands Gagné
Publisher: University of Notre Dame Pess
ISBN: 0268159580
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Laurie Brands Gagné believes the image of God as stern Father or Judge has done much damage over the centuries and has engendered a sense of shame and guilt, especially in women. She sees our own civilization as one that is cut off from the natural world and from the precious part of ourselves that is earthy and sensual. In The Uses of Darkness: Women's Underworld Journeys, Ancient and Modern, Gagné explores women's journeys through the underworld to reclaim the wisdom and sensuality contained in these stories for heirs of the God the Father tradition. She looks at the ancient stories of Inanna, Demeter, and Psyche and the reflections of these archetypal figures in the work of women such as Sylvia Plath, Joan Didion, Mary Gordon, Virginia Woolf, and Etty Hillesum to illustrate that the alternative tradition these journey stories represent has much to offer modern Christians. Gagné successfully demonstrates that only by turning to confront the mystery that has been obscured by the image of God as stern Father or Judge can a woman raised in the Christian tradition acquire a sense of self strong enough to integrate experiences of profound loss. Most importantly, by drawing on the wisdom of the goddess tradition, both men and women are able to effect a more meaningful reappropriation of Christianity. Gagné's examination of the dark experience of the underworld in the goddess tradition discovers the elements of all spiritual journeys: self-transcendence followed by self-transformation. Anyone who has struggled with love and loss and whose spirit has been suppressed by the image of God as Judge, yet who will not reject Christianity, will benefit from this work.
The Uses of Darkness
Author: Laurie Brands Gagné
Publisher: University of Notre Dame Pess
ISBN: 0268159580
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Laurie Brands Gagné believes the image of God as stern Father or Judge has done much damage over the centuries and has engendered a sense of shame and guilt, especially in women. She sees our own civilization as one that is cut off from the natural world and from the precious part of ourselves that is earthy and sensual. In The Uses of Darkness: Women's Underworld Journeys, Ancient and Modern, Gagné explores women's journeys through the underworld to reclaim the wisdom and sensuality contained in these stories for heirs of the God the Father tradition. She looks at the ancient stories of Inanna, Demeter, and Psyche and the reflections of these archetypal figures in the work of women such as Sylvia Plath, Joan Didion, Mary Gordon, Virginia Woolf, and Etty Hillesum to illustrate that the alternative tradition these journey stories represent has much to offer modern Christians. Gagné successfully demonstrates that only by turning to confront the mystery that has been obscured by the image of God as stern Father or Judge can a woman raised in the Christian tradition acquire a sense of self strong enough to integrate experiences of profound loss. Most importantly, by drawing on the wisdom of the goddess tradition, both men and women are able to effect a more meaningful reappropriation of Christianity. Gagné's examination of the dark experience of the underworld in the goddess tradition discovers the elements of all spiritual journeys: self-transcendence followed by self-transformation. Anyone who has struggled with love and loss and whose spirit has been suppressed by the image of God as Judge, yet who will not reject Christianity, will benefit from this work.
Publisher: University of Notre Dame Pess
ISBN: 0268159580
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Laurie Brands Gagné believes the image of God as stern Father or Judge has done much damage over the centuries and has engendered a sense of shame and guilt, especially in women. She sees our own civilization as one that is cut off from the natural world and from the precious part of ourselves that is earthy and sensual. In The Uses of Darkness: Women's Underworld Journeys, Ancient and Modern, Gagné explores women's journeys through the underworld to reclaim the wisdom and sensuality contained in these stories for heirs of the God the Father tradition. She looks at the ancient stories of Inanna, Demeter, and Psyche and the reflections of these archetypal figures in the work of women such as Sylvia Plath, Joan Didion, Mary Gordon, Virginia Woolf, and Etty Hillesum to illustrate that the alternative tradition these journey stories represent has much to offer modern Christians. Gagné successfully demonstrates that only by turning to confront the mystery that has been obscured by the image of God as stern Father or Judge can a woman raised in the Christian tradition acquire a sense of self strong enough to integrate experiences of profound loss. Most importantly, by drawing on the wisdom of the goddess tradition, both men and women are able to effect a more meaningful reappropriation of Christianity. Gagné's examination of the dark experience of the underworld in the goddess tradition discovers the elements of all spiritual journeys: self-transcendence followed by self-transformation. Anyone who has struggled with love and loss and whose spirit has been suppressed by the image of God as Judge, yet who will not reject Christianity, will benefit from this work.
Thirst
Author: Mary Oliver
Publisher: Beacon Press
ISBN: 0807069035
Category : Poetry
Languages : en
Pages : 88
Book Description
Thirst, a collection of forty-three new poems from Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the frst time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades.
Publisher: Beacon Press
ISBN: 0807069035
Category : Poetry
Languages : en
Pages : 88
Book Description
Thirst, a collection of forty-three new poems from Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the frst time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades.
Artificial Darkness
Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319
Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319
Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
Moral Uses of Dark Things
Author: Horace Bushnell
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 370
Book Description
Moral Uses of Dark Things. Sixteen articles
Author: Horace BUSHNELL
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
The Use of Scripture in the Markan Passion Narrative
Author: Kelli S. O'Brien
Publisher: A&C Black
ISBN: 0567033791
Category : Religion
Languages : en
Pages : 344
Book Description
The Library of New Testament Studies (LNTS) is a premier book series that offers cutting-edge work for a readership of scholars, teachers in the field of New Testament studies, postgraduate students and advanced undergraduates. All the many and diverse aspects of New Testament study are represented and promoted, including innovative work from historical perspectives, studies using social-scientific and literary theory, and developing theological, cultural and contextual approaches Kelli S. O'Brien examines the use of scripture in the Markan passion narrative. O'Brien begins by laying firm methodological foundations, providing an incisive definition of the term allusion and the criteria by which the presence of allusions may be established. She then tests the plethora of allusions that previous scholars have discerned within Mark 14-15, arguing that only sixteen references have sufficient support to be considered as allusions out of approximately 270 references suggested. O'Brien then moves to assess the interpretive impact of the most likely allusions on the Markan passion narrative. Some allusions make bold statements with regard to Christology, including Jesus' ultimate vindication and exaltation. Many, however, have little Christological content and function as literary devices to interpret the narrative. Allusions illuminate the significance of events, from the flight of the disciples to the offer of vinegary wine. The presence of allusions provides a window to the evangelist's understanding of Jesus' death in eschatological and redemptive terms. As such this study is of immense importance in furthering comprehension of the Second Gospel's interpretation of the passion.
Publisher: A&C Black
ISBN: 0567033791
Category : Religion
Languages : en
Pages : 344
Book Description
The Library of New Testament Studies (LNTS) is a premier book series that offers cutting-edge work for a readership of scholars, teachers in the field of New Testament studies, postgraduate students and advanced undergraduates. All the many and diverse aspects of New Testament study are represented and promoted, including innovative work from historical perspectives, studies using social-scientific and literary theory, and developing theological, cultural and contextual approaches Kelli S. O'Brien examines the use of scripture in the Markan passion narrative. O'Brien begins by laying firm methodological foundations, providing an incisive definition of the term allusion and the criteria by which the presence of allusions may be established. She then tests the plethora of allusions that previous scholars have discerned within Mark 14-15, arguing that only sixteen references have sufficient support to be considered as allusions out of approximately 270 references suggested. O'Brien then moves to assess the interpretive impact of the most likely allusions on the Markan passion narrative. Some allusions make bold statements with regard to Christology, including Jesus' ultimate vindication and exaltation. Many, however, have little Christological content and function as literary devices to interpret the narrative. Allusions illuminate the significance of events, from the flight of the disciples to the offer of vinegary wine. The presence of allusions provides a window to the evangelist's understanding of Jesus' death in eschatological and redemptive terms. As such this study is of immense importance in furthering comprehension of the Second Gospel's interpretation of the passion.
Book of Vile Darkness
Author: Monte Cook
Publisher:
ISBN: 9780786926503
Category : Dungeons and Dragons (Game)
Languages : en
Pages : 0
Book Description
The most evil and complex elements of the Dungeons & Dragons world are presented for the first time--such as moral dilemma, slavery, human sacrifice, prostitution, and other sensitive issues--to allow players to add a level of complexity to their campaigns.
Publisher:
ISBN: 9780786926503
Category : Dungeons and Dragons (Game)
Languages : en
Pages : 0
Book Description
The most evil and complex elements of the Dungeons & Dragons world are presented for the first time--such as moral dilemma, slavery, human sacrifice, prostitution, and other sensitive issues--to allow players to add a level of complexity to their campaigns.
Heart of Darkness
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Out of Darkness
Author: Ashley Hope Pérez
Publisher: Carolrhoda Lab ®
ISBN: 1467776785
Category : Young Adult Fiction
Languages : en
Pages : 484
Book Description
A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal
Publisher: Carolrhoda Lab ®
ISBN: 1467776785
Category : Young Adult Fiction
Languages : en
Pages : 484
Book Description
A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal
The Dark Fantastic
Author: Ebony Elizabeth Thomas
Publisher: NYU Press
ISBN: 1479806072
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Winner, 2022 Children's Literature Association Book Award, given by the Children's Literature Association Winner, 2020 World Fantasy Awards Winner, 2020 British Fantasy Awards, Nonfiction Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”
Publisher: NYU Press
ISBN: 1479806072
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Winner, 2022 Children's Literature Association Book Award, given by the Children's Literature Association Winner, 2020 World Fantasy Awards Winner, 2020 British Fantasy Awards, Nonfiction Finalist, Creative Nonfiction IGNYTE Award, given by FIYACON for BIPOC+ in Speculative Fiction Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”