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Author: Margaret Cavendish Duchess of Newcastle
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Languages : en
Pages :
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Author: Margaret Cavendish Duchess of Newcastle
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages :
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Author: Gerard Langbaine
Publisher:
ISBN:
Category : Dramatists
Languages : en
Pages : 236
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Author: Katherine Romack
Publisher: Routledge
ISBN: 135195296X
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Cavendish and Shakespeare, Interconnections explores the relationship between the plays of William Shakespeare and the writings of Margaret Cavendish, Duchess of Newcastle (1623-1673). Cavendish wrote 25 plays in the 1650s and 60s, making her one of the most prolific playwrights”man or woman”of the seventeenth century. The essays contained in this volume fit together as studies of various sorts of influence, both literary and historical, setting Cavendish's appropriation of Shakespearean characters and plot structures within the context of the English Civil Wars and the Fronde. The essays trace Shakespeare's influence on Cavendish, explore the political implications of Cavendish's contribution to Shakespeare's reputation, and investigate the politics of influence more generally. The collection covers topics ranging from Cavendish's strategic use of Shakespeare to establish her own reputation to her adaptation of Shakespeare's martial imagery, moral philosophy, and marriage plots, as well as the conventions of cross dressing on stage. Other topics include Shakespeare and Cavendish read aloud; Cavendish's formally hybrid appropriation of Shakespearean comedy and tragedy; her transformation of Shakespearean women on trial; and her re-imagining of Shakespearean models of sexuality and pleasure.
Author: Gerard Langbaine
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Author: M. Suzuki
Publisher: Springer
ISBN: 0230305504
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.
Author: Alison Findlay
Publisher: Cambridge University Press
ISBN: 0521839564
Category : Drama
Languages : en
Pages : 210
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This study examines the playing spaces for early modern women's drama.
Author: [Anonymus AC10205048]
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Author: Alison Findlay
Publisher: Routledge
ISBN: 1317882318
Category : Literary Criticism
Languages : en
Pages : 258
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There is a traditional view that women were absent from the field of dramatic production in the early modern period because of their exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from writing in closeted retreat, a select number of women took an active part in directing and controlling dramatic self-representations. Examining texts from the mid-sixteenth century through to the end of the seventeenth, the chapters trace the development of a women-centred aesthetic in a variety of dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth Cary, Mary Wroth, Rachel Fane and the women of the Cavendish family, form an alternative dramatic tradition centred on the household. The powerful directorial and performative roles played by queens in royal progresses and masques are explored as examples of women's dramatic production in the royal court. The book also highlights women's performances in alternative venues, such as the courtroom and the pulpit, arguing that the practices of martyrs like Margaret Clitherow or visionaries like Anna Trapnel call into question traditional definitions of theatre. The challenges faced by women who were admitted to the professional theatre companies after 1660 are explored in two chapters which deal with the plays of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix, among others. By considering the theatrical dimensions of a wide range of early modern women's writing, this book reveals the breathtaking panorama of women's dramatic production and will be essential reading for students of women's writing and renaissance drama.
Author: Line Cottegnies
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639832
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Cottegnies (English literature, University of Paris 8-Saint Denis) and Weitz (University of Oxford) offer a collection of essays on Margaret Cavendish's innovative use of genre. These interdisciplinary and multinational contributions present a variety of critical approaches to the problem of placing Cavendish's writing in the context of contemporary literary and philosophical history. The book is distributed by Associated University Presses. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
