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Author: C. Colligan
Publisher: Springer
ISBN: 0230595855
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Colligan argues that Nineteenth-century obscenity was caught up in the global cultural traffic of print technology, international trade and exoticism. She reveals that obscenity intersected majority and minority culture, searched out new print and visual media, and built commercial and fantasmatic global networks for its continuation and survival.
Author: C. Colligan
Publisher: Springer
ISBN: 0230595855
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Colligan argues that Nineteenth-century obscenity was caught up in the global cultural traffic of print technology, international trade and exoticism. She reveals that obscenity intersected majority and minority culture, searched out new print and visual media, and built commercial and fantasmatic global networks for its continuation and survival.
Author: Colette Colligan
Publisher:
ISBN: 9781349281138
Category : Erotic literature, English
Languages : en
Pages : 236
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Book Description
Colette Colligan offers an original and compelling examination of obscenity in nineteenth-century British print culture. While carefully following its most significant commercial, legal, and discursive formations in the period, she argues that nineteenth-century obscenity was caught up in the global cultural traffic of print technology, international trade, and exoticism. Her stylish introduction, together with her thoroughly researched four main case studies, offers a unique juxtaposition of nineteenth-century authors, publications, imagery, and events, both well known and underground. Escaping the limitations of dominant histories and theories of nineteenth-century obscenity governed by notions of "The Other Victorians," she reveals that obscenity intersected majority and minority culture, circulated from the farthest reaches of empire back to the metropolis, searched out new print and visual media, and built commercial and fantasmatic global networks for its continuation and survival. This study also foregrounds that the nineteenth-century emergence of obscenity as a transnational trade and concept dispersed across media, markets, and borders has lasting implications on present-day fears and fantasies of its relentless circulation in diverse media environments. The Traffic in Obscenity From Byron to Beardsley is a major contribution to the fields of nineteenth-century literature and culture as well as interdisciplinary obscenity studies.
Author: Feras Alkabani
Publisher: Bloomsbury Publishing
ISBN: 1838603654
Category : History
Languages : en
Pages : 297
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Book Description
In the 19th and early 20th centuries, the Arabic-speaking regions of the Ottoman Empire saw a crucial change in attitudes towards sexuality. Notions of 'respectability', 'propriety' and 'sexual morality' were being transformed in literary and cultural discourses, a shift that was related to the gradual rise in anti-Ottoman Arab nationalism. However, contemporary Orientalists such as Sir Richard Burton and T.E. Lawrence were oblivious to certain aspects of this process of cultural reconfiguration. While accounts of male-love poetry (ghazal al-mudhakkar) were being gradually expurgated from the Arab literary heritage, elaborate narratives of Oriental homoerotic desire distinctively characterise the encounters of both Burton and Lawrence with the Arab East. By comparing their literary and autobiographical accounts of the Arab Orient with contemporary Arabic literature, Feras Alkabani is able to expose this critical disparity in cross-cultural portrayals of sexual morality and homoerotic desire. Alkabani relates the conflicting agendas of contemporary Orientalists and Arab scholars to the shifts in international imperial power relations and the eventual collapse of the Ottoman Empire. His detailed comparative study reveals the significance of homoerotic desire within Orientalist and Arab literary discourses at a time when the meaning and connotations of poetic male-love were undergoing a critical change in Arab culture and literature. It will prove invaluable for those researching Orientalism, nationalism, imperialism and manifestations of homoerotic desire in the fin-de-siècle Middle East.
Author: Ming-Tsang Yang(楊明蒼)、Wesley Xi(奚永慧)、She-Ru Kao(高瑟濡)、Pao-Hsiang Wang(王寶祥)、Ya-feng Wu(吳雅鳳)、Min-tser Lin(林明澤)、Eva Yin-I Chen(陳音頤)、Su-ching Huang(黃素卿)、Iping Liang(梁一萍)、Han-yu Huang(黃涵榆)(Introduction by David Punter)
Publisher: 國立臺灣大學出版中心
ISBN: 9860270880
Category : Literary Collections
Languages : en
Pages : 450
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Book Description
Author: O'Neil
Publisher: Gale, Cengage Learning
ISBN: 153585295X
Category : Study Aids
Languages : en
Pages : 13
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Book Description
Gale Researcher Guide for: Aubrey Beardsley: Controversial Nineteenth-Century Author-Artist is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
Author: M. Finn
Publisher: Springer
ISBN: 023027725X
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This innovative book draws together literature, law and economic and social history to investigate the meanings and uses of legitimacy in nineteenth-century Britain. This broad range of essays highlights the ways in which contested narratives and interested performances shaped the idea of legitimate authority during this period.
Author: Donald A. Rosenthal
Publisher: Rowman & Littlefield
ISBN: 1538180006
Category : Art
Languages : en
Pages : 213
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Book Description
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others. The book features 60 art reproductions, half of them in color.
Author: Ralf Haekel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110376695
Category : Literary Criticism
Languages : en
Pages : 726
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Book Description
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.
Author: Nicole Moore
Publisher: Bloomsbury Publishing USA
ISBN: 150133039X
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
"Explores the defining relationship of literature to censorship across the globe"--
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 867
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Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
