The Three Pure Land Sutras PDF Download
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Author:
Publisher: BDK America
ISBN:
Category : Religion
Languages : en
Pages : 216
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Book Description
The larger sutra on Amitāyus (Taishō volume 12, number 360) -- The sutra on contemplation of Amitāyus (Taishō volume 12, number 365) -- The smaller sutra on Amitāyus (Taishō volume 12, number 366).
Author:
Publisher: BDK America
ISBN:
Category : Religion
Languages : en
Pages : 216
Get Book Here
Book Description
The larger sutra on Amitāyus (Taishō volume 12, number 360) -- The sutra on contemplation of Amitāyus (Taishō volume 12, number 365) -- The smaller sutra on Amitāyus (Taishō volume 12, number 366).
Author: Kenneth K. Tanaka
Publisher: State University of New York Press
ISBN: 1438421834
Category : Philosophy
Languages : en
Pages : 340
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Book Description
Author: Julian F. Pas
Publisher: SUNY Press
ISBN: 9780791425190
Category : Religion
Languages : en
Pages : 476
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Book Description
One of the masters of Pure Land Buddhism shows how to have a vision of the Land Sukhavati and its Lord by using the sutra as a manual of visualization.
Author: Ikumi Kaminishi
Publisher: University of Hawaii Press
ISBN: 0824844491
Category : Art
Languages : en
Pages : 256
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Book Description
Early Japanese Buddhism was patronized by the literate classes and remained a prerogative of the elite until the end of the twelfth century. With the fiscal and political decline of its aristocratic patrons, the Buddhist establishment turned increasingly to lay commoners for financial support, using paintings to accommodate its new, and often subliterate, audiences. One type of preaching, known as etoki (pictorial decipherment), helped bridge the worlds of esoteric Buddhism and lay practice and reveals much about the role of art in the context of didactic storytelling and proselytization. Beginning with the provocative claim that the popularization of Buddhism in the medieval period was a phenomenon of visual culture, Explaining Pictures reexamines the history (and historiography) of medieval Japanese Buddhism. With theoretical sophistication and a full appreciation of the power of imagery to convey and control religious meaning, it investigates a range of aspects of etoki, including the particularly active role of itinerant nuns, whose performances were especially edifying to female audiences, as well as the visual hagiography of the reputed founder of Japanese Buddhism, the pictorial projections of Buddhist paradise and hell, and the explanation, through visual imagery, of sacred mountains. Part One presents the social history of etoki as it appears in a broad variety of written sources from the tenth to fifteenth centuries and investigates how etoki helped establish the cult of Shotôku Taishi. Part Two covers the period between the late twelfth and fourteenth centuries with a focus on Pure Land Buddhist propaganda and its use in etoki practice. Etoki sermons on the Taima Mandala, the visual description of the Pure Land Buddhist canons, show how envisioning the land of bliss substitutes for meditative concentration to gain enlightenment. Ikumi Kaminishi next turns to the itinerant etoki proselytes and similar performing artists between the fifteenth and the sixteenth centuries. These individuals preached on the road and through their missionary work reached out to commoners, turning etoki into an effective method of imparting religious beliefs and soliciting alms. In the late medieval period, audiences regarded itinerant preachers much like traveling artists and vendors, which has led modern scholars to conclude that etoki priests desecrated religious rituals. Kaminishi reconsiders this historiographical problem in relation to the social meaning of itinerant performing artists of the period. Finally, the she examines etoki’s effect on the popularization of sacred mountain worship (in particular Kumano and Tateyama)during the seventeen through nineteenth centuries. Chapters focus on the Kumano propaganda image used by nuns, how Christian religious imagery was exploited in seventeenth-century Buddhist propaganda, and the ways in which etoki campaigns made the remote Tateyama a popular pilgrimage site in early modern times. Explaining Pictures is an important groundbreaking work, the first book-length study devoted to the phenomenon of Buddhist art as religious propaganda and pictorial storytelling as a form of popular culture in medieval Japan. A truly interdisciplinary study, it suggests fruitful avenues of discussion between art historians and historians of Japanese Buddhism. Scholars and students with an interest in Japanese Buddhism, art, and social and cultural history will find its examination of significant issues fresh and stimulating. It will also find an appreciative audience among those concerned with the relationship between art and religion, the mechanics of proselytization, and Asian visual culture.
Author: Miao Lien Shih (釋妙蓮)
Publisher: Lingyen Mountain Temple (Canada)
ISBN: 198951605X
Category : Religion
Languages : en
Pages : 77
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Book Description
Author: Peter Pfandt
Publisher: BRILL
ISBN: 9004598561
Category : Language Arts & Disciplines
Languages : en
Pages : 233
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Book Description
Author: P. Hurteau
Publisher: Springer
ISBN: 1137340533
Category : Social Science
Languages : en
Pages : 537
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Book Description
The interest of this book lies at the very center of a recent deployment of homosexual liberation on a larger scale. The reader will be able to understand how each of the traditions studied articulates its own regulatory mechanisms of male sexuality in general, and homosexuality.
Author: Nobuyoshi Yamabe
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 690
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Book Description
Author: Ikumi Kaminishi
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 252
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Book Description
Author: Malcolm David Eckel
Publisher: Princeton University Press
ISBN: 9780691037738
Category : Religion
Languages : en
Pages : 280
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Book Description
Boston University Professor Malcolm David Eckel takes us on a contemporary quest to discover the essential meaning behind the Buddha's many representations. Eckel shows that the dimensions of early Indian Buddhism--popular art, conventional piety, and critical philosophy--all work together to express the same religious yearning for the fullness of emptiness that Buddha conveys.
