Author: George Taylor
Publisher: Cambridge University Press
ISBN: 0521630525
Category : Drama
Languages : en
Pages : 275
Get Book Here
Book Description
This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.
Author: Berta Joncus
Publisher: University of Delaware
ISBN: 1611490332
Category : Biography & Autobiography
Languages : en
Pages : 293
Get Book Here
Book Description
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich's multifaceted career. Contributions by leading scholars from a range of disciplines-Dtheatre, dance, music, art, and cultural historyDprovide detailed analyses of Rich's productions and representations.
Author: Richard W. Bevis
Publisher: Routledge
ISBN: 1317870913
Category : Literary Criticism
Languages : en
Pages : 374
Get Book Here
Book Description
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
Author: Daniel Gustafson
Publisher: Rutgers University Press
ISBN: 1684482135
Category : Literary Criticism
Languages : en
Pages : 239
Get Book Here
Book Description
Lothario’s Corpse unearths a performance history, on and off the stage, of Restoration libertine drama in Britain’s eighteenth and early nineteenth centuries. While standard theater histories emphasize libertine drama’s gradual disappearance from the nation’s acting repertory following the dispersal of Stuart rule in 1688, Daniel Gustafson traces its persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism. With its radical, absolutist characters and its scenarios of aristocratic license, Restoration libertine drama became a critical force with which to engage in debates about the liberty-loving British subject’s relation to key forms of liberal power and about the troubling allure of lawless sovereign power that lingers at the heart of the liberal imagination. Weaving together readings of a set of literary texts, theater anecdotes, political writings, and performances, Gustafson illustrates how the corpse of the Restoration stage libertine is revived in the period’s debates about liberty, sovereign desire, and the subject’s relation to modern forms of social control. Ultimately, Lothario’s Corpse suggests the “long-running” nature of Restoration theatrical culture, its revived and revised performances vital to what makes post-1688 Britain modern. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 638
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Library science
Languages : en
Pages : 506
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 514
Get Book Here
Book Description
Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 9780521659826
Category : Drama
Languages : en
Pages : 324
Get Book Here
Book Description
This collection of essays recovers the names and careers of nineteenth-century women playwrights.
Author: John Russell Stephens
Publisher: Cambridge University Press
ISBN: 9780521136556
Category : Drama
Languages : en
Pages : 232
Get Book Here
Book Description
Originally published in 1980, this was the first study to make use of the Lord Chamberlain's files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
Author: George Taylor
Publisher: Cambridge University Press
ISBN: 9780521241328
Category : Literary Collections
Languages : en
Pages : 260
Get Book Here
Book Description
For this volume George Taylor has edited five plays by two largely forgotten eighteenth-century playwrights, Samuel Foote and Arthur Murphy. The plays are The Minor and The Nabob by Foote and The Citizen, Three Weeks after Marriage and Know Your Own Mind by Murphy. All, apart from the last, are two- or three-act farces, the main popular fare of the eighteenth-century theatre. They are still eminently playable today, each exploring a different aspect of London society. Both playwrights have an acute ear for amusing and socially revealing dialogue, with a deft sense of situation comedy. Foote was an important theatre manager who established the success of the Haymarket Theatre by his particular brand of satire and mimicry. Had Murphy been more assiduous in his theatrical career and maintained good relations with David Garrick, his reputation as a dramatist might now have ranked him alongside Goldsmith and Sheridan.
