The Stoics on Ambiguity PDF Download
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Author: Catherine Atherton
Publisher: Cambridge University Press
ISBN: 9780521441391
Category : Language Arts & Disciplines
Languages : en
Pages : 600
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Book Description
Examines Stoic work on ambiguity.
Author: Catherine Atherton
Publisher: Cambridge University Press
ISBN: 9780521441391
Category : Language Arts & Disciplines
Languages : en
Pages : 600
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Book Description
Examines Stoic work on ambiguity.
Author: C. Atherton
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Anthony Ossa-Richardson
Publisher: Princeton University Press
ISBN: 0691228442
Category : Literary Criticism
Languages : en
Pages : 488
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Book Description
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the ‘elegance’ of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal—and not just allegorical—senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet’s intention, from the strictures of a single meaning.
Author: Robert Blair Edlow
Publisher: BRILL
ISBN: 9004320520
Category : Philosophy
Languages : en
Pages : 157
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Book Description
Author: Rebecca Bensen Cain
Publisher: A&C Black
ISBN: 0826488919
Category : Philosophy
Languages : en
Pages : 161
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Book Description
Explains how Plato's Socrates uses fallacy, irony, ambiguity and other rhetorical strategies to advance the Greek maxim to 'know thyself', as a means of caring for the soul
Author: Martin Vöhler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110715813
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.
Author: Ryan J. Johnson
Publisher: Edinburgh University Press
ISBN: 1474462189
Category : History
Languages : en
Pages : 320
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Book Description
Ryan Johnson reveals that Deleuze's provocative reading of ancient Stoicism produced many of his most singular and powerful ideas. Including previously untranslated French Stoic scholarship, Johnson unearths new possibilities for bridging contemporary and ancient philosophy.
Author: Douglas Walton
Publisher: Springer Science & Business Media
ISBN: 9401586322
Category : Philosophy
Languages : en
Pages : 302
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Book Description
We are happy to present to the reader the first book of our Applied Logic Series. Walton's book on the fallacies of ambiguity is firmly at the heart of practical reasoning, an important part of applied logic. There is an increasing interest in artifIcial intelligence, philosophy, psychol ogy, software engineering and linguistics, in the analysis and possible mechanisation of human practical reasoning. Continuing the ancient quest that began with Aristotle, computer scientists, logicians, philosophers and linguists are vigorously seeking to deepen our understanding of human reasoning and argumentation. Significant communities of researchers are actively engaged in developing new approaches to logic and argumentation, which are better suited to the urgent needs of today's applications. The author of this book has, over many years, made significant contributions to the detailed analysis of practical reasoning case studies, thus providing solid foundations for new and more applicable formal logical systems. We welcome Doug Walton's new book to our series.
Author: Peter Godman
Publisher: Princeton University Press
ISBN: 1400823609
Category : History
Languages : en
Pages : 395
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Book Description
In the tension between competing ideas of authority and the urge to literary experiment, writers of the High Middle Ages produced some of their most distinctive achievements. This book examines these themes in the high culture of Western Europe during the eleventh and twelfth centuries, showing how the intimate links between the writer and the censor, the inquisitor and the intellectual developed from metaphors, at the beginning of the period, to institutions at its end. All Latin texts--from Peter Abelard to Bernard of Clairvaux, from the Archpoet to John of Salisbury and Alan of Lille--are translated into English, and discussed both in terms of their literary qualities and in relation to the cultural history of the High Middle Ages. Not a proto-Renaissance but part of a continuity that reached into the Reformation, the eleventh and twelfth centuries witnessed a transformation of the writer's role. With a combination of literary, philological, and historical methods, Peter Godman sets the work of major intellectuals during this period in a new light.
Author: Benjamin John Peters
Publisher: Wipf and Stock Publishers
ISBN: 153269489X
Category : Philosophy
Languages : en
Pages : 174
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Book Description
Ours is an age of offense, a time of reactionary shock—always received, never given. Ours is an age that has forgone cultural narratives, a time of individualism—wherein personal identities trump the collective spirit. Ours is an age of failing earth, a time of ecological collapse—yet the consumption of global capitalism continues to run amok. But don't fear. You have the correct worldview, the best solutions. It’s not your fault these things are happening. It’s the president’s, the immigrant’s, and the Islamicist’s. Or perhaps It’s the socialist’s, the tree hugger’s, and the baby killer’s. But it’s not your fault. Never yours. For the world exists as you see it—in an echo chamber lined with golden pixels. Do I still have your attention? Then join me. Within the covers of Narrativizing Theories, I dive into ambiguity and aesthetics to depict how clashing worldviews exist side by side yet remain mutually incompatible. I examine how cultures distinguish between acceptable and unacceptable beliefs, embodiments, and identities. And I outline an aesthetic theory of ambiguity that highlights—through the twists and turns of literature—the provisionality of knowledge and the narrativization of reality.
