The Southern Lady Versus the Old Dominion PDF Download
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Author: Sara S. Rogers
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 360
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Book Description
Author: Sara S. Rogers
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 360
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Book Description
Author:
Publisher:
ISBN:
Category : Methodist women
Languages : en
Pages : 226
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Book Description
Author: Virginia Gearhart Gray
Publisher:
ISBN:
Category :
Languages : en
Pages : 544
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Book Description
Author: George Payne Rainsford James
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 328
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Book Description
Author: George Payne R. James
Publisher:
ISBN:
Category :
Languages : en
Pages : 314
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Book Description
Author: Elizabeth R. Varon
Publisher: Oxford University Press
ISBN: 0195179897
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
A gripping account of the Civil War era story of Elizabeth Van Lew: high-society Southern lady, risk-taking Union spy, and postwar politician.
Author: Florence King
Publisher: Macmillan + ORM
ISBN: 1466816260
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
Confessions of a Failed Southern Lady is Florence King's classic memoir of her upbringing in an eccentric Southern family, told with all the uproarious wit and gusto that has made her one of the most admired writers in the country. Florence may have been a disappointment to her Granny, whose dream of rearing a Perfect Southern Lady would never be quite fulfilled. But after all, as Florence reminds us, "no matter which sex I went to bed with, I never smoked on the street."
Author: George Payne Rainsford James
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
Author: Candace Bailey
Publisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276
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Book Description
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
Author: James Michael Lindgren
Publisher: University of Virginia Press
ISBN: 9780813914503
Category : Architecture
Languages : en
Pages : 344
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Book Description
In 1889 tradition-minded women, including many from Virginia's most prominent families, formed the Association for the Preservation of Virginia Antiquities (APVA), the first state preservation organization in the United States. And where better? After all, who else could so readily claim both colonial and Confederate heritage, both Jamestown and the White House of the Confederacy? In Preserving the Old Dominion cultural historian James Lindgren shows how the preservation movement strove to rebuild a revered past upon the foundations of its historic structures. While vividly capturing entertaining incidents - white-gloved pilgrimages, a Richmond costume ball, even a search for a Jamestown Rock to set back those arriviste New Englanders - and introducing battling (often with each other) preservationists, Lindgren also explores the serious consequences of these sometimes amusing efforts. He shows how the reinvention of the past shaped contemporary Virginia and the South. In a very real sense the battle between North and South was replayed at the end of the nineteenth century in a contest to control the nation's past. The AVPA's significance lies not only in the fact that it played a major role in the resurgence of conservatism in the late nineteenth-century South, but that it fits into a larger American picture where tradition-minded Americans tapped their history - whether imagined or real - to shape their identity. Preserving the Old Dominion incorporates history, anthropology, architecture, archaeology, religion, and politics; it will be of interest to historians in all fields as well as women's studies scholars.
